Dix-sept moments de printemps

Made in black-white as most TV receivers in Soviet block in the 1970's were black and white.

The story covers last weeks of existence of Hitler's Reich and some attempts of SS generals to conclude a separate armistice with USA and UK. The SS colonel Stirlitz is a Russian spy trying to prevent it. Some front combat scenes are shown as intermezzos. Although the war was finished more than 60 years ago, we still do not know all its details and secrets. Maybe, some German leaders tried to break the coalition between Anglo-Saxon powers and Russia. But the range of Soviet infiltration of central entities of 3rd Reich (like RSHA, General Staff or NSDAP Chancellory) has not been fully explained so far.

Anyway, this is a very interesting film to watch.

One of the best films of Soviet Union. It is not about intrigues and spy games, though the plot is really gripping. Last months of WW II. Shtirliz - Soviet resident is under suspection of Gestapo. Being in the heart of Hitler's sistem, he struggled with hazi regime long years. The Third Reich bosses Himmler, Shellenberg, Wolf understand that their game is over, they try to save their own skin and seek for separate peace with USA and Great Britain. This treaty could be big calamity for Soviet people, and USSR secret service breakes ignouble plans of nazi. The famouse Soviet actor Vyacheslav Tikhonov (Prince Andej in "War and peace" by Bondarchuk) have excellent incarnated the interesting and very complicated character of Shtirliz. All other roles were played by the best actors of Soviet screen.

Some parts of film were shot in GDR. For the first time after WW II in Soviet cinema appeared the German soldier character, who was kind and humane person. Gestapo guard Helmut saved Russian secret service woman Katya with her child, but himself perished. This role was brillant played by GDR actor Otto Mellies.

"Seventeen moments of spring" is about people, who were cut off their home, country, families in order to fighting with nazi criminals.

In the history of Soviet movie there are only two examples of transformation of screen heroes in folk story ('anecdote') heroes. The first was famous "Chapayev" (1934) and the heroes were Chapayev and Petka. The second is "Semnadtsat mgnoveniy vesny" and the heroes are Stirlitz and Muller. Despite of thousands of anecdotes, "Semnadtsat mgnoveniy.." is a very nostalgic, humane, sincere movie and it delivers to us moments of truth. I like it very much.

This series are far greater than anything that has been filmed about war ever. It shows closely characters of German Nazi top during the last weeks of the war, when they understand that the war is lost. A Russian spy is working among them speeding up the war's end.

The pace of the film is slow and thorough, the movie is meant for people with ability to analyze, reflect. Characters of the people involved are depicted are so lively that the film fuses with the documentary pieces. Acting is extremely raw and natural, it actually in't acting, it's living. Tihonov in a role of Stirlitz portrays a real spy - brilliantly talented, sharp, calm, cold, patient - everything that areal spy has to be. At the same time he is not a greedy adventurous coat-turner, he works for his country, his people, his family. And the last - this film works as a litmus test on people. If you don't understand it you simply haven't matured for it. The film itself is flawless.

Well, I thought this was a fantastic production - very engrossing, with excellent performances, artistic direction, and intelligent scripts. It's a great example of how a television mini-series, as a format, can bring a novelistic type of depth of story and character to the screen. And it's easy to see why it's still so iconic in Russia.

By any technical definition, this particular series is propaganda -- it was ordered specifically by the Soviet government in order to interest more young people in the spy service. Any maybe it did. But "Seventeen Moments of Spring" acts in a way that's completely opposite to the propaganda usually works. Instead of simplifying issues and making them into easy black-and-white decisions, this series complicates them -- dwelling on the difficulty of the heroes' decisions, and taking care to imbue the Geramans with more humanity rather than less.

It's notable and, I think, key to the series' success that the centerpiece of each episode consists of one or two long, tense, subtle dialogue-heavy scenes. The contrast of the action-oriented expectations from the subject of spies and war with the tense character drama that we see is excellent.

The integration of real footage from the war and cameos from other major players are really well-apportioned, and give the character scenes that we're watching more importance to us for our having been reminded of their contextual importance.

The music is about perfect as well, helping to set the tone. In all, it's a spy drama who main modes are subtle, thoughtful melancholy in the foreground, with the element of constant danger tinging it from the background. In that, it's tone is unexpected and very successful. More than worth watching, even for those who don't normally go in for war or spy films.