Ajouter une intrigue dans votre langueAlbert Steptoe and his son Harold are junk dealers. Harold meets a stripper, marries her and takes her home. Albert, of course, is furious and tries every trick he knows to drive the new bri... Tout lireAlbert Steptoe and his son Harold are junk dealers. Harold meets a stripper, marries her and takes her home. Albert, of course, is furious and tries every trick he knows to drive the new bride from his household.Albert Steptoe and his son Harold are junk dealers. Harold meets a stripper, marries her and takes her home. Albert, of course, is furious and tries every trick he knows to drive the new bride from his household.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
- Arthur
- (as Perri St. Claire)
- Hotel Manager
- (as Michael da Costa)
Avis à la une
+ catch the 2nd movie Steptoe and son ride again.
The first film is a lot like the television series, a mixture of melodrama and comedy. A tad uneven in some places but it's very enjoyable. The second film is more of a farcical comedy and it's more accessible to non-fans of this brilliant television series.
Highly recommended for fans of the t.v. series and for people who want to take a peek at the original "Sanford and Son".
When you watch the first film you might wonder how on earth this is classed as a comedy because it is very dark. It does have its funny moments but overall it is quite emotionally draining as we're witness to Harold's life falling apart aided by his father's pretty horrible cruelty and mental torture. Besides YES releasing CLOSE TO THE EDGE, 1972 was not a happy year for the UK and this film gives us a voyeuristic insight into how depressing things were back then for the majority of people. Although it's heavy going at times and you're more likely to cry than laugh, it is enjoyable and satisfying. What makes this extra special is Carolyn Seymour as the girl who captures Harold's heart. She plays a stripper in a seedy club and as someone who takes her clothes off for a living she is of course very attractive but because she's such a great actress, she's also instantly likeable even though she's actually not that nice. Her character is just so real so much so that you can perhaps empathise with her most of all.
As a result of the negative backlash against the first film, the next one, in my opinion went too far the other way. Although maintaining the spirit of the original show this one decides to be a comedy and indeed it is a very funny comedy. If you're a Steptoe fan then this will make you laugh but maybe because I'm a miserable old git, I prefer the first one.
The TV episodes being barely thirty minutes long the stories, are necessarily structured to fit the time slot.
Unlike what may be considered more typical comedy sitcoms, these are formed more in the manner of short plays. The shows writers deliberately wanted that to be the case, they didn't want comics for the principal characters. No they wanted actors, who were used to that form of discipline. And were more than capable of handling a wider range, of emotions than in a straightforward sitcom.
All of this is relevant to the characters dynamics of father and son, in the intensely claustrophobic environs of their home and work environment.
I really cannot imagine any comic managing to handle more than one emotion at a time, especially not consecutively.
I watched all of the shows both monochrome and the latter colour ones, it was a comedic staple of my evening TV entertainment.
Part of what has always appealed to me is the natural dynamic friction, between Albert and Harold.
I enjoy watching both TV show and films however many times that is, and for a long time simply lapped up the comedy.
It took me quite a while before I finally started thinking, about the characters in rather more detail.
The more I did the less the comedy sufficed or more accurately was viewed, from a slightly different perspective.
I came to actually see the characters through my own eyes from where I was in my own life, resenting the dad and bemoaning what a pillock the son was.
Reading other reviews I see people bemoaning the film because its drearier than the TV show, that can easily be understood and explained.
That's only because the movie's longer timeframe allows, for greater character development. And they are seen through a wider prism, of the world around them.
Le saviez-vous
- AnecdotesTo receive an 'A' (PG) cinema certificate some brief nudity was removed from the striptease scene. DVD releases are fully uncut.
- GaffesThe horse faeces that Harold picks up and puts in the bucket at the beginning of the film are clearly little potatoes painted brown.
- Citations
Harold Kitchener Steptoe: [To Albert] You're worse than a fly 'round a cow's arsehole.
- Crédits fousAt the start of the film, the camera zooms out from a parking meter and shows the lettering "Steptoe & Son" on the side of the cart parked in front, with "Ray Galton & Alan Simpson's" above the cart as normal captions & Copyright information below the cart.
- ConnexionsFeatured in Comedy Classics: Porridge (2022)
Meilleurs choix
- How long is Steptoe & Son?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Steptoe & Son
- Lieux de tournage
- Trellick Tower, 7 Golborne Road, Londres, Angleterre, Royaume-Uni(Harold approaches a tower block)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 38 minutes
- Mixage
- Rapport de forme
- 1.85 : 1