Le dernier match

I have been a baseball fan all my life, I have played the game, and I have even been compared by one girl to Kevin Costner's character, Crash Davis, in Bull Durham. I like Bang The Drum Slowly better than Durham. For one, the lines stand up better. Many of Bull Durham's lines are ridiculous or unnecessary or unrealistic. The whole "I believe Lee Harvey Oswald acted alone..." monologue, for example is silly when really looked at hard. (Who would make such a speech?) There are lines in Bang the Drum, however that stand up over time. "It's sad, it makes you wanna cry. No, it sad, it makes you wanna laugh," for example. Even though I have actually had to explain the meaning of that line to one person, I love it. Just the way the players, especially Moriarty, talk, is so authentic. "Not a bad ballplayer, either once people got off his back and let him play." Great performance by De Niro. A good little sports film that will make you cry a little and give you lines that you never forget. "From now on, I rag no one."

I originally saw this movie when it first opened in early 1973 . I haven't seen it in many years but fondly remember it as one of those pictures that leaves an indelible impression. Based on an early '50s novel by Mark Harris about a fictional N.Y.City Baseball Team (The Mammoths) the movie's focal point is the friendship between the team's star pitcher and a dying catcher, a naive, backwoods boy lacking in the social graces.

I'll never forget Michael Moriarty's Henry Wiggen in a scene where he reaches out to embrace a distraught, frightened Bruce Pearson (Robert De Niro), trying his best to console his dying roommate. " We're all dying " , Wiggen says to his friend, and thus begins and shortly ends one of the most tender scenes ever filmed between two men, in a movie about baseball, no less. And yet it's really not about baseball at all; yes, there are the obligatory scenes of the team at play and a humorous locker room speech by the team's crusty manager (the wonderful, late Vincent Gardenia, who received a supporting actor Oscar nomination for this film). There is plenty of humor to go along with the pathos in this story but pathos wins out. Death hangs over everyone's head in this picture : the message is pure and simple . To quote the movie's poster tag line, "Nothing is more important than friendship, not even death". I suppose a movie like this wouldn't work as well nowadays. The team support and management along with ridiculous sky rocketing salaries and apathetic treatment of sports fans has changed everything for the worse; this sweet little movie touches on a more innocent time. BANG THE DRUM SLOWLY will not enter the record books as one of the all time greats: it's too pat and maudlin at times (the locker room scene where Piney Woods plaintively strums the title song on the guitar is overkill, although it gets to me every time). But Moriarty and De Niro and a timeless reminder of the importance of love and friendship make this an unforgettable film.

Robert DeNiro looked so young in this picture I hardly recognized him and the role he played is unbelievable. This is however, a good baseball film with many veteran actors giving great supporting roles. In this picture Bruce Pearson, (DeNiro) plays the role of a simple minded catcher who was made fun of by all of the team players except one guy, Henry Wiggen, (Michael Moriarty) who stood by Bruce and gave him all the moral support and good advice to deal with his situation. It seems when the players got off of Bruce's back, he was able to hit home runs and had more pep as a catcher. Henry brings Bruce to the Mayo Clinic in Minneapolis and there was bad news for poor Bruce. Henry agreed not to tell anyone about the findings at the clinic and this is when the story gets funny at times and it hits a rather sad note. Entertaining film and great to see DeNiro just starting a great career on the silver screen. Enjoy

Henry 'Author' Wiggen (Michael Moriarty) is a pitcher and his best friend Bruce Pearson (Robert De Niro) is a catcher on the major league baseball team New York Mammoths. Bruce is told that he's terminally ill. Henry can be pretty hard on the slow-witted Bruce but he's protective of Bruce especially from Bruce's gold-digging girlfriend Katie. Henry takes lower pay to keep Bruce on the team. Manager Dutch Schnell (Vincent Gardenia) is not happy but forced to accept it. It's a baseball season of ups and downs.

De Niro is still an unknown at this point. The on-screen friendship is fine. They would be better served with more screen time together. The baseball action isn't much. Vincent Gardenia is great although I would have liked some more compelling teammates.

Most of us, at the end of the 20th century, know Robert DeNiro as an actor who has portrayed countless tough guys onscreen, in movies such as Goodfellas, Raging Bull, Mean Streets, and even up to Ronin. But before Bobby was cast (and cast and cast and cast)as Hollywood's chief badfella, he co-starred in this adaptation of a novel by Mark Harris as a simpleton baseball catcher who may be dying.

Many people feel that playing a sick or handicapped character is relatively easy for an actor, but in truth there's more to acting than simply limping or slurring one's speech. DeNiro's character, we learn early on, is dying - just when his chances of sticking with the big club are tenuous at best. His best friend is played by Michael Moriarty, whose character is a seasoned, talented pitcher. Moriarty learns of DeNiro's fate during an off season, and decides to do all he can to help his friend, to make what life he has left a pleasant one.

Both actors turn in magnificent performances, but you can't beat this film for an excellent foretelling of a major talent. By 1973, DeNiro had acted in a few movies (including a couple from his once and future director, Brian DePalma), but it was his astounding work in this film that really put him on the map. His Bruce Pearson isn't just a simpleton for whom the audience is supposed to feel a truckload of sympathy - there are many television movies that do just that - he's a multilayered person. DeNiro squeezes more emotion out of a single sideways smile than many actors can do in their entire careers. What's more, even though you the viewer know what Pearson's fate is, you're no less pulling for him.

Call this a tearjerker, and you'd be correct. But ultimately, DeNiro's conviction and a solid script put this far above most other films of this genre.