Tuez Charley Varrick!

Veteran small time crook Charley Varrick and his gang rob a small bank in the south west. Expecting modest takings, Charley is shocked to discover that the haul is $750,000. The catch is that the money belongs to the Mafia, who are soon on the trail of the robbers. Charley must devise a scheme to escape with his life, and hopefully the money as well.

This is a very pleasing piece of work all round. Directed with customery efficiency and style by Don Siegel, it twists and turns, always keeping you interested. Its helped by good casting. The ever watchable Walter Matthau effortlessly slips into the role of Varrick, Joe Don Baker is quite chilling as the ruthless hitman with impeccable manners and John Vernon extracts some sympathy as the Banker/Mafia man trying to smooth everything over. Add some pleasant locations and an intelligent script and the result is a very satisfying, if different '70s crime thriller.

As I watched this again last night on BBC1, I remembered that on its previous screening it was preceeded by an introduction by Mark Kermode. In it he commented on the fact that Matthau hated the film. After a second viewing I still can't imagine why.

Matthau's fine performance and Siegel's assured direction makes this a must for all lovers of 1970s action movies. Having passed this over before, I found Charlie Varrick to be an exhilarating watch containing beautiful landscapes and a stunning finale.

I highly recommend this film and the section on it written by Siegel in his own autobiography. Criticisms that this is a confusing and slow-paced adventure are unfounded as many of the loose ends come together almost perfectly in a well thought through chain of events.

Definitely worth a look when it next comes on TV, but probably even better at the cinema.

Charley Varrick (Walter Matthau), his wife Nadine, and accomplices Al Dutcher and Harman Sullivan (Andrew Robinson) rob a small bank in the rural town of Tres Cruces, New Mexico. The cops notice and start asking questions. Nadine shoots two cops killing one. Dutcher is killed. Nadine is wounded. The biggest problem is that they got away with too much money, over $765k in mob money. Nadine dies from the wound. Charley tells Harman to lay low but the young punk is restless. The mob sends hit-man Molly (Joe Don Baker).

This is a good bunch of characters in a good thriller. The characters are smartly written. There are some great stunts although the action could be better filmed. There are great car crashes and one memorable plane stunt. It's a very solid smart thriller with Matthau going beyond his comedic roots.

Charley Varrick (Walter Matthau) is a former stunt pilot turned independent crop duster who is on the low end of the socio-economic scale. He lives in a trailer park with his girlfriend, Nadine (Jacqueline Scott). He decides to supplement his income by robbing a small bank in a backwater New Mexican town. Unfortunately, not everything goes as planned.

I watched Charley Varrick (in a fine widescreen transfer by the way; at present only a bad pan and scan version appears to exist on DVD) during a TCM channel marathon of director Don Siegel's films. I had just finished Madigan (1968), which I didn't care that much for (although I thought the limited action sequences were good and the direction fine), and was about to finally shut off the television and go to sleep. However, Walter Matthau is one of my favorite actors, and Charley Varrick was starting almost immediately after the end of Madigan, so I figured I'd at least "peek" at the first few minutes. That was a long peek, because this is one excellent film. Charley Varrick ended up with a 10 out of 10 from me.

It probably wouldn't be quite so good without Matthau as the lead. He's had a plethora of fantastic performances, but none are better than Charley Varrick (many are just as good). Matthau was perfectly cast--he had exactly the right age, the right look, and the right disposition for this role. His understated, intelligent manner makes the character and his actions eminently believable within the context of the film. As this is a film that hinges on a fairly complex, logically intricate plot, believability within the context of the film is very important.

Not that the other elements aren't laudable. Siegel's direction--most of it imbued with a great, gritty, early 1970s "feel"--is impeccable, and ranges from a series of beautiful shots of the countryside during the opening credits to elaborately staged, underhanded "clues" as to the "plot beneath the plot"--during most of the middle section, Varrick makes a number of moves that would seem bizarre if taken at their surface value, but he's really hatching a scheme to extricate himself from the mire he's sunken into. None of this is explicitly stated, but Siegel easily conveys it with his direction. There is even one point--right after a character named Molly (Joe Don Baker) visits Jewell Everett (Sheree North), that it seems like maybe Siegel made a fatal misstep, and a scene or two are missing, but I retained faith that it would work out in the end, and it did, seamlessly.

The rest of the cast is fantastic, as well, and of course a film like this wouldn't succeed without a great script, in this case written by Dean Riesner and Howard Rodman from a John Reese novel. This is a too-little-known gem that deserves wider recognition and better treatment, such as a good DVD transfer with lots of extras.

...when you got the fuzz and the mafia after you.

Charley Varrick is a quality caper movie courtesy of director Don Siegel and backed up by a wonderful understated performance from Walter Matthau as Charley Varrick. Varrick along with his partners rob a small New Mexico bank, but instead of the usual decent haul they find that they have nabbed over $760.000, sadly for the boys it is mafia money that the bank was laundering. Varrick is a smart cookie and thinks it should be given back, but his young greedy partner insists that it's a chance of a lifetime and convinces Varrick that they should keep the cash. This not only brings the law after them but also sadistic hit-man for the mob, Molly, and he is cruelty personified. Can the boys flee the country in one piece?

This is a delightful film that relies heavy on character development and strength of plot. Siegel gets fine performances from the supporting cast to back up the cunningly sedate lead turn from Matthau. As Siegel left Dirty Harry behind, where 1973 saw the sequel Magnum Force released (Ted Post directing), the director gives us a complete opposite to the machismo of Harry Callahan. Matthau's Varrick is low-key and hang- dogged, but below that sleepy exterior beats the heart of a cunning devil and he's the one with all the aces up his sleeves.

Andy Robinson as Varrick's partner Harman Sullivan is all twitchy and on the edge, whilst Joe Don Baker as hit-man Molly is simply magnetic in his icy portrayal. Lalo Schifrin again scores for Siegel with great results, and the photography from Michael Butler is very rich indeed as the locales seep with that bleached dried look. This is great storytelling with suspense and no little action (the opening robbery and the finale involving a car and a plane joust are quality Siegel constructions), but most of all it's a film to remind you that cinema can be great without crash bang wallop every ten minutes. An excellent heist and escape movie. 8/10