Ajouter une intrigue dans votre langueA junior executive convinces his female friend to pretend to be his wife so he can move ahead in his company.A junior executive convinces his female friend to pretend to be his wife so he can move ahead in his company.A junior executive convinces his female friend to pretend to be his wife so he can move ahead in his company.
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I agree with OMalley and DeFelice -- I, too, saw it when I was 11, and my best friend, who was 13, and I watched every crazy episode. We had huge crushes on Callan (who was not a bad dramatic actor - catch "The Interns" and "The New Interns")and we though it was the perfect vehicle for Callan's and Harty's comedic talents; it just somehow captured the romance that was the mid- to late '60s. It wasn't all angst and social conscience (not that those are bad, it's just that there was so much more to the era that made it great). My friend and I thought we were the only ones on the planet who remember and loved O.W. That the show was a tad daring and had slightly surreal non-plots only added to its appeal. So much, even on cable, feels so overproduced these days, this was a fresh approach back then. (Does anyone remember "He and She" with Paula Prentiss and Richard Benjamin - also very cute, and they were married on the show as in real life.) There was so much wonderful, many-layered stuff on TV back then, some of it off the wall, some of it totally charming -- "The Addams Family," "The Name of the Game" (starring the adorable Tony Franciosa, Susan St. James, Gene Barry and Robert Stack, based on the excellent made-for-TV pilot "Fame is the Name of the Game"), "Man From U.N.C.L.E." (and its more serious counterpart "I Spy" and hey, Stephanie Powers was cute as "Girl From U.N.C.L.E.), "The Avengers" (from the U.K.), "Secret Agent," etc. And, I loved "The Beverly Hillbillies," too, for what it's worth.
I was 11 when O.W. premiered in 1966 and I really enjoyed this very amusing sitcom. I too was sad to see this series end only after one year. I remember reading that NBC was on the fence about canceling O.W., but they decided to go ahead and cancel this charming show. In 1992 Comedy central aired the reruns of O.W. and I was thrilled. I taped a handful of them and I still watch them occasional:) I hope that this show is released on DVD someday. Many short-lived shows have been released on DVD recently...The Monkees; Good Morning World; Ned & Stacy; Lotsa Luck; Gidget; well the list goes on and on...Please release O.W. and include interviews with Michael Callan, Patricia Harty and Bryon O'Byne. There is an audience out there who would love to get their hands on this series!
"Occasional Wife" ran for one season on NBC from September 13, 1966 until May 9, 1967. The series was one of the first to forego the use of a laugh track. Its narration is by legendary sportscaster Vin Scully. "Occasional Wife" got off to a good start, tying at 18 in the Nielsen ratings with "The Man from U.N.C.L.E.". It began facing tougher competition from rival networks, dropping to 64 and was cancelled after 30 episodes.
The show centers around Peter Christopher (Michael Callan), a happy bachelor who is pressured to find a wife to please his family and to advance his career. His boss Max Brahms (Jack Collins) of Brahms Baby Food Company is a firm believer in family men. Peter enlists the help of a young hat check girl Greta Patterson (Patricia Harty), in exchange for paying for her art lessons and setting her up with an apartment two floors above his, to play the role of his wife whenever needed. The series rides this plot with the complications of hiding the fact they aren't married from their colleagues, friends and family.
Reflecting upon the series, after watching each episode, "Occasional Wife" is a rather farcical sitcom featuring an outlandish premise. Early on, I found many episodes struggled to maintain flow with plots feeling somewhat strained. As such, I think the series would have had much more success as a feature film expanding upon the pilot with elements of other episodes. The plot of hiding the "occasional wife" routine became overplayed in my eyes. As the series progressed, I feel the best episodes are those that doesn't depend on this premise.
Michael Callan and Patricia Harty developed a very comfortable chemistry (they married months after the series ended). However, their comedy style was more of that of a straight man, forcing the comedy to come from interactions with others. I like the casting of Jack Collins as Peter's pushy, family-first boss Mr. Brahms.
The series was at its best with the comedy of talented guest stars: John Astin in "I Do, We Don't", Dick Wilson in "One Plus One Equals Too Many", Don Penny in "My Occasional Brother's Keeper", etc.). Stuart Margolin's meek Bernie could engage the viewer and provide comedy. The series would have benefited greatly if he was a regular in some capacity. It was also fun to watch Jack Riley as Peter's snake-in-the-grass office rival, years before he became a treasured deadpan scene stealer in "The Bob Newhart Show".
Among subpar offerings, there are some good episodes in the series.
The show centers around Peter Christopher (Michael Callan), a happy bachelor who is pressured to find a wife to please his family and to advance his career. His boss Max Brahms (Jack Collins) of Brahms Baby Food Company is a firm believer in family men. Peter enlists the help of a young hat check girl Greta Patterson (Patricia Harty), in exchange for paying for her art lessons and setting her up with an apartment two floors above his, to play the role of his wife whenever needed. The series rides this plot with the complications of hiding the fact they aren't married from their colleagues, friends and family.
Reflecting upon the series, after watching each episode, "Occasional Wife" is a rather farcical sitcom featuring an outlandish premise. Early on, I found many episodes struggled to maintain flow with plots feeling somewhat strained. As such, I think the series would have had much more success as a feature film expanding upon the pilot with elements of other episodes. The plot of hiding the "occasional wife" routine became overplayed in my eyes. As the series progressed, I feel the best episodes are those that doesn't depend on this premise.
Michael Callan and Patricia Harty developed a very comfortable chemistry (they married months after the series ended). However, their comedy style was more of that of a straight man, forcing the comedy to come from interactions with others. I like the casting of Jack Collins as Peter's pushy, family-first boss Mr. Brahms.
The series was at its best with the comedy of talented guest stars: John Astin in "I Do, We Don't", Dick Wilson in "One Plus One Equals Too Many", Don Penny in "My Occasional Brother's Keeper", etc.). Stuart Margolin's meek Bernie could engage the viewer and provide comedy. The series would have benefited greatly if he was a regular in some capacity. It was also fun to watch Jack Riley as Peter's snake-in-the-grass office rival, years before he became a treasured deadpan scene stealer in "The Bob Newhart Show".
Among subpar offerings, there are some good episodes in the series.
The World, The United States and New York City were very different places in 1966 than they are as you're reading this. And Prime Time TV back then was determined to try to distract its viewers with elements that were either nostalgic or completely unrealistic.
But sometimes, there were shows that at least bordered on the facts of the day, even as they played it for laughs. One of those was "Occasional Wife."
At the time, there was a belief that if a man couldn't find a woman to marry him by a certain age, there was something bothersome, untrustworthy, "wrong" about him. So, if a bachelor was trying to climb the corporate ladder in a company, they likely would be passed over by a married guy, especially one with a family.
Such was the case for executive Peter Christopher (Michael Callan) who worked for a Baby Food company (hence, the "family image" issue), as Peter was looking to get promoted by his persnickety boss, Mr. Brahms (Jack Collins). So, Peter did the only thing he thought to do, get his platonic woman friend Greta (Patricia Harty) who was already pretending to be married to "slow down" the male patrons of the cocktail bar she worked at, to be a stand in as his spouse!
Peter moved Greta into an apartment two flights above his own, and the charade began, as Greta was working to become a fashion designer at a local art school (which Peter paid for as recompense for her having to be Peter's "wife").
Scenarios involved Greta playing house for Peter, even as Peter's actual girlfriends were around and about, unexpected visits from his corporate bosses for dinners, and all of the machinations and manipulations that those things created, including the requisite racing up and down the NYC building's fire escape so Peter could escape getting fired.
Plus there were the disapproving glances from the neighbor in-between those floors (great character actor, Bryan O'Byrne) who wordlessly watched the traffic flying past his window.
The most notable thing about the series was that it was narrated by long time Dodgers play-by-play announcer, Vin Scully, in an uncredited role, where he would describe the action and even make commentary about the circumstances (Ron Howard would carry this concept to its zenith with his similar narration of the sitcom "Arrested Development," nearly 40 years later).
The show attempted to be a little bit spicy for its day, sometimes bordering on the same territory that "Three's Company," with its "two ladies and one gentleman in the same apartment" concept perfected just a decade later. But, in the end, despite the charm of Callan and Harty in their roles and the descriptions and accounts offered by Scully, "Occasional Wife" was out at home in just one at bat, er, season.
But sometimes, there were shows that at least bordered on the facts of the day, even as they played it for laughs. One of those was "Occasional Wife."
At the time, there was a belief that if a man couldn't find a woman to marry him by a certain age, there was something bothersome, untrustworthy, "wrong" about him. So, if a bachelor was trying to climb the corporate ladder in a company, they likely would be passed over by a married guy, especially one with a family.
Such was the case for executive Peter Christopher (Michael Callan) who worked for a Baby Food company (hence, the "family image" issue), as Peter was looking to get promoted by his persnickety boss, Mr. Brahms (Jack Collins). So, Peter did the only thing he thought to do, get his platonic woman friend Greta (Patricia Harty) who was already pretending to be married to "slow down" the male patrons of the cocktail bar she worked at, to be a stand in as his spouse!
Peter moved Greta into an apartment two flights above his own, and the charade began, as Greta was working to become a fashion designer at a local art school (which Peter paid for as recompense for her having to be Peter's "wife").
Scenarios involved Greta playing house for Peter, even as Peter's actual girlfriends were around and about, unexpected visits from his corporate bosses for dinners, and all of the machinations and manipulations that those things created, including the requisite racing up and down the NYC building's fire escape so Peter could escape getting fired.
Plus there were the disapproving glances from the neighbor in-between those floors (great character actor, Bryan O'Byrne) who wordlessly watched the traffic flying past his window.
The most notable thing about the series was that it was narrated by long time Dodgers play-by-play announcer, Vin Scully, in an uncredited role, where he would describe the action and even make commentary about the circumstances (Ron Howard would carry this concept to its zenith with his similar narration of the sitcom "Arrested Development," nearly 40 years later).
The show attempted to be a little bit spicy for its day, sometimes bordering on the same territory that "Three's Company," with its "two ladies and one gentleman in the same apartment" concept perfected just a decade later. But, in the end, despite the charm of Callan and Harty in their roles and the descriptions and accounts offered by Scully, "Occasional Wife" was out at home in just one at bat, er, season.
When this show debuted, I was all of 8 years old. I loved it! Firstly, I would've married Michael Callan in 1966, if he'd only asked! I thought he was gorgeous. And Patricia Harty? Adorable.
The premise of the show sounds ridiculous now, but back then, there really wasn't any fuss and bother about discrimination in the workplace (or sexual harassment - just watch "Mad Men"!). If a boss said you had to be married to receive a promotion in his company, then you had to be married. Now, of course, if your boss laid down such a condition, you'd engage a lawyer and sue. But in 1966, you couldn't. What you could do was find a female friend, and pretend to be married, as far as your boss was concerned.
Luckily for Callan's character, he earned enough money to pay for an apartment in his building to house his "occasional wife". This not only helped to seal the deal - it also ensured that she was close at hand when needed. And having the apartments two floors apart gave us the opportunity to see the comic facial expressions of the guy who lived in between, as the Occasional Spouses ran up and down the fire escape.
The show was pretty racy for its time. The characters appeared to have sexual relationships without intending for them to end in marriage. Woooooooo....
In the pilot, Callan's mother nagged him about still not being married. She said, "You're not... 'eccentric'... are you?" (what a funny way of enquiring about his sexuality!), which he exasperatedly and quickly denied. It cracked me up.
I wouldn't mind seeing more episodes of this show, but I think it really was a bit of a one-trick-pony. There would've been only so many times where the boss showed up uninvited, or one or the other partner was seen with someone else... I don't see how it could've gone on longer than a year, now that I think about it.
Still, I thought it was a fun show to watch, and enjoyed seeing the pilot again.
The premise of the show sounds ridiculous now, but back then, there really wasn't any fuss and bother about discrimination in the workplace (or sexual harassment - just watch "Mad Men"!). If a boss said you had to be married to receive a promotion in his company, then you had to be married. Now, of course, if your boss laid down such a condition, you'd engage a lawyer and sue. But in 1966, you couldn't. What you could do was find a female friend, and pretend to be married, as far as your boss was concerned.
Luckily for Callan's character, he earned enough money to pay for an apartment in his building to house his "occasional wife". This not only helped to seal the deal - it also ensured that she was close at hand when needed. And having the apartments two floors apart gave us the opportunity to see the comic facial expressions of the guy who lived in between, as the Occasional Spouses ran up and down the fire escape.
The show was pretty racy for its time. The characters appeared to have sexual relationships without intending for them to end in marriage. Woooooooo....
In the pilot, Callan's mother nagged him about still not being married. She said, "You're not... 'eccentric'... are you?" (what a funny way of enquiring about his sexuality!), which he exasperatedly and quickly denied. It cracked me up.
I wouldn't mind seeing more episodes of this show, but I think it really was a bit of a one-trick-pony. There would've been only so many times where the boss showed up uninvited, or one or the other partner was seen with someone else... I don't see how it could've gone on longer than a year, now that I think about it.
Still, I thought it was a fun show to watch, and enjoyed seeing the pilot again.
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By what name was Occasional Wife (1966) officially released in Canada in English?
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