Aux confins de l'espace, un petit équipage, 20 ans après le début de sa mission solitaire, constate que les choses commencent à tourner de façon hilarante.Aux confins de l'espace, un petit équipage, 20 ans après le début de sa mission solitaire, constate que les choses commencent à tourner de façon hilarante.Aux confins de l'espace, un petit équipage, 20 ans après le début de sa mission solitaire, constate que les choses commencent à tourner de façon hilarante.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
- Bomb #20
- (non crédité)
- Talby voice
- (non crédité)
- Alien
- (non crédité)
- Computer
- (voix)
- (non crédité)
- Commander Powell
- (non crédité)
- Bomb #19
- (non crédité)
- Watkins - Mission Control
- (non crédité)
Avis à la une
A.
The music (John Carpenter is an innovator in film scoring) is strange and often indistinguishable from the zany noises of the ship's equipment and displays (who would ever create such tortuous bleeps and sirens for EVERY function of a spacecraft designed to house a couple of guys in the outermost regions of the galaxy?). The ship's computer is a perfect contast of Hal9000 (2001) in that SHE seems to understand her crew's dimwitted plight and ,after speaking to them in her programmed monotone, recognizes the need to go back and dumb herself down so that they can function accordingly. It is never explained whether she has assumed a mother-figure role or is simply acting out of self-preservation ,but ,like most of the more thought-provoking elements of this absurdist's fantasy, the viewer is merely given the bare-bones information and allowed to decide for itself.
Maybe all of this implied data caused me to make the movie better in my head than it actually is ,but how many films have you seen lately that can give you that freedom?
Dan O'Bannon used this to good effect in "Alien".
Also, the use of contemporary music was highly original and helped move the movie along.
The scene where they talk to the bomb was just a rip-off from Star Trek and the episode "The Ultimate Computer".
The story is this, on a ship where the captain is dead (but you can unfreeze to ask him questions) and the rest crew are going basically crazy they have problem. One of their bombs has become sentient and is busy contemplating the nature of existence.
The effects are OK, and who would have thought the beach ball would become the inspriration for the movie Alien.
Over all one of the great classics of science fiction and of low budget film making.
I heard of this movie a long time ago and it took me over 10 years before I finally found it in my local video shop. Great and amazing movie.
What will bomb number 20 do, now it is intelligent...watch the film and find out.
Le saviez-vous
- AnecdotesThe double rows of large buttons on the bridge consoles are ice cube trays illuminated from beneath.
- GaffesLt Doolittle's cloth name tape on his uniform is spelled/misspelled "DOOLTTLE", obvious in the first scene in the Food Locker.
- Citations
Doolittle: [Doolittle convinces the bomb not to explode]
Doolittle: [1:12:12] Hello, Bomb? Are you with me?
Bomb #20: Of course.
Doolittle: Are you willing to entertain a few concepts?
Bomb #20: I am always receptive to suggestions.
Doolittle: Fine. Think about this then. How do you know you exist?
Bomb #20: Well, of course I exist.
Doolittle: But how do you know you exist?
Bomb #20: It is intuitively obvious.
Doolittle: Intuition is no proof. What concrete evidence do you have that you exist?
Bomb #20: Hmmmm... well... I think, therefore I am.
Doolittle: That's good. That's very good. But how do you know
Doolittle: that anything else exists?
Bomb #20: My sensory apparatus reveals it to me. This is fun.
- Versions alternativesOriginally released in a shorter 68-minutes version, later expanded to a longer 83 minute version with the addition of new scenes (including the meteor storm, the visit to the crew's quarters and Doolittle playing his music).
- ConnexionsEdited into Star Slammer: La Prison des étoiles (1986)
- Bandes originalesBenson Arizona
Music by John Carpenter
Lyrics by Bill Taylor
Vocals by John Yager (uncredited)
[Played over the opening and closing credits]
Meilleurs choix
Détails
Box-office
- Budget
- 60 000 $US (estimé)
- Durée
- 1h 23min(83 min)
- Couleur
- Rapport de forme
- 1.85 : 1