Une jeune infirmière psychiatrique part travailler dans un asile solitaire suite à un meurtre. Là, elle subit divers degrés de tourments de la part des patients.Une jeune infirmière psychiatrique part travailler dans un asile solitaire suite à un meurtre. Là, elle subit divers degrés de tourments de la part des patients.Une jeune infirmière psychiatrique part travailler dans un asile solitaire suite à un meurtre. Là, elle subit divers degrés de tourments de la part des patients.
- Réalisation
- Scénario
- Casting principal
- Sam
- (as William Bill McGhee)
- Dr. Geraldine S. Masters
- (as Anne MacAdams)
Avis à la une
The film takes place in a large house which is home to several psychotic individuals. Before the plot even begins, the head of the hospital is chopped up by one of the patients with an axe. Then Rosie Holotik enters the hospital looking for the axe victim and finds that the hospital has a new head who is not at first willing to honor her agreement with the deceased Dr. Stephens. Soon, however, Dr. Masters reconsiders and Nurse Beale (Holotik) is hired. The rest of the film builds tension and successfully develops the individual psychoses of the in-mates. After a while it becomes very unclear who is a patient and who is a doctor.
In the end, Don't Look in the Basement is a cleverly plotted film which benefits from generally good acting and directing and not-overly-ambitious camera work. A must-see for B horror fans, and an interesting diversion for those interested in psycho-dramas and psychological thrillers. Be warned, however, this film is slightly more gory and sexy than the average horror film of its time.
The biggest problem with the flick is that it had a miniscule budget. The overall look is fairly shabby - a very thin production. BUT it has everything else you want in a cheapo horror flick...the script is original, the acting is actually decent, bordering on pretty good for a few characters. The camera work is creative. The heroine is a babe.
A bit of gore and a bit of suspense. Seasoned horror junkies may be able to guess the main gimmick after the first couple of scenes, but it is still worth watching. The film does provide a couple of minor twists that you won't guess though.
If you are looking for bland and well produced then perhaps you should stick with Phantom Menace. If you want to watch a nifty little throwaway horror flick, try Dont Look In The Basement.
This sets up an interesting and fairly suspenseful storyline since we can't be sure where the plot is headed since the murder, mayhem and gore so far is at a minimum. Plus the acting is pretty darn good—Weenick & Holotik, especially. (And after 60-years of movies, I've never seen a cast with more un-Hollywoodized names!)
Now, in my view, had the creators exercised more imagination, they could have come up with a less hackneyed climax than the gore-fest we're subjected to. Of course, the blood-letting may satisfy many horror fans, but to me, it betrays the subtler possibilities posed in the lead-up. For example, why not have the real doctor murdered by one of the patients, and then try to figure out which of the patients is actually homicidal. A sort of loony-bin whodunit.
Anyway, the film is mostly well-crafted for a cheap-jack production. Still, I wish IMDb provided more background info, since what does appear looks like a wholly Texas production with a local cast. To me that would amount to quite an achievement, regardless of budget or fall off in imagination.
This is actually a pretty good, if overly talky, effort from regional filmmaker S.F. Brownrigg. The low, low budget merely enhances the overall atmosphere. This is a grim, gritty film that goes far based on the personalities of the characters and the performances. Holotik is appealing, but it's Ms. Weenick who takes the acting honours. Things get appropriately gory, especially in the disturbing ending. One great scene takes place between Dr. Masters and the Sargeant, as she insists on asserting her authority.
We know early on that we're going to be in for something amusing. Dr. Stephens, who had an unorthodox way of treating mental illness, is just foolish enough to give Judge Oliver W. Cameron (Gene Ross) an axe in order to work through his aggressions. People who saw this film back in the 70s must have gotten a real sense of deja vu if they ended up seeing "Friday the 13th: A New Beginning". One of the major delights is the refrain spoken by the cackling old lady Mrs. Callingham (Rhea MacAdams).
Deliberately paced and very moody, "Don't Look in the Basement" (a.k.a. "The Forgotten") is an affecting exploitation-horror flick.
Seven out of 10.
Le saviez-vous
- AnecdotesThe UK cinema version was cut by the BBFC to remove a closeup shot of an axe blow to a woman's body and the film later found itself on the banned list of video nasties. The cut version was released on the UK HHO label in 2005 and the full uncut version (now rated 15) was released on the Stax label later the same year.
- GaffesWhen the doctor gets hit with an axe, it strikes his back, yet the blood effect is shown on top of his shoulder.
- Citations
[Ray is fixing the asylum's telephone]
Allyson King: You know, I used to live in this place where the phone man was always coming around.
Ray Daniels: That bad, huh?
Allyson King: Uh uh... that good.
Ray Daniels: Oh, I thought that you meant that you'd had a lot of phone trouble.
Allyson King: Hell, I didn't even have a phone!
- Crédits fousThe characters in the film are shown as the actor's/actress's name appears at the end of the film, including the murdered characters!
- Versions alternativesOnce listed as a video nasty, the UK Stax (Boulevard) and Elstree Hill DVDs are now 15 rated and uncut, restoring the original cinema cut to a shot of an axe hitting a woman's bloody body.
- ConnexionsEdited into III Slices of Life (2010)
Meilleurs choix
- How long is Don't Look in the Basement?Alimenté par Alexa
Détails
Box-office
- Budget
- 100 000 $US (estimé)