L'homme aux nerfs d'acier

Most likable and enjoyable film that goes this way and that but with the ultra cool Van Cleef always there to keep our attention and steer us through the sex, the violence and the spills and thrills. Basically a tale of competing mobsters, this begins in very violent mode with liberal misuse of an electric drill and heavy duty fights and torture. Then Tony lo Bianco comes on the scene, an absolute nobody who charms his buffoon like way into the life of van Clef. So then we get elements of a buddy movie before the long and exciting road movie stuff which is splendidly done. Two other elements to help or hinder, however. One Tony who plays his craziness in a more and more slapstick way as the film progresses but he just about gets away with it because of his charm and the sobering influence of his meaner 'partner'. The other element to intrude and how could I have resisted mentioning her for so long is Edwige Fenech. In this case, unfortunately we see little of her. Or more precisely we see all of her but only for a couple of minutes, she is sadly underused but still makes glorious impact in and out of big hat and little clothes. Great fun and the violence at the start is strong.

Everyone is familiar with Lee Van Cleef from the spaghetti westerns - Return of Sabata, For a Few Dollars More, The Good, the Bad and the Ugly - but, he also made spaghetti crime flicks, too.

This one, produced by Dino de Laurentiis and directed by Michele Lupo, also stars Tony Lo Bianco, who is a familiar movie name on both sides of the law.

This was in his younger, thinner years, and he plays a small-time hood that is infatuated with big boss Frankie Diomede (Van Cleef), who pays him no attention until he saves his life.

Neat car chase down the mountains and lots of killer by gun, drill and freezer.

And skintastic display by Edwige Fenech (Hostel II), who has many many skintastic moments to her credit.

Although described as a comedy I found few laughs in Mean Frank And Crazy Tony. This continental production boasts a cast of Lee Van Cleef and Tony Lo Bianco and a bunch of players that most Americans will never have heard of.

Van Cleef is a Mafia don on the order of Don Corleone and Lo Bianco is a young kid looking to make his bones in organized crime and tries way too hard to curry favor with Van Cleef. But when he saves his life after another family organizes a hit on him, Van Cleef and Lo Bianco become a team as Van Cleef looks for some payback.

Highlight of the film is a car chase from Milan to Marseilles with the guys making fools of the cops of two nations. Lo Bianco overacts outrageously, Van Cleef is subdued and menacing. When is Lee Van Cleef not menacing.

One these two definitely did for the money.

I was very impressed with this well made Lupo vehicle from 1974. Lee Van Cleef is Frank, a mean, cold, feared and respected crime lord. While Tony Lo Bianco is Tony, a street hustler who has some respect in his neighborhood, other than that not a nada. These two meet under odd circumstances, seeing that Tony's fascination with the Boss is borderline infatuation. Well let's say that Frank does not like Tony and tony adores Frank, until Tony saves Franks life in a mafia hit. I'm not going to keep on rambling, but if you like Italo Crime, Lee Van Cleef or Joe D'Amato (photography). Then you owe it to yourself to see this movie! I give it a very sturdy 8 out of 10

Although I'm grateful this obscure gem of 70's Italian exploitation cinema features in the recently released "Grindhouse Experience" box set, and although it's also available on disc under the misleading and stupid alternate title "Escape from Death Row", I honestly think it deserves a proper and luxurious DVD edition, completely in its originally spoken languages with subtitle options (the dubbing is truly horrible), restored picture quality and a truckload of special bonus features! Heck, I don't even need the restored picture quality and bonus features if only we could watch the film in its original language. "Mean Frank and Crazy Tony" is a cheerfully fast-paced mafia/crime flick with a lot of violence, comedy (which, admittedly, doesn't always work), feminine beauty and two witty main characters. Tony Lo Bianco is terrific as the small thug pretending to be the city's biggest Don. When the real crime lord Frankie Dio (Lee Van Cleef) arrives in town, he sees an opportunity to climb up the ladder by offering his services. Frankie initially ignores the little crook, but they do eventually form an unlikely team when Frankie's entire criminal empire turns against him and a new French criminal mastermind even assassinates Frankie's innocent brother. Tony helps Frankie to escape from prison and together they head for Marseille to extract Frankie's revenge. The script of this sadly neglected crime gem funnily alters gritty action & suspense with light-headed bits of comedy, like the grotesque car chase through the narrow French mountain roads for example. The build up towards the typical mafia execution sequences (guided by an excellent Riz Ortolani score) are extremely tense and the actual killings are sadistic and merciless, which is probably why the film is considered to be somewhat of a grindhouse classic. The film lacks a strong female lead, as the lovely and amazingly voluptuous beauty Edwige Fenech sadly just appears in a couple of scenes, and then still in the background. On of the men behind the camera, responsible for the superb cinematography, was no less then Joe D'Amato. Great film, highly recommended to fans of Italian exploitation, and I hope to watch it again soon in its original version.