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IMDbPro

La Chasse aux Dollars

Titre original : Slither
  • 1973
  • PG
  • 1h 37min
NOTE IMDb
6,2/10
1,8 k
MA NOTE
James Caan and Sally Kellerman in La Chasse aux Dollars (1973)
A car thief gets out on parole from a penitentiary and intends to go straight. Nonetheless, he ends up in a wild goose chase for stolen cash, together with a small-time bandleader and his wife, and a friendly free-spirited woman.
Lire trailer2:53
1 Video
46 photos
ComédieCriminalitéThriller

Ajouter une intrigue dans votre langueA car thief gets out on parole from a penitentiary and intends to go straight. Nonetheless, he ends up in a wild goose chase for stolen cash, together with a small-time bandleader and his wi... Tout lireA car thief gets out on parole from a penitentiary and intends to go straight. Nonetheless, he ends up in a wild goose chase for stolen cash, together with a small-time bandleader and his wife, and a friendly free-spirited woman.A car thief gets out on parole from a penitentiary and intends to go straight. Nonetheless, he ends up in a wild goose chase for stolen cash, together with a small-time bandleader and his wife, and a friendly free-spirited woman.

  • Réalisation
    • Howard Zieff
  • Scénario
    • W.D. Richter
  • Casting principal
    • James Caan
    • Peter Boyle
    • Sally Kellerman
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,2/10
    1,8 k
    MA NOTE
    • Réalisation
      • Howard Zieff
    • Scénario
      • W.D. Richter
    • Casting principal
      • James Caan
      • Peter Boyle
      • Sally Kellerman
    • 30avis d'utilisateurs
    • 21avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos1

    Trailer
    Trailer 2:53
    Trailer

    Photos46

    Voir l'affiche
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    + 38
    Voir l'affiche

    Rôles principaux22

    Modifier
    James Caan
    James Caan
    • Dick Kanipsia
    Peter Boyle
    Peter Boyle
    • Barry Fenaka
    Sally Kellerman
    Sally Kellerman
    • Kitty Kopetzky
    Louise Lasser
    Louise Lasser
    • Mary Fenaka
    Allen Garfield
    Allen Garfield
    • Vincent J. Palmer
    Richard B. Shull
    Richard B. Shull
    • Harry Moss
    Alex Rocco
    Alex Rocco
    • Man with Ice Cream
    Seamon Glass
    • Farmer in Truck
    Wayne Storm
    • Highway Patrolman
    Diana Darrin
    Diana Darrin
    • Band Singer
    Stuart Nisbet
    Stuart Nisbet
    • Buddy
    Edwina Gough
    • Bingo Player
    Al Dunlap
    • Man in Men's Room
    James Joseph
    • Short Order Cook
    Virginia Sale
    Virginia Sale
    • Bingo Caller
    Alex Henteloff
    Alex Henteloff
    • Man at Phone Booth
    Len Lesser
    Len Lesser
    • Jogger
    Garry Goodrow
    • Man with Camera
    • Réalisation
      • Howard Zieff
    • Scénario
      • W.D. Richter
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs30

    6,21.7K
    1
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    10

    Avis à la une

    SamHardy

    In a class by itself

    This is a character driven comedy, drama, crime, mystery that defies definition.

    Back in the 70's some really fine films were made, and there were some really terrible ones too. But the movie studios were in the mood to make so many films that in the process some totally unique ones that just happened to be good were made. I don't know why this film never got the attention it deserved. When I first saw it in 1973 I have to admit I was under the influence of herbal substances. It was a favorite pastime back then to get a buzz on and see a movie. I thought it was very funny at the time. Seeing it for the second time last night I was delighted to find out that even without mood altering contraband it was every bit as funny as the first time. Now that's saying something.

    If you love really great character performances this one is full of em. Sally Kellerman appeared to be having the time of her life. It must have been a character actor's wet dream. It does not hurt to have a great script either. Slither had it in spades.

    This films will keep you guessing the entire time. I don't care how many films you have seen, you will not be able to predict the outcome of this one. But along the way be prepared for some incredibly dark humor that carries you along till the very end.

    I will make you a bet. There is a bit of an introductory plot outline that shows up before the opening credits. If you can stay with it till then, you will not be able to turn it off. I bet you a big black van that you will finish it.

    "who are those guys anyway?" The fun of finding out is a real pleasure trip.
    Skragg

    Most underrated comedy of its whole kind

    I usually either don't like, or hate, action comedies - though Slither isn't one entirely. But, as far as it IS an action one, it's the best one ever made, and (to me) about the most underrated comedy of ANY category. Most comedies or dramas about cops and robbers (or about criminals, period) promise to be about the CHARACTERS more than anything, but this one keeps that promise completely. I do have one complaint about the Sally Kellerman character, and that's that, in most of the film, she was a sort of WOULD-BE maniacal character, and that one scene of her actually holding up a diner spoils that in a way. But at least that scene gave James Caan the chance to do what he did best in the movie, which was acting horrifed or disgusted by everything that happened around him. Somehow, this doesn't wear thin anywhere in the movie, especially in his scenes with Kellerman. I usually don't like crude dialogue when it's there just for the sake of it, but the laundromat scene, where she grosses him out with her talk, is done just right, and that's why it's funny. I have what is probably a real minority opinion about the film version of MASH, and that's that it works EXCEPT for the "Burns and Houlihan" scenes, which (to me) were a real waste of both her and Duvall (including that hugely famous scene). All I can say is that anyone wanting to see Sally Kellerman in a FUNNY role should see Slither instead. The same is true of Peter Boyle and Louise Lasser, and all the character actors in smaller parts, all the way to the ones in the bingo hall scene. I don't know why most other comedies of this category can't at least APPROACH this one.
    7kumanoir

    A clear influence on the Coen brothers

    An ex-con stumbles across America, meeting one oddball character after another, while being pursued by a mysterious black minivan. The characters are wonderful - oddball without being exaggerated or overdone. The plot is engrossing. It's a wonderful piece of 70s anarchy. It is very clear that this must have been a big influence on the Coen brothers movies. That combination of deadpan observation of personal quirk and absurdity, combined with violence and a twisting plot. The Big Lebowski is a clear example of where you'll this film's influence. All the performances are great, with Sally Kellerman being her usual unforgettable self.
    7Hey_Sweden

    Shows the audience a good time.

    James Caan plays Dick Kanipsia, a high school jock turned ex-convict who connects with embezzler Barry Fenaka (Peter Boyle); with the latters' wife Mary (Louise Lasser) in tow, they hit the road, in a red muscle car pulling a silver Airstream. The goal is to find a long-hidden stash of money. However, two ominous black vans are always dogging the trio, so it's clear that there ARE other interested parties.

    Somewhat forgotten over time, this is an agreeable dark-humored crime picture with director Howard Zieff displaying a nice, light touch while making the most of the script by the great W. D. Richter. Although there is some violence and gore, the filmmakers are able to never let this get particularly unpleasant. Overall, the film is no great shakes, but then it's not exactly aiming to be in the first place. It's just an amusing road movie with a number of fun twists along the way.

    The movie goes far on the engaging quality of the cast. Caan is amiable and low-key, and has good chemistry with the slightly shady Boyle; Lasser is endearing, and other familiar actors like Allen Garfield, Richard B. Shull, Alex Rocco, and Len Lesser turn up in entertaining supporting roles. But the show is stolen by a very sexy Sally Kellerman as an eccentric traveler who also gets involved in the action. She's a real character: a pill-popping, pistol packing, short shorts wearing free spirit who says some damn funny things. Basically, it's a hoot to watch so many of the other individuals in this story keep trying Dicks' patience.

    By the end of the movie, you can hardly blame Dick for what he does! It's the perfect capper on this offbeat tale.

    Seven out of 10.
    7fiozinho

    Hilarious!

    One of those films that make you realise just how good American cinema could be in the 70s. The plot is less important than the beautifully written and performed off-beat characters, all in their own way in search of an elusive (and finally impossible) pot of gold.

    But perhaps the strongest feature of the film are the set pieces: James Caan gets a lift in the truck of a grumpy farmer: "Get out of my truck!" "Well, can you stop it first?"; Caan visits the 'head' in a diner, and a terrified customer comes rushing in - what's scared him?; the final ten minutes, a trailer marooned in the middle of the road, destruction all around, and James Caan finally waking up (existentially): "What the f*** am I doing here in a vegetable stand in the middle of nowhere?"

    Caan showing a subtle touch with light/black comedy, the glorious Sally Kellerman, Peter Boyle as always wacky as hell ...

    Pure gold.

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    Centres d’intérêt connexes

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    Comédie
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Les Soprano (1999)
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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      When James Caan walks by a paperback spinner rack, a paperback title "Ruined Virgin" can be seen. It appears that this is not a real book. This book has only been seen in the movie The Swinger (1966) with Ann Margaret. There is a scene where Ann Margaret dances with the book in hand and you can see the cover. Margaret also reads the cover aloud. It appears that the book was a prop in the movie from 1966 and later reused for Slither in 1973.
    • Gaffes
      During the period the film was set, the USA was changing its road marking from white to yellow. In various shots on country roads, you can make out the same section of road having white center stripes one minute and yellow the next. It is possible that the road had its lines repainted during the filming.
    • Citations

      Barry Fenaka: They say no man stands so tall as when he stoops to help a child.

    • Crédits fous
      The opening credits don't appear until about 10 minutes into the movie.
    • Connexions
      Followed by Slither (1974)
    • Bandes originales
      Happy Days Are Here Again
      Written by Jack Yellen and Milton Ager

      Performed by Richard B. Shull

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    FAQ15

    • How long is Slither?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 7 mars 1973 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Slither
    • Lieux de tournage
      • Pismo Beach, Californie, États-Unis(location)
    • Société de production
      • Metro-Goldwyn-Mayer (MGM)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 37min(97 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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