La célèbre figure criminelle et clandestine de Baltimore, Divine, se heurte à un couple marié sordide qui tente passionnément de l'humilier.La célèbre figure criminelle et clandestine de Baltimore, Divine, se heurte à un couple marié sordide qui tente passionnément de l'humilier.La célèbre figure criminelle et clandestine de Baltimore, Divine, se heurte à un couple marié sordide qui tente passionnément de l'humilier.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Pat Lefaiver
- Etta
- (as Pat LeFaiver)
Julie Munschauer
- Party Guest
- (as Julie Munshauer)
Avis à la une
Before watching this film, keep in mind that it is not for the faint of heart, it includes, but not limited to: Chicken brutality, Chicken uhhh intercourse, dog feces consumption, feces, vomit, cannibalism, and more. Hopefully that paints a picture.
The film, if you're into films, is very notorious. Before watching this movie a day ago it was always brought up that dog feces had something to do with this movie. They were not lying, nonono not one bit. What a way to buy my first Criterion film huh?
If you ask me, this film isn't too funny. The humor, for me, was mainly just gross-out-- which isn't all that funny, i was just sort of laughing at how absurd it was and how uncomfortable i was. For reference, this isn't my first rodeo with disturbing, nasty, and shocking films. I've seen the Japanese Guinea Pig movies alongside many others that pop into your head when i mention that. This film always seemed to be recommended to me , due to me enjoying the shock value.
There are so many things to say about this film and i'm not interested in spoiling it. My main problems are : Strange drawn out scenes, done only for shock--parts in the movie that just make no sense and don't need to be there-- and every scene Crackers is in. Crackers somehow happens to make every scene he's in (i'm exaggerating, i'm talking about two in particular) uncomfortable and needless.
Now what this film has going for it is John Water's visuals, dialogue, quotables, and bizarre plot. If you were to attempt at explaining this movie from start to finish to somebody, scene for scene, it would be quicker to just show them the damn movie. Its definitely a cult classic, not perfect, but not bad and i look forward to doing a rewatch in the future.
Although i don't love this movie as much as most, if you can handle it, id consider giving it a watch.
The film, if you're into films, is very notorious. Before watching this movie a day ago it was always brought up that dog feces had something to do with this movie. They were not lying, nonono not one bit. What a way to buy my first Criterion film huh?
If you ask me, this film isn't too funny. The humor, for me, was mainly just gross-out-- which isn't all that funny, i was just sort of laughing at how absurd it was and how uncomfortable i was. For reference, this isn't my first rodeo with disturbing, nasty, and shocking films. I've seen the Japanese Guinea Pig movies alongside many others that pop into your head when i mention that. This film always seemed to be recommended to me , due to me enjoying the shock value.
There are so many things to say about this film and i'm not interested in spoiling it. My main problems are : Strange drawn out scenes, done only for shock--parts in the movie that just make no sense and don't need to be there-- and every scene Crackers is in. Crackers somehow happens to make every scene he's in (i'm exaggerating, i'm talking about two in particular) uncomfortable and needless.
Now what this film has going for it is John Water's visuals, dialogue, quotables, and bizarre plot. If you were to attempt at explaining this movie from start to finish to somebody, scene for scene, it would be quicker to just show them the damn movie. Its definitely a cult classic, not perfect, but not bad and i look forward to doing a rewatch in the future.
Although i don't love this movie as much as most, if you can handle it, id consider giving it a watch.
"Pink Flamingos" will always be known as the film with "that doggie-poop scene". Starring the divine Divine, the film explores the outer limits of sick humor. Divine and her brewd compete with another family to see who is "the filthiest person alive". Have a guess at who'll win that one!?
John Waters' early "camp" films are not for the average viewer. You must appreciate this man's form of art, but it definitely IS art! Later films like "Hairspray", "Cry Baby" are geared at a main stream audience, for which the filmmaker had to "tone it down" considerably. For the College Camp Scene though, there is no substitute for the original 70's camp mastrpieces.
For anyone who is a John Waters virgin and would like a recommendation for the next "project", I suggest "Female Trouble" . There's so much more to John Waters' vision, realized through his muse Divine. The visually stunning, grotesquely overweight transvestite is quite credible as "Dawn Davenport", the high schooler who burned her small-town bridges when she didn't get her "cha-cha heels" for Christmas in "Female Trouble". There are many scenes that are definitely not for the squeamish, highlighted by the moment where Dawn gives birth (alone) and bites the ambilical cord (like primates would do), then, without losing a beat, gets up to confront the newborn's father via a pay phone.
If "Pink Flamingos" entertained you without giving your stomach a turn-over, then you can handle anything delivered by the creative genius John Waters. As all directors, Waters has had a few duds, even if they were box office successes. Avoid the made-up-as-they-go "Pecker", a total waste of time. The musically sparcling "Cry Baby" was trashed by critics, but the sound track makes up plenty for a lousy script. The one to beat is the 1988 "Hairspray", Divine's swan song. "Pink Flamingos" is the ONE that started it all and put Waters on the cult-city map of the world! Just to be safe, have the movie first -- then the dinner!
John Waters' early "camp" films are not for the average viewer. You must appreciate this man's form of art, but it definitely IS art! Later films like "Hairspray", "Cry Baby" are geared at a main stream audience, for which the filmmaker had to "tone it down" considerably. For the College Camp Scene though, there is no substitute for the original 70's camp mastrpieces.
For anyone who is a John Waters virgin and would like a recommendation for the next "project", I suggest "Female Trouble" . There's so much more to John Waters' vision, realized through his muse Divine. The visually stunning, grotesquely overweight transvestite is quite credible as "Dawn Davenport", the high schooler who burned her small-town bridges when she didn't get her "cha-cha heels" for Christmas in "Female Trouble". There are many scenes that are definitely not for the squeamish, highlighted by the moment where Dawn gives birth (alone) and bites the ambilical cord (like primates would do), then, without losing a beat, gets up to confront the newborn's father via a pay phone.
If "Pink Flamingos" entertained you without giving your stomach a turn-over, then you can handle anything delivered by the creative genius John Waters. As all directors, Waters has had a few duds, even if they were box office successes. Avoid the made-up-as-they-go "Pecker", a total waste of time. The musically sparcling "Cry Baby" was trashed by critics, but the sound track makes up plenty for a lousy script. The one to beat is the 1988 "Hairspray", Divine's swan song. "Pink Flamingos" is the ONE that started it all and put Waters on the cult-city map of the world! Just to be safe, have the movie first -- then the dinner!
The Divine and Doggie bit at the end is a bit much for me; I have to turn away. But a lot of it's pretty hysterical -- and it obviously works since folks are complaining why anyone would make a movie like this.
The answer, of course, is: to annoy folks who would complain why anyone would make a movie like this.
Don't be fooled by those who would have you believe that there's some deep meaning in, or mark of genius on, this film. There isn't. There is, though, a kind of bizarre, kinetic and desperate energy to this nonsensical enterprise.
I didn't hate it. There, that's my review: I didn't hate it.
I tend to agree with Ebert in this regard: this film is an object. It simply "is," and no amount of explaining will settle your nerves after you've seen it, nor convince you to see it in the first place.
The answer, of course, is: to annoy folks who would complain why anyone would make a movie like this.
Don't be fooled by those who would have you believe that there's some deep meaning in, or mark of genius on, this film. There isn't. There is, though, a kind of bizarre, kinetic and desperate energy to this nonsensical enterprise.
I didn't hate it. There, that's my review: I didn't hate it.
I tend to agree with Ebert in this regard: this film is an object. It simply "is," and no amount of explaining will settle your nerves after you've seen it, nor convince you to see it in the first place.
This is, without a doubt, the most disgusting, most vile thing I have ever seen. I thought I had a very strong stomach. Oh, dear Lord, I have never felt so violated in my entire life. By the film getting ONLY an NC-17 rating, John Waters got off so easily! The very last scene, with the dog, is the most vomit-inducing scene I have ever seen. I don't know if I like it or not. I just know that I would think long and hard about seeing this movie again.
There is no film to put beside Pink Flamingos by way of comparison. It is a film genre of it's own. I read and hear reviews of this movie that express disgust and horror and I picture John Waters chuckling. This was the intent, it was meant to upset the status quo and in "politically correct" times that we live in, isn't it a small surprise to see this film come to the forefront again? This is a movie that will freak out the uptight for as long as it exists in any media. It was meant to. As much as "Clockwork Orange" talked about "ultraviolence" this movie is all about ultra-bad taste. We can numb ourselves to sex and violence but Pink Flamingos is a movie you just will never get used to. There will be something in this movie that will get to you. As a last resort to make sure everyone is offended before you leave the theatre, John includes the always discussed poodle scene. No reason for this scene, except to make sure he gets you and also to make sure you leave talking about it. Obviously filmed on a budget, and using Water's stock cast, this is a movie simply about a contest to see who are the filthiest people alive. All the characters are bizarre in one way or another. This movie reminds me of "Rocky Horror Picture Show" in that everyone in the film has something odd about them and both movies joyfully celebrate these uniquenesses. Not a movie to buy for Mom on Mother's Day... but worth seeing just to say you did.
Le saviez-vous
- AnecdotesThe night after the eating-dog-faeces scene was filmed, Divine called a hospital emergency hotline pretending to be a mother whose son ate dog feces; she was told that the worst thing that could happen was that he might get white worms.
- GaffesAfter Connie and Raymond burn Divine's trailer and return to their house, when the door is open, Divine can be heard talking to John Waters.
- Citations
Babs Johnson: Kill everyone now! Condone first degree murder! Advocate cannibalism! Eat shit! Filth is my politics! Filth is my life!
- Crédits fousFor Sadie, Katie, and Les- February 1972 (The Manson Family members Susan Atkins, Patricia Krenwinkel and Leslie Van Houten. February 1972 was the month when the California State Supreme Court abolished the death penalty in California (it was later reinstated), reducing the sentences of the convicted Manson Family members to life imprisonment.)
- Versions alternativesThe first UK video release of Pink Flamingos in November 1981 (prior to BBFC video regulation requirements) was completely uncut. It was issued by Palace as part of a package of Waters films they had acquired from New Line. The package included Mondo Trasho (double billed with Sex Madness), Multiple Maniacs (double billed with Cocaine Fiends), Desperate Living and Female Trouble. The 1990 (and now requiring BBFC approval) video re-release was cut by 3m 4s, the 1997 issue lost 2m 42s, and the pre-edited 1999 print was cut by 2m 8s. It is worth noting that in 2008, the BBFC informed the distributor that the film could finally be passed uncut, but it has not been re-submitted for classification.
- ConnexionsEdited into Video Macumba (1991)
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Détails
Box-office
- Budget
- 10 000 $US (estimé)
- Montant brut mondial
- 6 503 $US
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