Ajouter une intrigue dans votre langueSidney Fiddler organizes a beauty contest for a seaside town, but faces opposition from Councillor Prodworthy, who leads a women's liberation group aiming to sabotage the competition through... Tout lireSidney Fiddler organizes a beauty contest for a seaside town, but faces opposition from Councillor Prodworthy, who leads a women's liberation group aiming to sabotage the competition through disruption tactics.Sidney Fiddler organizes a beauty contest for a seaside town, but faces opposition from Councillor Prodworthy, who leads a women's liberation group aiming to sabotage the competition through disruption tactics.
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Such a plot allows for plenty of innuendo and bare female flesh, with the sexy contestants stripping to their undies, indulging in cat-fights, and occasionally bursting out of their swimming costumes, much to the delight of the town's randy male populace. Carry On regular Babs Windsor plays Hope Springs, focus of Sid's attention, but being in her mid-30s and a touch wobbly, she is easily eclipsed by most of the other beauties in the show. Margaret Nolan as busty Dawn Brakes easily outdoes her in the chest department, and when voluptuous beauty Paula Perkins (Valerie Leon) enters the contest, the rest of the girls might as well give up and go home.
As well as an endless tirade of fit dolly birds, this caper also provides the obligatory 'man in drag' moment (Bernard Bresslaw entering the competition in one of Sid's crazy publicity stunts), Jack Douglas doing his hilarious 'Tourette's Syndrome' routine (Waheyyy!), the Confessions series' Robin Askwith as a newspaper photographer, and James Logan as the impossibly camp TV presenter Cecil Gaybody. Subtle it may not be, but it ain't 'alf funny.
Above average farce in that it is often hilariously funny despite retreading every British sex joke in the book - very saucy and all the better for it. There is one hilarious moment where Sid James has Barbara Windsor in his room in her nighty and his nagging wife Joan Sims comes in and Sid has to hide her. However, he overlooked the nighty and puts it on in a pathetic attempt to persuade his wife that it's his. Cracking stuff! The Carry On team was beginning to break up by this stage, but while Sid James, Joan Sims, Barbara Windsor and Kenneth Connor were still there, they could carry the film without Charles Hawtery and Kenneth Williams though they are sadly missed.
I'm definitely standing up for Carry on Girls, I love it, from the opening credits, and it's opening music, to the very end. I understand that it's totally non Politically Correct, a phrase that didn't really occur in the 70s, but it's all harmless fun. A bit saucier then the usual Carry on Films, but it's hardly offensive.
It has a great cast, and all are on top form, oh my days Joan Hickson literally has me in tears, she is so funny!! I wish she'd appeared in many more of them... 5 was not enough
Margaret Nolan was simply jaw dropping, what a stunning girl, she had a much more substantial role then in her previous appearances, the fight scene with Babs was big fun. Patsy Rowlands also had a much more substantial part, she was fun.
I don't think there was a standout performance, all were on good form, possibly Sid's charisma gives him the edge.
Of course it's the finale that you're waiting for, it doesn't disappoint, Peter Butterworth's reactions are hilarious, alright it's not the absolute best entry, but it makes me laugh out loud and i've seen it hundreds of times, 8/10
Barbara Windsor is "Miss Easy Rider"(!) and she's involved in rivalry throughout erupting soon enough into a catfight in Sims' hotel lobby with ex-roommate Sally Geeson. June Whitfield is the feminist council member who opposes the contest; to this end, she engages photographer nephew Robin Askwith (later star of several naughty "Confessions" films I've never watched any, but am on the point of acquiring a few) to cover the preparations in order to uncover some misdeed which would allow her to put a stop to the whole 'debasing' event. Jack Douglas as the hotel concierge incorporates his hilarious twitching routine (also seen in CARRY ON ABROAD [1972] and "Lamp-Posts Of The Empire", an episode from the CARRY ON LAUGHING [1975] TV series). The finale in which the contest is systematically sabotaged by the puritanical female townfolk (including the Mayor's own wife!) is an undeniable highlight of the film but is, essentially, a direct lift from a much earlier entry in the series the superior CARRY ON TEACHER (1959)!
Bresslaw is inspired as the cross dressing Peter/Paula Potter in a time of much lower political sensitivity.
Harmless postcard humour - enjoy it!
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- AnecdotesValerie Leon was dubbed throughout the entire film by June Whitfield. Although the lip-syncing/ADR, and vocal styling choice of the two character voices June Whitfield uses, along with the sound recording acoustics, makes it hard to tell she's doing two voices, even in the same shot. Many years later, "Carry On" historian Robert Ross stated that when asked about it, Whitfield said she had no recollection of dubbing Leon's voice in this picture.
- GaffesWhen the girls are fighting in the Hotel Lobby they jump onto a sofa and it falls backwards. The lady seated on the sofa can be seen helping it fall backwards with her foot.
- Citations
Connie Philpotts: It's your girls I'm talking about, I've heard them all night long, doors banging...
Sidney Fidler: Blimey, when you've got young dollies around you have to expect a bit of banging.
Connie Philpotts: Well, I expect you to get them into bed at a reasonable hour.
Sidney Fidler: I promise you, I'll do my very best!
- Versions alternativesAs with many of the Carry On films the cinema version was cut by the BBFC to receive an 'A' (PG) certificate. Some dialogue was replaced, including 'knee trembler' (which was changed to 'snogging') and the fight between Hope and Dawn was reduced to remove shots of Hope attempting to pull Dawn's underwear off. The latter scene was fully restored in later video/DVD releases.
- ConnexionsEdited into Carry on Laughing: Épisode #1.13 (1981)
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