L'aventure du Poséidon

The Poseidon Adventure is one of those movies I have seen at least once a year as long as I have been alive. I lived in Maine when I was a kid and we loved our natural disaster flicks. Of all the great disaster movies from the 70s, this has got to be the best one. Gene Hackman, Ernest Borgnine, Shelly Winters, Roddy McDowall, Leslie Neilson, and the list goes on.

The basic plot goes like this. The Poseidon is a cruise ship out for its last voyage and it is New Year's Eve. The guests are all celebrating while deep beneath the ocean's surface an earthquake is happening. The earthquake sets off a huge tsunami and the ship is knocked upside down. In order to be saved, a small group of people heads for the engine room at the bottom (make that top, since the ship is upside down) of the ship. At first, the ocean claims hundreds of the passengers until they are whittled down to about 10 people left. From here there are plenty of tense moments and a power struggle for control of the survivors. Typical disaster movie fare but done rather well.

This movie is a great main event for a disaster film weekend.

'The Poseidon Adventure' is a supremely entertaining flick from the days when blockbusters were amongst the best movies out there. Rather than the worst.

Sure, it's corny and it's histrionics can seem overly familiar, but it still packs a punch. This is due to the fact that it's played completely straight. Well, relatively straight in the case of the Borgnine/ Stevens double-act. And it achieves real dramatic resonance from it's allegorical plot line. It pretty much created the template for the 'disaster' film.

Favourite bits:

Red Buttons' funky little walk up on deck.

The way Pamela Sue Martin and her date boogie down when they hit the dance floor.

Pamela Sue Martin's legs. Ditto Carol Lynley.

Lynley's hippy brother.

Roddy McDowall's accent and dialogue (consisting mostly of "yes, sir" and "I think so, sir").

Ernest Borgnine learning that kids can be useful as well as merely irritating.

Hackman's "Please, God - not THIS woman" schtick and death scene.

All of Stella Stevens' wardrobe.

Although the film was made in 1972, the special effects still stand up quite well even in this CGI era. While you might expect actors like Hackman and Winters to "walk" through their roles in a film like this simply "for the money", the cast does a solid job. Buttons, known for his proclivity to "ham it up", treats this role more seriously like he did in "Sayonara", and as a result is okay. Carol Lynley, never a great actress to begin with, gives the poorest performance, turning her character into a whiner. In the story, the ship is capsized at midnight on New Years Eve, and the story proceeds from there to the conclusion hours later when it is daylight. The action is continuous, which makes it more believable. As of this date, aside from the "kids" Pamela Sue Martin and Eric Shea, Gener Hackman is the only cast member still living.

The clothes and the likes are really the only thing that date this film. 35 years old, and it still holds up well. No CGI featured, and none required. I have not read the book of this film, so I cannot say if it is an accurate adaptation, in the spirit of the original. I will say that it is a well-produced piece of fiction. The plot is quite good. The writing is good, and has very realistic, great moments. Dialog is well-done, and delivered equally well. The characters are credible and well-written. There is a reasonable amount of development and background for them. The special effects are undeniably excellently done. They are convincing throughout. Nature itself becomes the threat, with realistic physics. The camera-work and editing are nicely done, save for an awkward cut or two. Cinematography is effective. The pacing is solid for the whole film. As far as the technical aspect goes, the film is great. The acting is of high quality. The kid isn't the most annoying ever seen. The tension is admirable. I haven't watched particularly many disaster films... in fact, this film may be 50% of the total amount... so I can't say if this is an outstanding one. I'm not sure you can really watch this without noticing the theme of passivity versus activity... or, blind faith versus a more critical, independent faith. The film takes a definite stance on that. All in all, entertaining and worth your time. I recommend this to any fan of the actors and/or the genre. 7/10

I still don't understand how people get on here and write reviews about movies, with statements like wasted actors talent, campy, don't you understand this movie was made in 1972 there was no CGI and copying movie like it's done today, this was an original and won awards and was up for many more nominations, these actors weren't wasted they were continuing to develop their craft. I saw this as a 6yr old and still remember it today on New Years Eve as I just watched it this morning bringing back so many memories that made me the movie buff I am. I never forgot it from the wonderful soundtrack (Oscar winning ) and the cinematography (Oscar winning) which was earned the old fashioned way imagination, not by some computer generated initiative. I love movies today but I still remember good movies and how they were made in yesteryear also. It's kinda like comparing atheletes when people(younger people especially) when they say Lebron is better than Oscar R or Michael J, the players are all great in their time, if either Michael or Oscar were here today they would still be GREAT, as Lebron is today, but to say he is better is foolish, This a Great Movie today as it was in 1973. PERIOD!!