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Robert Sacchi, an actor known for The Man With Bogart’s Face, has died following a brief illness, The Hollywood Reporter confirmed on Tuesday. He was 89.

Sacchi began acting on screen in 1972 as Inspector Fontaine in Ferdinando Merighi’s thriller The French Sex Murders. He followed up with films including Pulp, with Mickey Rooney and Michael Caine, and the crime drama Across 110th Street.

Due to Sacchi’s resemblance to Humphrey Bogart, he played Bogart in a number of projects, among them Fantasy Island and Pointman. In 1980’s The Man With Bogart’s Face, Sacchi played a private investigator who gets plastic surgery ...

Robert Sacchi, an actor known for The Man With Bogart’s Face, has died following a brief illness, The Hollywood Reporter confirmed on Tuesday. He was 89.

Sacchi began acting on screen in 1972 as Inspector Fontaine in Ferdinando Merighi’s thriller The French Sex Murders. He followed up with films including Pulp, with Mickey Rooney and Michael Caine, and the crime drama Across 110th Street.

Due to Sacchi’s resemblance to Humphrey Bogart, he played Bogart in a number of projects, among them Fantasy Island and Pointman. In 1980’s The Man With Bogart’s Face, Sacchi played a private investigator who gets plastic surgery ...

Review by Roger Carpenter

While Lucio Fulci made his reputation with a series of graphically violent horror movies like Zombie (Aka Zombi 2), City of the Living Dead (Aka The Gates of Hell), The House by the Cemetery, The Beyond, and The New York Ripper, his early career was a hodgepodge of film genres including comedies, spaghetti westerns, and poliziotteschi. However, many critics argue that his greatest films were his early gialli films like A Lizard in a Woman’s Skin and Don’t Torture a Duckling. Fulci was handicapped by terribly low budgets for most of his career but some of his earlier works were actually well-funded, allowing his cinematic craftsmanship to be on full display. Such was the case with Don’t Torture a Duckling.

As was the case with many gialli of the time period, the film titles were influenced by Argento’s first three gialli, collectively known as the “Animal Trilogy.

Written and directed by: William Rose

Cast: Daniela Giordano, John Scanlon, Angelo Infanti, Giovanna Galletti and Raf Vallone

The Girl in Room 2A is quite a tease. Her reputation as a violent giallo is unfounded. The girl may be rough, but she’s no giallo.

She’d like for you to believe that she’s a disturbing precursor to the torture porn genre. If such a distinction gets her some notoriety, I’ll not argue with her. She’s been through quite enough already. But cinematic sleaze merchants have been torturing beautiful, buxom women onscreen for decades. So her trauma (while not insubstantial) really isn’t anything unique. Her biggest problem, aside from her muddled identity, is that she’s just not very bright.

The film starts out in rough fashion with an attractive young woman leaving her apartment. She is abducted violently by several men and thrown into a...

I have so much love for Warner Bros. right now. Their whole Warner Archive project has been an absolute home run for fans, and it isn’t just ultra-rare titles finally seeing video. The studio has started sharing images from the past, joining Universal in culling the vaults to shed further light on favorite faces, films, and events.

Today, Warner shared this stunning shot of actress Anita Ekberg. No location or date is provided, other than a note that it is from the fifties, but it appears to be some sort of promotional event.

Ekberg is no stranger to the Famous Monsters set, having appeared in Abbott And Costello Go To Mars (’53), Screaming Mimi (’58), Way…Way Out (’66), Fangs Of The Living Dead (’69), The French Sex Murders (’71), The Killer Nun (’79).

Not major news, but a little something to make today even more beautiful than it already was. Thank you Warner!

The term “giallo” initially referred to cheap yellow paperbacks (printed American mysteries from writers such as Agatha Christie), that were distributed in post-fascist Italy. Applied to cinema, the genre is comprised of equal parts early pulp thrillers, mystery novels, with a willingness to gleefully explore onscreen sex and violence in provocative, innovative ways. Giallos are strikingly different from American crime films: they value style and plot over characterization, and tend towards unapologetic displays of violence, sexual content, and taboo exploration. The genre is known for stylistic excess, characterized by unnatural yet intriguing lighting techniques, convoluted plots, red herrings, extended murder sequences, excessive bloodletting, stylish camerawork and unusual musical arrangements. Amidst the ‘creative kill’ set-pieces are thematic undercurrents along with a whodunit element, usually some sort of twist ending. Here is my list of the best giallo films – made strictly by Italian directors, so don’t expect Black Swan, Amer or...

For the horror buff, Fall is the best time of the year. The air is crisp, the leaves are falling and a feeling of death hangs on the air. Here at Sound on Sight we have some of the biggest horror fans you can find. We are continually showcasing the best of genre cinema, so we’ve decided to put our horror knowledge and passion to the test in a horror watching contest. Each week in October, Ricky D, James Merolla and Justine Smith will post a list of the horror films they have watched. By the end of the month, the person who has seen the most films wins. Prize Tbd.

Justine Smith (11 viewings) Total of 31 viewings

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Spider Baby or The Maddest Story Ever Told

Directed by Jack Jill

This movie is very fun, not so much scary as gleefully depraved. The film revels in it’s childhood attitude,...