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If, like my wife and myself, you have run through the BBC's various Christie series, these are a good find. They are a bit dated, but I prefer a good story to a click production. More is an excellent Father Brown, soft-spoken, witty, but sharp and persistent.

These stories are from a bit earlier in the mystery genre than most adaptations, and this dates the series as much as the productions. Chesterfield's stories tend to be more "howdunit" than "whodunit", with the focus less on the characters than on the murder itself. This can be a problem, at times, but it can be very good, especially when combined with good characters.

I've been listening to the BBC radio adaptations of the Father Brown stories with Andrew Sachs in the lead role. I have to say I much prefer Sachs' version of Father Brown, but this series is perfectly good with Kenneth More in the role. Considering when the series was made, the production is reasonably good, and the acting, while occasionally stiff, is fine overall. Some changes are made from the stories, which I have no problem with. Of the episodes I've seen so far, none have been damaged by the changes. It is important that Father Brown is a Catholic priest, and not just another amateur detective, and in this sense some of the religious reference seem to have been taken out of the stories. This subtracts from the distinctive flavor of the stories, but it plays fine on television.

You won't get the production values or the acting found in the later Christie series, but these are well worth trying if you favor British detective/mystery series. I'm certainly happy I found them, and I'll be watching them one per night until I've through the lot.

Catholic Priest Father Brown is on hand to investigate all manner of crimes, including murder, often assisted by his old friend Flambeau.

I'm an Agatha Christie and Conan Doyle addict, I was late to The GK Chesterton party, and only found the works through The BBC reboot. I struggled with the pacing early on, but decided to first read the books, then watch them with fresh eyes, it was the right move.

Intelligent mysteries, Father Brown is often an observer, an onlooker, in a similar way to Miss Marple I guess, he's observant and perceive, he's clever, but he's not over the top or dynamic.

Oracle of The Dog and Curse of The Golden Cross were my favourite episodes, but every episode offers something. It surprised me how little Father Brown appeared in some of the novels, the changes that were made in this series work very well.

Kenneth More is excellent as Father Brown, when you read the books, he's exactly the character you see in your mind's eye, he fits the bill perfectly.

As much as I thoroughly enjoy The BBC reboot with Mark Williams, this is a much more authentic offering.

8/10.

First-rate adaptations in their time of G. K. Chesterton's clerical detective Father Brown. The series which aired in 1974 unfortunately has only 13 episodes in it. Having re-watched them all again(having seen them probably in the late 70s on Mystery I think), the stories, the detective, and the productions all hold up today with rather small problems. Yes, these episodes are somewhat stagy and plodding at times - much like the stories can be. Father Brown is no Sherlock Holmes when it comes to action nor does he have the hubris one associates with Hercule Poirot or a Lord Peter Whimsey. He is more like an accelerated Miss Marple in both action and demeanor. Kenneth More plays the priest to perfection I think. Father Brown was a very inconspicuous character in the stories, but that just won't do for television if you want any viewers. More gives Brown some warmth, charisma(as earlier stated by another reviewer), and roundness as a priest and as a human being. He makes this series work and is incredibly fun to watch. The episodes are very faithful in most cases to the source material with some changes, but each episode has solid direction, good character acting, a puzzle albeit at sometimes a complicatedly-woven one, and More at its center. Some of the stellar episodes are: The Eye of Apollo in which Father Brown matches wits with a religious huckster, The Three Tools of Death which is about death from a very intriguing manner, and The Arrow of Heaven - again a rather neat little mystery. Throughout the episodes you will see the likes of actors such as: Ferdy Mayne(The Fearless Vampire Killers - vampire), Benard Lee(M in James Bond films), Shelia Keith(Pete Walker films like House of Whipcord and Frightmare and one scary actress just in general), and Dennis Burgess plays Hercule Flambeau in several episodes. If you are the mood for a thought-provoking mystery, try a little priest.

It was quite difficult for ATV to adapt the short stories of Father Brown by G.K Chesterton in the manner in which they were written. This is due to the fact that some of the original stories don't contain enough plot to make a 50 minute episode. The writers of the series are to be congratulated and the leading performance from Kenneth More effectively demonstrates that he was a more versatile actor than one realizes. He is truly cast against type and rises to the challenge tremendously. It is true that the production values aren't exactly state of the art but for sheer storytelling, this 1974 version of "Father Brown" is worthy of repeated viewing.

Set in a dismal, rainy, foggy England, this awful adaptation projects an equally foggy interpretation of Chesterton's work. Probably the worst dialog and screenwriting I have ever witnessed is dismally spewed out in this wretched adaptation of Chesterton's stories. The protagonist aside, the fact paced barely audible dialog races through each scene as if it had a better place to be. The actors too seem eager to get to the end of the day and go home. I think part of the problem is that there is no music that sets the mood. The sets are claustrophobic and it appears there is only one camera used instead of a more versatile two camera set up. Happily, the sunny cheerful melodramatic Mark Williams remake of this has come to the rescue. I give it two stars instead of one out of a sense of charity and compassion.

Interesting adaptation of Chestertons popular creation. the series looks its age now but is more faithful to the original books than the current BBC version. I have had this series in my archive for a number of years now and was moved to re-watch it agin after the finale of the 7th series of the current Mark Williams led series last week. Kenneth More was a fine actor and played Father Brown much closer to the book version than either Alec Guinness or Mark Williams. Less humourous than the other adaptations but still very entertining especially for fans of period dramas.

Recommended

Kenneth More plays father Brown in this series based on G. K. Chesterton's books. I cannot tell you how close this comes to the books themselves as I have not read them yet.

Each episode is a complete story in itself where we meet the characters, build up the mystery, try to second-guess father Brown, and wrap up in the end. The ending of his stories is not that neatly wrapped as he usually leaves it to the culprit to do the right thing.

Dennis Burgess plays Hercule Flambeau (Father Brown's friend); he is advertised throughout the DVD but does not show up for several episodes.

I have to admit that several times on my first viewing I had them stop and think about where I have seen the actor(s) before.

As with many series, there are guest actors. Some of the guest actors show once and others are peppered throughout the series.

The quality of each story varies widely so there will be some favorites and some duds depending on what you want to see. The production itself looks quite inexpensive and locations and production sets. The quality of the recording leaves something to be desired; I am not sure if it is the original recording or the media. In any case, you will be so wrapped up in the story that you will care about the production quality.

G. K. Chesterton wrote after Conan Doyle invented Sherlock Holmes but (mostly) before Agatha Christie's reign. His detective Father Brown is an inoffensive little priest who knows a lot about crime, from years of hearing confessions. So he can see what others can't.

Here's an example (and since this story wasn't in the series it's not a spoiler). A headless man is found. His house is scattered with snuff; with clockwork like destroyed toys of the period; and with other bizarre things.

Father Brown (I won't give away how) figures out that the man left everything in the Will is scrupulously honest. He was left all the man's "gold." So he takes the man's collection of gold snuff boxes but not the snuff; he takes the man's gold watch-cases but not the watches; and as for beheading the man, since he was dead anyway it was easier to remove the man's gold teeth.

Chesterton's stories are less who-dun-its than puzzles to be solved. And they may have a theological point. Often this is said it's because Chesterton was such a strong Catholic, but his conversion to Catholicism came after he'd created Father Brown and had written most of his stories.

Whether Father Brown's stories could make a viable series like Brett's "Sherlock Holmes" or Suchet's "Poirot" or Hickson's "Miss Marple" is debatable. Some of Chesterton's Father Brown stories (which I love) are great while others are slight to plump out an hour apiece. And since Chesterton liked to serve everything up with a taste of humor he's often presented as a silly rather than a serous writer. Serious writers, it seems, shouldn't have a sense of humor. Baloney.

(Forget the Mark Williams reboot; all it has in common with Chesterton's stories is the main title).

This series has some poor production values and acting. Even the great Kenneth More appears miscast as Father Brown. A fine actor, More's performances have always been of characters who are sharp and smart, not low-key characters who appear silly on the outside, even if they are cleverer than everyone else on the inside. I've always appreciated Kenneth More's acting, but he's not that good at hiding his light under a bushel the Father Brown way.

When I first caught this in high school (fifteen years before I cared to read Chesterton, now one if my favorite authors) I was accustomed to British TV presentation with great actors performing in long takes on videotape on cheap-looking sets and with outdoors scenes on grainy film. Nowadays I'm more accustomed to slicker productions where the actors practically whisper. So the series looks old and creaky. Too bad. Chesterton deserves better.

The 1974 version of G. K. Chesterson's Father Brown is chef's kiss aesthetically and intellectually. I have seen a few episodes of the 2000s remake, which is brightly lit and has a certain middle class sensibility compared to the mysterious darkness of this series, and that 21st century revamp is flat, bland and twee - like it was literally dumbed down for Americans. The 1970s original is magnificent BBC drama, replete with claustrophobic smoking parlours, be-wigged barristers in stuffy court rooms and delightful ornate antique light fixtures.

The Father Dowling Mysteries were an Americanized and modernized attempt at the original 1920s Chesterson books, and are for all intents and purposes absolute moronic trash in comparison (unless you were eight years old in 1989).

But this THIS is art and I am delighted that numerous episodes are available on streaming. Highly recommended to serious mystery fans.

These TV series are poorly made. I do not mean the technical side, with respect to age of the series and TV format it could be considered satisfiable.

I mean, actors' playing is bad almost for all of them. Sometimes the plot lines are vague and characters are unbelievable.

May be, one of the strong sides is that acting doesn't always look like theatrical performance. We get some interesting views and interiors.

I am not a good reader, so I've considered to watch this version. And I've got nothing. I couldn't assemble the plot, I can't understand the clerical point of view, I do not believe in acting. Just a few personal features and authors statements are well pronounced.

I wouldn't keep this historical TV production in my archive.