La poursuite sauvage

Definitely a cut above the average B western this US/Mexico production holds interest and features good production values. Daniel Mann's direction is solid with fine looking cinematography from Gabriel Torres, Oscar nominee screenplay writer Wendell Mayes (Anatomy of a Murder '59) lifts the dialogue slightly above average. William Holden has an active role for his age as a ranch owner and family man, driven to seek revenge and is well supported by Woody Strode and Ernest Borgnine, with Susan Hayward coming out of retirement to join the cast - scenes with Hayward and Holden are particularly well done.

Maybe not a great Western, still, far better than many others of its kind. The film did not fare well but just looking at the original advertising poster would turn most people off (promoted like a cheap Italian/Spanish thing) should have been sold much better.

The Revengers is directed by Daniel Mann and written by Wendell Mayes and Steven W. Carabatsos. It stars William Holden, Ernest Borgnine, Woody Strode, Roger Hanin, Reinhard Kolldehoff, Jorge Luke, Jorge Martínez de Hoyos, Susan Hayward and Arthur Hunnicutt. A De Luxe Color/Panavision production, music is by Pino Calvi and cinematography by Gabriel Torres.

Colorado rancher John Benedict (Holden) hires six chain-gang convicts to find the white comancheros who led an Indian raid that massacred his family and friends.

It is pretty much a Western Dirty Half Dozen, with Holden getting to play the Lee Marvin role and Borgnine, stripped of the weight he was carrying when The Dirty Dozen was made in 1967, getting the chance to be one of the crims on a mission instead of the cameo role of General Worden in Robert Aldrich's macho magnificence.

Nicely filmed out of various Mexican locations, film is essentially dealing with a man so hell bent on revenge he comes to resemble the criminals he now rides with. But even crims have codes and ethics as well! Director Daniel Mann never really gets to grips with the character dynamics, leaving hanging the themes of surrogate fatherhood and slave stoicism, while an interim part of the play that sees Hayward nurse Holden back to health actually bogs down the picture, coming off as an excuse to pitch the two great actors together again.

Oh the performances of the cast are enjoyable, especially Borgnine who is having fun as a sly old grizzler, and Holden is as stoic and sternly professional as always, but nothing ever advances beyond being a bunch of blokes traversing the landscapes in readiness for a siege. Is the anticipated siege worth the wait? Actually yes it is, and it goes some way to explaining why the film hasn't fallen into the trough of stinky waters never to be used to quench the Western lovers thirst. But then! Something happens to make you think the Production Code was back in boorish operation. Pah! I imagine Peckinpah and Aldrich shed a frustrated tear at this point... 6/10

Elements of "The Revengers" are very familiar, though the overall package is reasonably original and engaging.

The story begins with the writer telegraphing what will soon happen. After all, John Benedict (William Holden) is deliriously happy as he returns home to his family on their ranch. You just KNOW something bad will soon happen...and it does. While John is at another part of the property, bandits arrive and massacre his wife, his four kids and a friend. Soon John vows to spend his remaining days looking for the scum who murdered these innocent souls...and it soon becomes an obsession, like Gregory Peck's character in "The Bravados".

To get revenge, however, Benedict cannot go off half-cocked. After all, a gang of bandits and renegade Indians did this, and it's not like he alone can take on these thugs. So, much like "The Professionals", Benedict goes to round up expert killers to help in his quest...and settles on prisoners ("The Dirty Dozen"). But it won't be easy...these men ARE killers and sociopaths! What's next? See the film.

There are a few minor problems with the film, such as how quickly and easily the hired killers seem to reform and buy in to Benedict's quest. Also, the kill ratio seems to be about 100:1 in the film....as he and his men seem more like Terminators due to their abilities to defeat other hardened criminals with apparent ease! But still, it is entertaining and well done....and you get a chance to see Susan Hayward in her final film, as cancer would claim her only a bit after doing this movie.

A homesteader's family are wiped out by a renegade Injun party and he vows his revenge

" Wow Theo . That sounds like so many other dire generic Westerns . Tell us why you gave it seven out of ten "

Easily explained . It's an old fashioned premise done in the New Hollywood style . Hollywood had done way with the dichotomy of good and bad and decided to paint everything in grey . Some people have mentioned both THE WILD BUNCH and THE DIRTY DOZEN in their comments and you can see some very obvious parallels as the protagonist hires some cut throat prisoners as a posse and you're left with a feeling this might simply backfire on him

Another aspect is the rather bloodthirsty element . New Hollywood had torn up the Hays Code rulebook and consigned it to history a few years earlier and THE WILD BUNCH was responsible for this more than any other film and whilst it doesn't have the same directorial style as Peckinpah would have brought to the movie it's enjoyably mean enough to appeal to audience members who aren't keen on the genre

William Holden, my candidate for the perfect American born leading Man with a series of hit films such as Sunset Blvd, Golden Boy, Love Is A Many Splendored Thing, Picnic, Bridges of Toko Ri, The Bridge On The River Kwai, The Horse Soldiers, Suzie Wong, made this film at the near end of his fabled career. Directed by Daniel Mann, the film was shot in Mexico, and some of the scenes and photography to me seemed a bit murky, but it could have been the print I saw. Released by Cinema Center Films which tried to become a major studio, the action is fast paced. The film features 3 Oscar winners Holden, Ernest Borgnine and in a small cameo Susan Hayward. The Producers should have enlarged the role Ms. Hayward played. After all the tough lady we all know and love would have been part of the posse.

A fine film that could have been better.