Viva Django

One of a number of cheaply made Italian Westerns designed to cash in on the Django brand name, "W Django!" a.k.a. "A Man Called Django", doesn't compare of course to the original Franco Nero film but is still very acceptable non-think entertainment that keeps you watching for an hour and a half. In this story the cunning bounty hunter is actually married, but the poor woman lasts barely a minute and a half; she's assaulted and gunned down by bandits. A year later Django (Anthony Steffen) comes to a small town and learns that a thief about to be hanged, Carranza (Stelio Candelli) can identify the members of that gang, so he saves his life. The two men are then united as Carranza points out one lowlife at a time while bodies regularly get pumped full of bullets and a shipment of guns plays into the plot. Don't look for too much story here, but you can expect a fair amount of style, courtesy of director Edoardo Mulargia, and the violence is pretty constant; the body count in this thing is impressive. You can also expect a LOT of comedy in this thing, thanks to writer Nino Stresa. Candelli in particular is an absolute hoot. The acting is competent all the way down the line; horror fans may recognize Chris Avram from Mario Bavas' "A Bay of Blood", cast here as the outlaw Jeff. Esmeralda Barros adds appreciable eye candy as Lola, and Donato Castellaneta is quite appealing as saloon owner Paco. Some fans of Italian Westerns may find that ultimately it gets too silly, but it's undeniably very lively from start to finish and hard not to like. Steffen may not be Franco Nero, but he's pretty cool in his own right and the viewer simply has to love how ingenious he is. He establishes himself as a cool customer soon after his entrance, and he comes up with nifty ways to trick various bad guys. (The bit with the fake arm is a show-stopper.) All in all, this is quite agreeable and well worth a viewing. Seven out of 10.

Nothing new story wise, like many of the spaghetti Westerns, a gunslinger is out for revenge after his wife is raped and murdered (why was this so common?).

The acting is pretty good, plenty of action to enjoy and the camaraderie between Django and Carranza is reminiscent of Blondie and Tuco, as pointed out by another reviewer.

However, the editing is very choppy and interrupts the story, as well as some plot holes.

All in all, not up there with the greats but an enjoyable hour and 20 minutes.

A group of bandits raped and murdered a woman that, for their bad luck, was Django's wife.After that,the famous gunman goes in a vengeance against the bad guys, killing everyone in his trail. This one is a typical Italian western although is really strange to find Django as a married man. Some good moments - some violent shots, some comic scenes -but it's just routine material but good for spaghetti westerns buffs. I give this a 6 (six).

(1971) Viva! Django/ A Man Called Django!/ W Django!

DUBBED SPAGHETTI WESTERN

It opens with a young blonde lady murdered in her own place and was shot and killed after a failed attempted assault. The next scene has Django (Anthony Steffen) coming into town with his saddle, and he notices that the entire town is almost empty other than gun men and a bar keep, Paco (Donato Castellaneta) at a saloon who lives with his cheating wife, Lola (Esmeralda Barros). Django also manages to get a sap, Sam to carry his saddle around for him as well. And just when a hanging begins, Django manages to set him free by disguising himself as a monk robe and all. When the man of the town, Jeff (Chris Avram) notices this, he then orders his gun men to go after him. A few unfunny comedy routines later with Django making fools out of Jeff;s gun men, he then manages to escape them, by loosening their saddles beforehand as each one of them fall off. By the time he goes and meets up with the guy he freed from the hanging, he then shoots and kills the rest of his men, before he cross examines him. We find out his name is Carranza (Glauco Onorato) and that he needs his assistance to pin point the people involve that has something to do with his wife's murder. It was at this point we are enlightened in terms of the young lady who was shot and killed at the opening, as it became Django's main objective. For the only assumption is that we saw is that four people were involved with one shooter. The first name is the gun runner, Thompson (Riccardo Pizzuti) and the leader of the gun running gang, Jeff, and Gomez (Chris Avram).

The comedy routines are flat and some of the gun scenes are nothing special. And then it is like after the 27 minute mark, viewers should be able to figure out that other person is way before the star does.

This spaghetti western is yet another in the seemingly endless cycle of 'Django' movies. Like the vast majority, it only has a passing relevance to the original Sergio Corbucci classic and really the lead character is no more than a standard spaghetti western anti-hero who could essentially go under any moniker. But, I have seen quite a few of the Django movies now and I have also seen quite a lot of the more run-of-the-mill Italian westerns too and this effort is quite clearly better than most. In this one we have the title character hunting down a group of bandits who raped and killed his wife. He takes them out one by one with the help of one of their ex-gang members, whom he saves from execution in order to gain his trust and assistance.

This one has Anthony Steffen as Django and I reckon he is one of the better actors at playing this kind of role. He does elicit a certain hard-nosed cool throughout and its easy getting behind him on his bloody revenge mission. Steffen also has good chemistry with Stelio Candelli who plays the Mexican bandit who partners him. The nature of the plot with its emphasis on a series of villains taken down one at a time, means that the story is made up of individual segments and I think this helps pace the film quite well, which is a good thing given that many spaghetti westerns can get a bit tedious as they go on. The ending also was good here too, although I saw the twist ending coming a mile off I have to say – the clues are there and you have just got to spot them. All-in-all though, I was pleasantly surprised with this one and certainly found it to be one of the better movies from this sub-genre.