Un critique de film névrosé et obsédé par le film Casablanca tente de se remettre de sa séparation avec sa femme qui l'a quitté en allant de nouveau à des rendez-vous galants, avec l'aide d'... Tout lireUn critique de film névrosé et obsédé par le film Casablanca tente de se remettre de sa séparation avec sa femme qui l'a quitté en allant de nouveau à des rendez-vous galants, avec l'aide d'un couple marié et de son idole Humphrey Bogart.Un critique de film névrosé et obsédé par le film Casablanca tente de se remettre de sa séparation avec sa femme qui l'a quitté en allant de nouveau à des rendez-vous galants, avec l'aide d'un couple marié et de son idole Humphrey Bogart.
- Récompenses
- 1 victoire au total
- Discotheque Girl
- (as Suzanne Zenor)
- Taxi Hippie
- (non crédité)
- Real Estate Developer
- (non crédité)
- Biker
- (non crédité)
- Pedestrian
- (non crédité)
- COP #2
- (non crédité)
Avis à la une
The humour in this film is awesome and also amazingly funny. Scenes that see Woody Allen blunder his way through dates are hilarious, and Allen's dialogue is at its dry and witty peak. The scene in which he tells of a fight he had with two 'hairdressers' being an excellent example of his writing. Allen tends to play the same sort of character in all of his films, and the one here shows him doing that again. This would be a problem, if he weren't so amazingly good at it. As the man festers in his own pathos; we can really believe it, and this gives the film a great sense of believability and also offers up a prime example of Allen acting at his best. The film isn't a complete one-man show, however, as the underrated Tony Roberts, along with Diane Keaton also give grand performances. The movie tributes in the film are many, with most pointing to the great Casablanca - and this is a good thing as far as I'm concerned. On the whole, this is an intelligent, entertaining and hilarious movie from one of cinema's best comedians. Highly recommended!
"Play It Again, Sam" is one of the best romantic comedies by Woody Allen in the beginning of his successful career. I saw this movie for the first time when I was still discovering Woody Allen and last time I had seen was on VHS on 12 November 2000 and I have just seen it again on a DVD recently released in Brazil. The neurotic Allan is hilarious and his discussions with Linda about neurosis and medicines, and his jitters with his dates are very funny. It is curious also to see the typical New Yorker Woody Allen filming in San Francisco. My vote is nine.
Title (Brazil): "Sonhos de um Sedutor" ("Dreams of a Seductor")
Although Woody Allen does not direct the film, but rather the late Herbert Ross, everything about them is smooth and feels like a film by Allen himself. The film is full of gags that seek the complicity of cinephiles and Humphrey Bogart enthusiasts. The picture marks Allen's first cinematic encounter with Keaton and the beginning of a collaboration that would culminate in the Oscar for both of them in 'Annie Hall'. It is based in part on his own life with the theme of the main role, his love for cinema and his affair with Keaton are chronicled as a wistful, episodic comedy commenting on love, loneliness, communicating, maturity, city life, and various other topics. Writer and starring Allen himself alongside his then muse and girlfriend Diane Keaton, both of whom giving stunning interpretations. Woody Allen plays the nervous and weedy Alan Félix, an extreme pessimist man that obsesses with find match but fail on all attempts, he has very sarcastic and cynical views about the world and the people around him. The picture operates on many levels, Allen is -no surprise- a nerd , an underdog and this time he's in love with his best friend's wife. Modest and simple story line provides a framework of endless gags with Allen borrowing heavily from Casablanca, in which Bogey even shows up periodically to conseul Allen on the ways of wooing women. And even the ending restages Casablanca with great panache. A good film with numerous incidental touches mark it out as one of the most unusual as well as one of the funniest of its era. Woody Allen and Diane Keaton are well accompanied by a wonderful cast made up of the best actors at the time, such as: Tony Roberts who worked usually with Allen, Susan Anspach played well the wife who left him to experience a more exciting life, Jerry Lacy who performed Bogey to the hilt, Jennifer Salt, Joy Bang, Viva, among others .
Superior and endearing comedy isn't hurt by Herbert Ross directing instead Allen, who adapted the script from his own play. The motion picture was competently directed by Herbert Ross . This artisan was a good filmmaker expert on musical, drama and comedy, such as :¨Goodbye Mr Chips¨, ¨Play it again Sam¨, ¨Funny Lady¨, ¨The Sunshine Boys¨, ¨The Goodbye Girl¨, ¨The turning point¨, ¨California Suite¨ , ¨Nijinsky¨, ¨Footloose¨, ¨Protocol¨, ¨Dancers¨, ¨Pennies from Heaven¨, ¨The secret of my success¨, ¨Steel Magnolias¨, ¨My blue heaven¨, ¨Undercover blues¨, ¨Boys on the side¨ and several others. ¨Play It Again, Sam¨(1972) is an enjoyment of a film. Rating: 7/10. Better than average.
First, "Play it Again, Sam" contains not only archival footage from the 1942 classic, but numerous dialogic and other references which would be lost on someone who hasn't seen "Casablanca."
Second, and more important, is that the surprise ending of "Casablanca" is revealed in the *very first scene* of "Play it again, Sam."
Beyond that, "Play it again, Sam" is probably second only to "Annie Hall" among the Woody Allen / Diane Keaton films. Woody fans will enjoy the neurotic, psychosexual ramblings of the central character, which are typical of his movies, as well as the numerous elements of physical comedy, which are not as common in Woody Allen films. And watch for the scene in the art gallery -- it's a classic!
Le saviez-vous
- AnecdotesThe original Broadway production of "Play It Again, Sam" opened at the Broadhurst Theater on February 12, 1969 and ran for 453 performances until March 14, 1970. Woody Allen, Diane Keaton, Tony Roberts and Jerry Lacy reprised their roles in the movie.
- GaffesAs the cable car starts up the hill, vehicles go through a red light throughout the entire scene.
- Citations
Allan: That's quite a lovely Jackson Pollock, isn't it?
Museum Girl: Yes, it is.
Allan: What does it say to you?
Museum Girl: It restates the negativeness of the universe. The hideous lonely emptiness of existence. Nothingness. The predicament of Man forced to live in a barren, Godless eternity like a tiny flame flickering in an immense void with nothing but waste, horror and degradation, forming a useless bleak straitjacket in a black absurd cosmos.
Allan: What are you doing Saturday night?
Museum Girl: Committing suicide.
Allan: What about Friday night?
- Versions alternativesSince the Casablanca reference in the title wasn't immediately clear to italian audiences, the name of Woody Allen's character was been changed from Allan to Sam in the Italian release.
- ConnexionsEdited into Intimate Portrait: Diane Keaton (2001)
- Bandes originalesBlues for Alan Felix
Composed and Performed by Oscar Peterson
Meilleurs choix
- How long is Play It Again, Sam?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Play It Again, Sam
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 15 413 $US
- Durée1 heure 25 minutes
- Mixage
- Rapport de forme
- 1.85 : 1