Les griffes du lion

"Young Winston" released in 1972 was a no expense spared, beautifully mounted, all star, "thinking man's epic" recounting the childhood and early manhood of one of history's great statesmen, Winston Churchill. It was among the last in a long honorable line of historical epics whose golden era began with Robert Rossen's "Alexander the Great" (1956) followed by "A Night to Remember" (1958) and "Spartacus" (1960) and for many reached a zenith with David Lean's "Lawrence of Arabia" (1962). The era continued with "The Longest Day" (1962) "Cleopatra" (1963) "Zulu" (1965) "Khartoum" (1966) "Is Paris Burning?" (1966) "Charge of the Light Brigade" (1968) "The Battle of Britain" (1969) "Cromwell" (1970) "Tora, Tora, Tora" (1970) "Patton" (1970) "Waterloo" (1970) "The Red Tent" (1971) and "Nicholas and Alexandra" (1971). It was Richard Attenborough's follow up to his spectacular film version of the stage hit, "Oh! What a Lovely War". He would follow up "Young Winston" with the equally spectacular "A Bridge Too Far" (1977). Attenborough was at home mixing the grand with the biographical, and in addition to "Young Winston" he made an epic film on "Gandhi", (1982) for which he won the Academy Award for Best Director, with the film winning for Best Picture and Ben Kingsley for Best Actor. This he followed with a somewhat less successful film, "Cry Freedom" (1987) notable mostly for Denzel Washington's charismatic portrayal of Steve Biko, and an even less successful film followed this on the life of "Chaplin" (1992) again, notable for the remarkable performance by Robert Downey Jr. in the lead. The following year Attenborough returned to form-sans epic aspirations-with another adaptation of a stage hit, "Shadowlands" with Anthony Hopkins wonderful as C.S. Lewis.

Among Attenborough's chief attributes is being especially good at getting great performances. This is not unusual since he is himself a marvelous actor and coming from a theatrical background he knows dramatic material when he sees it. He also has a fine eye for period detail. "Young Winston" excels in all these departments. Carl Forman's screenplay, adapted from Churchill's memoirs is a veritable Boy's Own Adventure yarn. Charmingly narrated by an unseen older Churchill, (an uncanny vocal performance by Simon Ward) recounting his early life, it moves sprightly along following the young Churchill from childhood to boarding school, his travails with his parents, to his escapades in the Sudan as soldier and the Boer War as war correspondent and climaxing with his winning his father's seat in Parliament. And it is Churchill's need to win his father's love and approval that thematically dominates the film. Lord Randolph Churchill was by all accounts an imposing figure and the part is well served by Robert Shaw in what is certainly one of his finest performances. The scene where Shaw, coping with the ravaging onset of syphilis, attempts to express his love for his son, is in the opinion of this commentator, the finest piece of acting he ever did. Shaw was never a vulnerable actor, and this is one of the very few times we glimpse a tender side to his personality. It is an extremely moving scene, beautifully played. Anne Bancroft as Jenny Churchill captures all the vivacious charm and steely fortitude as his mother, the other dominating influence in his early life.

Attenborough wisely choose to go with an unknown for the pivotal role of Churchill. It was a fortuitous decision that brought spectacular results. Simply said, Simon Ward is Churchill. Not only does he look like young Winston, he is by turns sensitive, haughty, dashing, and always winsome. His embodiment of Churchill's physical gestures and vocal intonation are truly amazing. In what seems to be traditional for the historical epic, the supporting cast is first rate. Along with Shaw and Bancroft, Jack Hawkins, John Mills, Pat Heywood, Ian Holm, Patrick Magee, Anthony Hopkins, Edward Woodward, Laurence Naismith, Robert Hardy, and Colin Blakely all have effective cameos. Hawkins is especially good as Mr. Welldon, Headmaster at Harrow. in a subtle comic turn and without saying a word Hawkins uses his very expressive face to register his total perplexity as to how to grade a blank piece of paper young Churchill has turned in. Equally good is John Mills. Mills made a cottage industry at playing stiff upper lip types, such as Scott of the Antarctic. As Lord Kitchener he is at his most stiff upper lipped. He is perfect as the Great Man with the steely blue eyes, (Kitchener's face was used for the British equivalent of the Uncle Sam, "I Want You!" recruiting poster in WWI) who personified the Victorian soldier hero. "Young Winston" is a grand, rousing historical epic beautifully capturing the pageantry of Britannia at the height of Empire while never losing sight of the young man who one day would become one of her greatest sons. Rule Britannia!

This epic biopic from '71-72 directed by Sir Richard Attenborough with a screenplay adapted by US writer Carl Foreman from Churchill's memoir My Early Life caught the zeitgeist of the early-'70s which were pioneering years - 1972 was that most downbeat of hippy years but many serious and intelligent films were released that year, including Pocket Money, Solaris, The Darwin Adventure, Antony & Cleopatra, Lady Caroline Lamb, The Master Touch etc. Young sandyhaired English actor, Simon Ward became an international star - he looks the part and his aristocratic bearing and Tory patrician style are spot on. The adventure scenes in the North-west Frontier, the Sudan and South Africa are thrilling - Ward shows great flair. The skirmish with the Derviches and the battle of Omdurman were filmed in the deserts of the High Atlas, Morocco in 1971, the scenes showing Churchill's hideout at a South African colliery were filmed at Morlais Colliery, Dyfed, Wales while the battle featuring a military train and Boer soldiers was filmed in Hampshire at Longmoor Military and Railway Camp also in that year. Vis-a-vis the coal-mine scene, ironically the winter of '71-72 featured the renowned UK Miners' Strike led by Yorkshireman Arthur Scargill head of the N.U.M. which occurred a few months before the release of this film.

This was an excellent and engaging film about the early years of Winston Churchill. The acting and writing were superb. The directing was generally good as was the writing, though there were a few moments when the movie was a bit slow or skipped over a little too much of his life--though certainly not in the last half of the movie when he is involved in the Boer War. About my only serious gripe about the movie was that once it was finished, I was left wanting to know more. This would have been a much better mini-series than a movie. That's because I think the movie attempted to do too much in too little time. However, what it did do, it did very well and the movie offers excellent insight into the man's formative years.

The picture is based on Winston Churchill's autobiographic book titled : ¨My early life : a roving commission¨ . The movie talks about infancy , the school times in a strict discipline , the young military and journalist career and the election as parliamentary at the early age twenty six years old . He intervened against the rebels in India , at defense of the British Empire . Winston participated in the last charge of Brit brigade in Sudan war along with general Kitchener (John Mills) in command the Army against Derviches that had formerly vanquished general Gordon (1884 , Khartoum, events narrated in the film with the same title with Charlton Heston). Later on , he was to South Africa as journalist in English-Boer war (1899-1902 , the leaders were Rhodes-Kruger respectively) that Kitchener would finish (though there he would create the first concentration camp) . Churchill is imprisoned but he breaks out from Pretoria . After the spectacular getaway which obtained world fame he was elected as Parliament member where he speaks an overlong speech that makes it a little bit boring . He subsequently becomes Tory (or Conservative) Party leader confronting Prime Minister Salisbury (Laurence Naismith) and later on , facing LLoyd George (Anthony Hopkins) , Liberal Party leader .

The film won several Oscar nominations or Academy Awards , to original screenplay (Carl Foreman), Production design (Geoffrey Drake) and Costume (Anthony Mendleson) but achieve none . Simon Ward is enormous and Anne Bancroft , Robert Shaw and Anthony Hopkins are magnificent . This was the first of five films that Richard Attenborough and Anthony Hopkins worked together on . They later worked together on Magic (1978), A bridge too far (1977), Chaplin (1992), and Shadowlands (1993). Very good support cast , actors Ian Holm, John Mills, Jack Hawkins , Patrick Magee, Anthony Hopkins and Edward Woodward all received 'special appearance' credits and debut theatrical feature film of actor Nigel Hawthorne . The sensitive and romantic music score was masterfully composed by Alfred Ralston . The motion picture was well directed by Richard Attemborough .

In the second half of the twentieth century the biographical epic came into its own. The past hundred years had thrown up a lot of inspirational figures in politics and war, and as that generation of heroes began to die off, and the big motion picture developed an intimate streak, high-budget biopics became a matter of course. And, like anything that is produced often, there soon becomes a standard way of doing it.

The writer of Young Winston was Carl Foreman, of High Noon and Bridge on the River Kwai fame. He had a strong starting point – the writings of Churchill himself, full of the man's sense with words and subtle humour. Foreman structures the first book of Churchill's biography into a coherent and entertaining screenplay – sensibly opening with a burst of action from a period in Churchill's adulthood, which not only hooks the audience but also gives us a promise that this adventuresome time will be returned to later. This is especially important since there are moments in the first hour or so where Young Winston threatens to become a dry, domestic biography. But Foreman makes an error in his striving to get various supporting details across. There are several of these bizarre "interview" segments, where major characters are grilled by an unseen questioner, clunkily breaking up the flow of the story. The revelations in the interviews are important, but a writer of Foreman's calibre should have known better and woven them into the regular narrative.

Foreman also produced, and he selected Richard Attenborough on the strength of his debut Oh! What a Lovely War. Attenborough seems perhaps a little overwhelmed by all the gadgetry of a larger production. His work looks pretty, but doesn't seem to have much point to it, especially the many slow zooms which become a little irritating. Still, there is his ability to create memorable and iconic imagery, both of actors and of landscapes. He also takes care to make the final shot of one scene dovetail somehow into the first shot of the next. For example a slow tilt upwards following Anne Bancroft on a staircase cuts to an opposing downward tilt to bring us in on the teenage Churchill's speech in the school hall. Such smooth linking devices are useful in a picture like this that has many sudden changes in place and tone.

Attenborough was apparently also chosen for his ability to pick a decent cast. He pushed hard for Simon Ward in the title role, and on the whole made a good choice. The fresh-faced Ward deftly depicts Churchill's transition from eager teen to levelheaded military officer. However his adoption of the real Churchill's famous mannerisms and speech patterns in the final scenes verges on the ridiculous. Anne Bancroft gives a steady performance as his mother, although she is perhaps too good at playing cold-hearted women, and when her character's tenderness begins to sour towards the end of the picture it suddenly appears Lady Churchill is going to turn into Mrs Robinson. The finest turn is that of Robert Shaw as Winston's father. He makes Lord Churchill's descent into syphilis-induced dementia poignantly real – you can see the man he was in there still, disintegrating. There are also plenty of big name cameos, but frankly these are far too brief to be of any note or impact on the picture.

So, altogether a mixed-bag of a life story. Everything we need to know is there, it just seems that on all accounts this was not a very cohesive effort, in which script, performances and general production have no particular aim or arc. As such, there are some great set pieces, and considered in bits most of Young Winston is very well done. As a whole however, it has neither the sweep nor the power to give us the impression of a life lived.