Un colt pour une corde

After watching Ted Kotcheff's Billy Two Hats, I thought to myself that the movie is a pleasant little nothing of a western, but that there must have been a belief that Israel might be the location for a whole new generation of spaghetti westerns, but in this case, something like, Lox and Bagel Westerns.

I don't know enough of traditional Jewish food to know if that joke was worth it. So, forgive my ignorance.

The best part of Billy Two Hats is Desi Arnaz, Jr.'s wide-eyed, gob-smacked look when he hears or sees something he didn't anticipate. It actually works. The character has been through a hellish upbringing, but he's still innocent enough to be stunned by human ugliness.

Arnaz is an old guy now, and I don't know if he did much after this movie, but there was an inkling that he could have grown into a fairly substantial character actor.

Gregory Peck is just embarrassing. That Scottish stuff that comes out of his mouth is like sticking a car key in your ear to clean it and somebody comes by and bumps your elbow. Peck had good hair, though, and his later scenes, stuck under the wagon, were better because he didn't say much.

David Huddleston and Jack Warden are fat and mean, respectively.

So, nothingburger? The only reason I watched this movie is that I thought the title was intriguing way, way back when I watched a "making of" preview at the end of some network movie that ended fifteen minutes before the late news on the ABC affiliate. I thought the idea of a western shot in Israel was cool. The actors seemed familiar.

I never saw the movie, not even when it got shown on regular TV.

This is where I'd normally say something snarky about my being wise in high school, but it wasn't true. I watched Billy Two Hats because it was convenient. ROKU TV is free. I had time to spare.

Actually, you don't kill time, you murder it.

Old Scottish bank robber and young 'half breed' accomplice on the run after the former mistakenly killed (only meant to wound) person during the bank robbery.

Determined and ornery lawman goes after them with the help of a friend.

Older bank robber is injured when the friend takes a very long range shot at him with his Sharps 'buffalo' rifle (also see 'Valdez is Coming' for more Sharps action).

Anyway the other reviews do a good job summarising the rest of the film.

Highlights for me: - Peck's Scottish accent is quite good, no surprise as he was brought up by his grandmother who was Scottish. - long range Sharps action - lawman treating his friend poorly, his friend can't believe it... - lawman tussling with some unsaid contradictions he has to consider - Indian is a good guy (pity he was not played by a first nation actor still it was 1974).

Do watch it and reflect on some of the odd moments and interactions.

I haven't seen this movie since I saw it in its initial release where it was playing to a nearly empty theater. It was shot in widescreen, the format appropriate to the genre and the movie would undoubtedly suffer if seen on TV. Granted that the foreign location gave it an odd quality but the desert vistas are no less magnificent. I'm not a particular fan of the western film genre but this one seems to have clung to my memory. Peck's Scottish burr seems forced at times but it does not detract from what is essentially a visually compelling entertainment. If it becomes available in DVD(widescreen) format, I'll certainly buy a copy.

At the end of this movie, I wasn't sure that I'd enjoyed it. But as the day wore on, I found myself continually thinking about it. Often, I leave a movie thinking I've enjoyed it and never give it a second thought. I wasn't sure for a lot of the film exactly what the point is other than the relationship between Peck (An outlaw with Scottish descendancy) and Billy (A half-breed Native Indian). But actually, this is the point and the characters are what make this movie work. Gregory Peck could never be accused of being type cast and he gave a valiant attempt at pulling off a Scottish accent. A lot of the words he nailed but then the accent completely disappeared for run of the mill dialect. A little more direction and time and his language would have matched an otherwise strong performance. Billy seemed a straightforward character to start with but layer upon layer are revealed as the movie progresses including an explanation for an otherwise daft movie title and you really find a sense of his history and upbringing. The sheriff gave a worthy performance but I was particularly impressed with the Apache gang and the stuttering wife. The Apache were made all the more terrifying by their random nature and personality so far removed from stereotypical Apache. The guy with the white parasol was the best of the bunch. The parasol is mentioned but no reference is made to how he obtained this. Some things are best unsaid, had he massacred a previous wagon and removed this as a trophy from some poor unsuspecting traveller? The stuttering wife was beautifully played. Her husband's answer to this disability was to slap her round the face. To her and her guests, this was nothing more than abuse but the husband clearly thought he was 'Rattling her brain box' and helping her out. Her vulnerability, loneliness and desire for love were superbly portrayed and I wish her love for Billy had been explored more fully. The movie reached a stand-off climax and there is a moral about how we treat our dead at the end which again leaves you thinking. Give this movie a chance, you may well draw a different conclusion but it is a little gem worth giving a chance.

I think this movie is underrated as a western. Or maybe it's just under-seen, which is really a pity. With nice color photography, it's got some really great western visuals, a meaty storyline, a collection of disparate characters whose fates you really start to care about, and some memorable, quotable dialogue here and there. Jack Warden is excellent as a gruff frontier sheriff "just doing his job," as it were. He's a toned-down and more accessible version of Gene Hackman's over-the-top bastardly sheriff in "Unforgiven." Gregory Peck, playing a words-of-wisdom-spouting Scottish outlaw with a big heart, is really quite good with his Scottish accent (no, it's not perfect, but passable), and has some memorable lines. Desi Arnaz Jr. is quite the sympathetic character as a half-breed Kiowa Indian outlaw being brought to justice by the sheriff. The supporting cast is quite good, and oh.. that nasty little band of outlaw Apaches they run into is truly a scary lot. You can't help but wonder how many white settlers they raped, murdered and pillaged.

All in all, the movie is packed with memorable western images and meaningful lines of dialogue . See it if you get a chance. I'd love for this movie to get more air time.