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Well, darn... another movie that got completely ruined for me simply because I unsuspectingly read a plot synopsis somewhere. "The People" is about a young teacher who moves to a remote and secluded community (more remote or more secluded than this really isn't possible), but rapidly discovers there's something peculiar about this community. They have strange but very strict rules, and even stranger powers.

See, that is where any plot description for the film should stop, but the one I read - and almost every description/review since - also blatantly reveals the explanation of why the people in this little town are so strange. And you are not supposed to know that! It's called a plot twist!! When will websites learn?

Anyways, even with the climax ruined, "The People" remains an enjoyable made-for-television drama/thriller from the glorious early 70s. It isn't nearly as good or memorable as several other TV-thrillers from that era, but it features the same uncanny atmosphere, gritty setting, and enigmatic performances (notably from Dan Herlihy). William Shatner seems a bit disorientated as the hunky and charismatic doctor in a town where nobody cares about appearances, and lead actress Kim Darby has trouble carrying the film.

Okay, I admit, this is a pretty lame movie, and yet I still remember it and even bought the video several years ago for about $5. I made my boyfriend watch it with me and he laughed through the whole thing. I was offended! (Not really) The thing that always got me about this movie was the haunting quality of the people and their community. The music when the kids are floating in the glen, the pictures they draw of their home world. It just worked for me, but then I'm a sci-fi and fantasy nut, while my b/f is a business and computer guy!

"The People" is based entirely on one of Zenna Henderson's short stories, "Pottage", which appeared in the brilliant book "Pilgrimage: The Book of the People" back in the '60s. "Pottage" is the darkest of the stories, centering on a group of people living in fear and isolation in the tiny town of Bendo, and the teacher, Melodye, who learns the truth of their origins and the secrets they keep.

In the book you've already read about The People in two other stories so you have a good idea what's coming. In the movie this should have been a major bit of suspense... but it wasn't. The written story is far more compelling than what appears on screen. Kim Darby plays Melodye with warmth, but the frustration, determination, and courage in the story is somehow muted in her performance. William Shatner plays Dr. Curtis, who has a somewhat expanded role in the movie version. Dan O'Herlihy's performance as the stern Sol Deimus is the best translation of the character to the screen.

"The People" is entertaining if woodenly acted at times. If you find a copy and have an evening to kill it is probably worth your time, but by all means read the book.

This movie is nothing if not sincere. It takes you on a bit of an emotional journey. First you want the heroine to get out of there and give these goof balls up. Then as she understands them a little better-you do too. A totally unexpected response. One can see the slow transformation of these kids and you begin to like them and root for the teacher. I watched this movie for the first time yesterday and I liked this movie, though I had never even heard of it before. Miss Darby has that simple charm and shy beauty that is rare for any one in Hollywood.

Eager young schoolteacher, anxious for some peace and quiet in her life, accepts a teaching position in a mountain community with shuffling children who aren't allowed to sing, play music or have any fun; she seeks solace from the local doctor, who is the only resident with any personality. From Zenna Henderson's compilation of stories, this TV-movie, executive produced by Francis Ford Coppola, has an interesting main character (played well by Kim Darby) and scenario, but its explanation of the mystery is a little ritzy and complicated. Director John Korty sets a deliberately slow pace, with individual sequences edited to make a big impact. This works for awhile--aided by Darby's performance--until the plot loses momentum in the second-half. A tasty suggestion of what might have been, had Coppola aimed for a theatrical release with a bigger budget and a brighter script.