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Tombe les filles et tais-toi

Titre original : Play It Again, Sam
  • 1972
  • Tous publics
  • 1h 25min
NOTE IMDb
7,6/10
29 k
MA NOTE
Woody Allen and Diana Davila in Tombe les filles et tais-toi (1972)
A neurotic film critic obsessed with the movie Casablanca (1942) attempts to get over his wife leaving him by dating again with the help of a married couple and his illusory idol, Humphrey Bogart.
Lire trailer3:14
1 Video
30 photos
Quirky ComedyRomantic ComedyComedyRomance

Un critique de film névrosé et obsédé par le film Casablanca tente de se remettre de sa séparation avec sa femme qui l'a quitté en allant de nouveau à des rendez-vous galants, avec l'aide d'... Tout lireUn critique de film névrosé et obsédé par le film Casablanca tente de se remettre de sa séparation avec sa femme qui l'a quitté en allant de nouveau à des rendez-vous galants, avec l'aide d'un couple marié et de son idole Humphrey Bogart.Un critique de film névrosé et obsédé par le film Casablanca tente de se remettre de sa séparation avec sa femme qui l'a quitté en allant de nouveau à des rendez-vous galants, avec l'aide d'un couple marié et de son idole Humphrey Bogart.

  • Réalisation
    • Herbert Ross
  • Scénario
    • Woody Allen
  • Casting principal
    • Woody Allen
    • Diane Keaton
    • Tony Roberts
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,6/10
    29 k
    MA NOTE
    • Réalisation
      • Herbert Ross
    • Scénario
      • Woody Allen
    • Casting principal
      • Woody Allen
      • Diane Keaton
      • Tony Roberts
    • 104avis d'utilisateurs
    • 51avis des critiques
    • 77Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Vidéos1

    Official Trailer
    Trailer 3:14
    Official Trailer

    Photos29

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    Rôles principaux18

    Modifier
    Woody Allen
    Woody Allen
    • Allan
    Diane Keaton
    Diane Keaton
    • Linda
    Tony Roberts
    Tony Roberts
    • Dick
    Jerry Lacy
    Jerry Lacy
    • Bogart
    Susan Anspach
    Susan Anspach
    • Nancy
    Jennifer Salt
    Jennifer Salt
    • Sharon
    Joy Bang
    Joy Bang
    • Julie
    Viva
    Viva
    • Jennifer
    Susanne Zenor
    Susanne Zenor
    • Discotheque Girl
    • (as Suzanne Zenor)
    Diana Davila
    • Museum Girl
    Mari Fletcher
    • Fantasy Sharon
    Michael Greene
    Michael Greene
    • Hood #1
    Ted Markland
    Ted Markland
    • Hood #2
    Tom Bullock
    • Taxi Hippie
    • (non crédité)
    Mark Goddard
    Mark Goddard
    • Real Estate Developer
    • (non crédité)
    Martin Millard
    • Biker
    • (non crédité)
    Bill Riddle
    • Pedestrian
    • (non crédité)
    Erick Vinther
    Erick Vinther
    • COP #2
    • (non crédité)
    • Réalisation
      • Herbert Ross
    • Scénario
      • Woody Allen
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs104

    7,628.8K
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    Avis à la une

    9The_Void

    Hilarious Woody Allen romp

    I'm a big fan of Woody Allen. While his films often have something wrong with them, you can always count on a good time and a laugh while you're watching - and that's certainly what you get here! Woody Allen films are always best when Woody himself stars in them; his neurotic persona is a great base for laughs, and he certainly delivers in this film! For some reason, Woody Allen chose not to direct this film himself and Herbert Ross has got that job. Due to the cast, and Woody's script, however, this is very much another Woody Allen flick, no matter who is in the director's chair. This film also features the first screen pairing of Allen and Diane Keaton, who would, of course, go on to make Allen's masterpiece 'Annie Hall', along with Tony Roberts, who also co-stars here. The plot of the movie plays out like a tribute to Casablanca, and it sees recently dumped Allen falling in love with his best friend's wife, all the while under the watchful eye of the great Humphrey Bogart, whom he sees in his daydreams.

    The humour in this film is awesome and also amazingly funny. Scenes that see Woody Allen blunder his way through dates are hilarious, and Allen's dialogue is at its dry and witty peak. The scene in which he tells of a fight he had with two 'hairdressers' being an excellent example of his writing. Allen tends to play the same sort of character in all of his films, and the one here shows him doing that again. This would be a problem, if he weren't so amazingly good at it. As the man festers in his own pathos; we can really believe it, and this gives the film a great sense of believability and also offers up a prime example of Allen acting at his best. The film isn't a complete one-man show, however, as the underrated Tony Roberts, along with Diane Keaton also give grand performances. The movie tributes in the film are many, with most pointing to the great Casablanca - and this is a good thing as far as I'm concerned. On the whole, this is an intelligent, entertaining and hilarious movie from one of cinema's best comedians. Highly recommended!
    9claudio_carvalho

    One of the Best Romantic Comedies by Woody Allen

    In San Francisco, the neurotic, awkward and clumsy film critic Allan (Woody Allen) that is a fan of "Casablanca" is left by his wife Nancy (Susan Anspach) that is tired of their boring life. His friends Linda (Diane Keaton) and her husband Dick (Tony Roberts) try to help him finding available acquaintances to date him. Allan is advised by his alter ego Bogart (Jerry Lacy) how to behave with women, but Allan is too weird and the women never go in a second date with him. Soon Allan finds that he is in love with Linda, but Dick is his best friend and he does not want to make a move despite Bogart advices.

    "Play It Again, Sam" is one of the best romantic comedies by Woody Allen in the beginning of his successful career. I saw this movie for the first time when I was still discovering Woody Allen and last time I had seen was on VHS on 12 November 2000 and I have just seen it again on a DVD recently released in Brazil. The neurotic Allan is hilarious and his discussions with Linda about neurosis and medicines, and his jitters with his dates are very funny. It is curious also to see the typical New Yorker Woody Allen filming in San Francisco. My vote is nine.

    Title (Brazil): "Sonhos de um Sedutor" ("Dreams of a Seductor")
    8rupie

    one of Woody's best

    Perhaps Woody's best effort in his 'neurotic schlep' persona. The script is a comic whirlwind, with too many brilliant scenes to enumerate (I can't resist mentioning the blind date's arrival - the desperate preparations and the pathetic introduction are funny but painful, in that we have all been in that position; his demonstration of authentic Chinese rice-eating technique is another classic). The device of the imaginary Bogart alter ego works well, especially in the climactic scene with Diane Keaton. In my book this ranks with Sleeper, Manhattan, and Annie Hall as Woody's best films.
    7ma-cortes

    A fun and entertaining film on Allen's recurring issue, the lifelong failure.

    Acclaimed and funny movie for Allen, adapted from his stage hit, ¨Play it again, Sam¨, but directed for once not by Allen but by Herbert Ross. This Woody Allen comedy deals with Allan Felix (Woody Allen), a San Francisco film critic, watches the final scenes of the 1942 film 'Casablanca' and finds himself inspired by the manliness and selflessness of the character of Rick Blaine, played by Humphrey Bogart. Soon, however, he reverts to his typical neuroses and insecurity, and recalls the recent departure of his wife Nancy (Susan Anspach) who has walked out and while his two best friends try to encourage him to score with somebody else. Meantime, Allan goes on mostly at home watching old Bogart , and the only advice he heeds is from a fantasised Bogey. Wondering how to be more self-confident, Allan imagines Bogart (Jerry Lacy) sitting in his room, advising him to treat women like dames. Later, Allan is visited by his best friends, overworked businessman Dick Christie (Tony Roberts) and his wife Linda (Diane Keaton), a model. Here's laughing at you, kid !. By day he is Woody Allen !. But When Night Falls And The Moon Rises, Humphrey Bogart Strikes Again !. It's still the same old story, a fight for love and glory !. If you're going to take advice - take it from the best !.

    Although Woody Allen does not direct the film, but rather the late Herbert Ross, everything about them is smooth and feels like a film by Allen himself. The film is full of gags that seek the complicity of cinephiles and Humphrey Bogart enthusiasts. The picture marks Allen's first cinematic encounter with Keaton and the beginning of a collaboration that would culminate in the Oscar for both of them in 'Annie Hall'. It is based in part on his own life with the theme of the main role, his love for cinema and his affair with Keaton are chronicled as a wistful, episodic comedy commenting on love, loneliness, communicating, maturity, city life, and various other topics. Writer and starring Allen himself alongside his then muse and girlfriend Diane Keaton, both of whom giving stunning interpretations. Woody Allen plays the nervous and weedy Alan Félix, an extreme pessimist man that obsesses with find match but fail on all attempts, he has very sarcastic and cynical views about the world and the people around him. The picture operates on many levels, Allen is -no surprise- a nerd , an underdog and this time he's in love with his best friend's wife. Modest and simple story line provides a framework of endless gags with Allen borrowing heavily from Casablanca, in which Bogey even shows up periodically to conseul Allen on the ways of wooing women. And even the ending restages Casablanca with great panache. A good film with numerous incidental touches mark it out as one of the most unusual as well as one of the funniest of its era. Woody Allen and Diane Keaton are well accompanied by a wonderful cast made up of the best actors at the time, such as: Tony Roberts who worked usually with Allen, Susan Anspach played well the wife who left him to experience a more exciting life, Jerry Lacy who performed Bogey to the hilt, Jennifer Salt, Joy Bang, Viva, among others .

    Superior and endearing comedy isn't hurt by Herbert Ross directing instead Allen, who adapted the script from his own play. The motion picture was competently directed by Herbert Ross . This artisan was a good filmmaker expert on musical, drama and comedy, such as :¨Goodbye Mr Chips¨, ¨Play it again Sam¨, ¨Funny Lady¨, ¨The Sunshine Boys¨, ¨The Goodbye Girl¨, ¨The turning point¨, ¨California Suite¨ , ¨Nijinsky¨, ¨Footloose¨, ¨Protocol¨, ¨Dancers¨, ¨Pennies from Heaven¨, ¨The secret of my success¨, ¨Steel Magnolias¨, ¨My blue heaven¨, ¨Undercover blues¨, ¨Boys on the side¨ and several others. ¨Play It Again, Sam¨(1972) is an enjoyment of a film. Rating: 7/10. Better than average.
    w2amarketing

    See "Casablanca" First

    My first and foremost thought about this movie is that you MUST see "Casablanca" (1942) first, for two reasons:

    First, "Play it Again, Sam" contains not only archival footage from the 1942 classic, but numerous dialogic and other references which would be lost on someone who hasn't seen "Casablanca."

    Second, and more important, is that the surprise ending of "Casablanca" is revealed in the *very first scene* of "Play it again, Sam."

    Beyond that, "Play it again, Sam" is probably second only to "Annie Hall" among the Woody Allen / Diane Keaton films. Woody fans will enjoy the neurotic, psychosexual ramblings of the central character, which are typical of his movies, as well as the numerous elements of physical comedy, which are not as common in Woody Allen films. And watch for the scene in the art gallery -- it's a classic!

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      The original Broadway production of "Play It Again, Sam" opened at the Broadhurst Theater on February 12, 1969 and ran for 453 performances until March 14, 1970. Woody Allen, Diane Keaton, Tony Roberts and Jerry Lacy reprised their roles in the movie.
    • Gaffes
      As the cable car starts up the hill, vehicles go through a red light throughout the entire scene.
    • Citations

      Allan: That's quite a lovely Jackson Pollock, isn't it?

      Museum Girl: Yes, it is.

      Allan: What does it say to you?

      Museum Girl: It restates the negativeness of the universe. The hideous lonely emptiness of existence. Nothingness. The predicament of Man forced to live in a barren, Godless eternity like a tiny flame flickering in an immense void with nothing but waste, horror and degradation, forming a useless bleak straitjacket in a black absurd cosmos.

      Allan: What are you doing Saturday night?

      Museum Girl: Committing suicide.

      Allan: What about Friday night?

    • Versions alternatives
      Since the Casablanca reference in the title wasn't immediately clear to italian audiences, the name of Woody Allen's character was been changed from Allan to Sam in the Italian release.
    • Connexions
      Edited into Intimate Portrait: Diane Keaton (2001)
    • Bandes originales
      Blues for Alan Felix
      Composed and Performed by Oscar Peterson

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    FAQ18

    • How long is Play It Again, Sam?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 21 décembre 1972 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Italien
    • Aussi connu sous le nom de
      • Play It Again, Sam
    • Lieux de tournage
      • San Francisco, Californie, États-Unis
    • Sociétés de production
      • Paramount Pictures
      • Rollins-Joffe Productions
      • APJAC Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Montant brut mondial
      • 15 413 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 25 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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