Moonbase 3

In 2003, the crew of Europe's chronically under-funded Moonbase struggle to stay sane and survive on the inhospitable satellite while demonstrating their relevance and value to the bean-counters back on Earth. This 6-episode BBC program continued the 'realistic' feel of '2001 A Space Odyssey' and Gerry Anderson's 'UFO' (1970) with mixed results. Generally the show looks good but in trying to be 'realistic' the stories are not that interesting: Dr Helen Smith (Fiona Gaunt), the base psychologist, plays a prominent role in several episodes that focus on the 'pressures' of success, isolation, etc - valid concerns but not particularly gripping. There is also a lot of discussion of budgets and financial concerns - again realistic but pretty mundane for a 'space opera'. The best episodes are the final 2: #5 involving a deep-space rescue ('Castor and Pollux') and #6 considering the possibility of an Earthly apocalypse that would leave the base crew to slowly starve to death ('View of a Dead Planet' - good story marred by a weak ending). The 'politics' of space colonisation is an common theme: there is a lot of wingeing about how much better the Soviet and American bases are equipped and funded, especially by Dr David Caulder (Donald Houston), the newly appointed Base Director and head bureaucrat (introduced in episode 1). The cast is generally good (given the fairly simplistic scripts and plots) as are the special effects (although there is a fair amount of reused footage). Moonbase 3 was not a success, possibly due to the limited action and lack of tension in most of the episodes. Like a lot of BBC shows, the tapes were wiped for short-sighted budgetary reasons but fortunately a complete 6-episode set was found in the 1990s - the show wasn't great but it is worth watching for sci-fi fans and it would have been a shame if it had been lost forever. Perhaps the failure of a 'realistic' series set on the moon to catch the public's attention contributed to ITV's decision to launch a completely unrealistic series set on the moon two years later: the preposterous but memorable 'Space 1999'.

Very nearly lost forever as a result of the BBC's mass clear out of tapes in the 1970's, this gritty and claustrophobic sci fi series was only recently rediscovered in the vaults of a Canadian TV station.

This is a long forgotten example of how much more interesting sci fi used to be be pre George Lucas. The BBC never had the budget for whiz bang special effects and so concentrated on characters, story lines and heavyweight theatrical actors. Check out Blakes'7 or Star Cops for other more popular examples of this.

Moonbase 3 also contains that other classic BBC sci fi trait, realism, both in characters and settings.

The characters here are not Star Trek goody two shoes types who all get along and can be guaranteed to do whatever is morally right, their team includes a manic depressive, an egotist and many other fascinatingly real characters. Some are manipulative and many are suspicious and distrustful of each others motives.

The base itself is understaffed and under pressure to deliver value for money,as the base commander says "I can't produce the results without the funding but they won't give me the funding because I can't produce the results!"

This sort of bureaucratic nonsense is in stark contrast with the very real dangers and practical hardships faced with living on the moon.

In an enclosed society (of sometimes unstable personalities) living under the constant threats of a hostile environment, moonbase 3 is a powerfully written and tension filled sci fi series. Perhaps the most depressingly accurate glimpse into the future of space exploration

There are some television shows which be labeled "brilliant but canceled" . Moonbase 3, a BBC science fiction series made in 1973 which ran for a mere six episodes, could very much be described as one of those. While there are aspects of Moonbase 3 that are no doubt dated, such as the production design and costumes, it was a show that nonetheless not only foresaw with some accuracy events in the future but remains a fine example of science fiction drama as well.

The show's six episodes are anchored by a good cast. Donald Houston gives solid performances as David Caulder, who takes over as Moonbase 3's director and becomes a very believable leader across the episodes. There's also Fiona Grant as the base's psychiatrist Helen Smith who serves as the base's voice of sanity so to speak. There's Ralph Bates as the base's deputy commander Lebrun who is torn between his loyalty to the base and his own ambitions. Last but not least is Barry Lowe as astronaut Tom Hill who oversees much of the base's maintenance and operations as well. Together they form a good group of leading players for the series.

The series also has a good set of supporting actors as well. This is especially true of the final episode which features Michael Gough (perhaps best known as Alfred from the Tim Burton Batman movies) as an aging Nobel Prize winner who comes to the Moobase 3 and gives a fine performance in the process. There's the reoccurring role of Director General of the European Space Program played by Peter Bathurst, who has a nice commanding presence in his appearances in a handful of the episodes. There's also the reoccurring staff of the base such as Christine Bradwell as Ingrid, Madhav Sharma as Rao and Garrick Hagon as Bruno Ponti for example. Doctor Who fans will recognize Michael Wisher (perhaps best known for creating the role of Dalek creator Davros) in the first episode and Peter Miles (Davros' henchman Nyder) in the first two episodes as well. Together they make for a fine group of supporting actors during the six episodes.

There are some incredibly dated aspects of Moonbase 3 though. Without a doubt what dates it most is its production design and costumes. These two things are indicative the most of the era the show was made in. For example there's aspects of the production design such as the large computes and tape recorders that, thirty-five plus years on, look out of place. The costumes with their loud colors and 1970's fashions are also far too indicative of the era the show was made as well to the point of being a distraction. There's also the special effects which range from good to the point of distraction. That said there are positive aspects to all of these aspects of course such as the space suits and the spacecraft used throughout the series which,while looking like those used on the Apollo Moon missions, still stand up rather well today as well. That said though these aspects serve mostly as a distraction which take away considerably from the other positive aspects of the series.

One of the outstanding aspects of the series is that, despite the above mentioned faults, it was meant (and remains) surprisingly realistic. Though it helped to hasten the end of the series, the decision by creators Barry Letts and Terrance Dicks (the creative team on Doctor Who at the time) to keep the series as close to reality as they could imagine a 21st century lunar base being. To this point they brought on James Burke, one of the BBC team that covered the Apollo moon missions, to help insure that the series would remain that way. The result is that the show predicted quite a few things such as the possibility of ice on the lunar surface or, as in the episode Castor And Pollux,international cooperation between the superpowers of the time two years before it first happened in reality with the Apollo-Soyuz mission in 1975. Like 2001: A Space Odyssey before it, the series failed to predict both the lack of further major human exploration of the Moon or the fall of the Soviet Union for example. Yet, judging strictly from when the series was made, these predictions can not be faulted. At any rate the series did make quite a few accurate predictions and the realistic makes this more of a drama then other science fiction series's of the era such as Doctor Who for example.

Perhaps the most impressive aspect of the series then are the scripts. The scripts reflect the realistic tone with stories of people under stress (such as Departure And Arrival) and deadlines (Achilles Heal) or the effects of hysteria as seen in Behemoth. Perhaps the best episode, View Of A Dead Planet, deals with hysteria as well. In it a plan to detonate a nuclear bomb to free up arctic areas for development apparently leads to the destruction of the world. The episode therefore is a human drama of how a group of people react to the possibility of being the last of their kind. This episode is an example of the promise showed by the series and its ironic it would be the last episode as well. Being dramas these scripts are not for those expecting aliens and ray guns. The series strength lies in the fact that it is about people instead.

While dated to the point of distraction at times, Moonbase 3 is a fine example of science fiction drama. From its actors to its premise and scripts, it is a series dared to be a science fiction drama different from other shows at the time. Sadly the promise shown never got fully executed beyond six episodes, Moonbase 3 remains a show that was brilliant but canceled.

When I write this review I try to take into account that the original Star Trek was produced 7 years earlier than this. In light of that fact and the studio awareness of what the then 'modern' viewer expected in their 'future' it falls VERY short in production values. The acting is, as well, quite dreadful and the writing is no better. The scenarios are childish and fit for audiences in the 50's. All in all, it is what Britain was capable of producing at that time...given a few more years they went on to make some absolutely splendid shows but sadly, this is a poor throwback to the paper rockets of years ago. Don't waste your time unless you want to see how they were UNABLE to reach the heights Star Trek met.

Moonbase 3 was an ambitious attempt by the BBC in 1973 to create a technically accurate science fiction program. It also followed the "New Wave" of science fiction writing then popular.

In traditional science fiction, larger-than-life heroes zoom across the galaxy, fight swashbuckling space battles with evil interplanetary despots, and woo beautiful alien women. On Moonbase 3, scientists and administrators attempt to conduct experiments while beset with budget cutbacks, equipment failures, work stress, personal isolation, and a heartless Earth bureaucracy.

The stories are often grim and depressing. The base is small and understaffed, the technology is unreliable, and everyone is under constant pressure to produce breakthroughs. Outer space is deadly and unforgiving; a tiny error in piloting your rocket can kill everyone aboard.

Small teams of researchers on a European moonbase are isolated for weeks at a time, leading to psychological stress and conflict. Many times in the series the researchers can only stand helplessly watching their experiments fail and their friends die. It's easy to see why the program was never an audience-pleaser.

However, the program has some extremely innovative themes which are never explored in other television or movie dramas. It shows how difficult, yet personally rewarding, scientific research is. It shows what a difference having a good manager makes. It shows how following the rules really can work, and how rule-bending seat-of-your-pants rocket jockeys can get everyone killed.