Ajouter une intrigue dans votre langueTwo roomates at a prep school in New England during World War II come to grips with the war, jealousy and betrayal. Based on a novel by John Knowles.Two roomates at a prep school in New England during World War II come to grips with the war, jealousy and betrayal. Based on a novel by John Knowles.Two roomates at a prep school in New England during World War II come to grips with the war, jealousy and betrayal. Based on a novel by John Knowles.
- Réalisation
- Scénario
- Casting principal
Falko Schilling
- Student
- (non crédité)
Steve Walker
- Student
- (non crédité)
Avis à la une
I had to read this book for English and it was one of the few books I actually liked. Then we watched the movie and it was horrible. I have never seen a movie degrade a book as much as this did. The characters hardly said anything and it left out too many parts. When Leper was supposed to be skiing, when Gene was on the way to help clear the railroads, he was drawing. The acting was awful and there was no character development. They need to remake this film with characters who could act it out a little better. And then someone needs to make it so it actually follows the book.
"A Separate Peace," in novel form, is a nicely paced story filled with deep, sometimes complex metaphors and symbols. It is not for the reader who prefers the path of least resistance; the majority of enjoyment in reading the book is in the process of decoding the story. But that's what book-to-film renditions are for, right? "A Separate Peace," in movie form, is not such a far cry from the book as far as storyline goes. Instead, it follows the key points of the story while ignoring additional details that would create depth within the novel. In essence, streamlining the content of the novel. Much like in Peter Jackson's "Lord of the Rings Trilogy" adaptation, "A Separate Peace" is short, sweet, and to the point.
Being from the early 70's, this movie should not be expected to have the "best" visuals. For what it is, the cinematography does a fantastic job of illustrating what was conjured into my mind as I read the book. As does the acting, which is remarkable- actual Devon (the school in which the story is set) students and faculty were casted for leading and supporting roles in the movie.
I personally found this movie both entertaining and well adapted in relation to the novel. I'd say that it is definitely worth watching for anybody who has read, is currently reading, or plans to read "A Separate Peace".
Being from the early 70's, this movie should not be expected to have the "best" visuals. For what it is, the cinematography does a fantastic job of illustrating what was conjured into my mind as I read the book. As does the acting, which is remarkable- actual Devon (the school in which the story is set) students and faculty were casted for leading and supporting roles in the movie.
I personally found this movie both entertaining and well adapted in relation to the novel. I'd say that it is definitely worth watching for anybody who has read, is currently reading, or plans to read "A Separate Peace".
I went to a boarding school and this was the greatest book I ever read about boarding schools. However this movie is very weak version of the book. I wish they would make it again with a better cast. It just doesn't capture the magic of Knowles' writing.
The many negative comments on this elegant tale of the rites of adolescent angst insisted I watch again to see what they are talking about. These are teenagers so their actions aren't obliged to make sense. The pregnant pauses and alleged poor acting is awkward emotional teenage behavior mildly obscured because they're bright, articulate kids with lots of rivalries - but there is more going on here.
No one has even mentioned the emotional range of the very powerful snow-shoveling scene euphoria to unutterable sadness, screaming to silence: terrified kids. While the war is symbolic for the emotional swings of the children throughout the film it is very much less important as an influence.
Thematically what no reviewer seems to see here is the love story which foments the jealous, insecure, blind, ignorant savage underneath', illogical urge to strike out. When you don't know what else to do somebody's going to get hurt: these are scared, hormonal, vulnerable, lonely, forty's boys and coming out just isn't done.
Worse still - it may be unrequited love - even though it's just you and me buddy', and I'm good for you' and the beach is where you don't just come with anybody' and Finny's got himself and Gene undressed down to their underwear every chance he gets. Confusion reigns supreme afterward in the dorm when Gene - hasn't been the same since the beach' - and he's worried about something' unrevealed. And again later when he's wearing Finny's clothes and then again when he's stuttering on the phone.
Consider the reaction devastation when Finny thinks Gene might enlist and the ode to friendship that is the Winter Carnival where Gene wins all the gold - after training for the Olympics'. These boys are experiencing feelings which are strong and bubbling over all the time and they have no experience to cope with them.
The confession deals marvelously with the ethical problem of the selfish, sociopathic moment the stupid impulse the temporary insanity, when everything was changed forever, but in tears stops just short of Gene telling Finny he loves him. Then again in the hospital - a confession and forgiveness, but no relief from what the lad cannot express: there is no unraveling, no spilling his guts and no moment of truth.
Years later, all the fear and anger returned' - there is no peace, ever.
No one has even mentioned the emotional range of the very powerful snow-shoveling scene euphoria to unutterable sadness, screaming to silence: terrified kids. While the war is symbolic for the emotional swings of the children throughout the film it is very much less important as an influence.
Thematically what no reviewer seems to see here is the love story which foments the jealous, insecure, blind, ignorant savage underneath', illogical urge to strike out. When you don't know what else to do somebody's going to get hurt: these are scared, hormonal, vulnerable, lonely, forty's boys and coming out just isn't done.
Worse still - it may be unrequited love - even though it's just you and me buddy', and I'm good for you' and the beach is where you don't just come with anybody' and Finny's got himself and Gene undressed down to their underwear every chance he gets. Confusion reigns supreme afterward in the dorm when Gene - hasn't been the same since the beach' - and he's worried about something' unrevealed. And again later when he's wearing Finny's clothes and then again when he's stuttering on the phone.
Consider the reaction devastation when Finny thinks Gene might enlist and the ode to friendship that is the Winter Carnival where Gene wins all the gold - after training for the Olympics'. These boys are experiencing feelings which are strong and bubbling over all the time and they have no experience to cope with them.
The confession deals marvelously with the ethical problem of the selfish, sociopathic moment the stupid impulse the temporary insanity, when everything was changed forever, but in tears stops just short of Gene telling Finny he loves him. Then again in the hospital - a confession and forgiveness, but no relief from what the lad cannot express: there is no unraveling, no spilling his guts and no moment of truth.
Years later, all the fear and anger returned' - there is no peace, ever.
When I read this book some years ago it was because I was forced to read it in English class in High School. I grew up in the town where the book and movie were set, Exeter New Hampshire. Seeing the film brought back memories of my childhood in Exeter and all the visits I made to Phillips Exeter Academy, otherwise known as Devon in the book. The character development is much better in the book, but the movie does do the book some justice. This movie is a must-not miss and should always been shown to a child growing up.
Le saviez-vous
- AnecdotesThe scene where the boys all suddenly start singing "Hitler has only got one ball" was unscripted. Director Larry Peerce continued filming to see how it played out, with the scene ending up in the final cut.
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Box-office
- Montant brut aux États-Unis et au Canada
- 921 268 $US
- Durée1 heure 44 minutes
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By what name was A Separate Peace (1972) officially released in India in English?
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