Chassés-croisés sur une lame de rasoir

"Death Carries a Cane" does a pretty good job in misleading and misdirecting you. So you never know who the killer is until the ending. But the motive given for the killer doesn't make any sense. With much more effort that could have made this movie into a classic. Also some scenes did not make sense at all. Like there were scenes cut out that have to give a logical explanation for what they are doing in the scene. This giallo might be a tad sleazy for some but in a healthy way. Because the women in this move are pretty attractive. Especially Nieves Navarro (or Susan Scott). There is something about this woman that screams sophistication. All the more hilarious later on when she is being made fun of towards the end. Overall not the most impressive giallo still a good one for a rainy Sunday.

A photographer named Kitty (Nieves Navarro) observes a brutal murder through a telescope. When she goes to the police, they're dismissive of her claim. Soon, a black-gloved maniac begins stalking and slashing those who may have witnessed his grisly deed.

TORMENTOR (aka: DEATH CARRIES A CANE) is a fairly typical giallo with the expected madman, murders, red herrings, and copious nudity. However, it's quite enjoyable, and they did attempt to add a novel aspect to the killer's persona, as evidenced by the title...

One of the better Italian slasher flicks of it's time.

Interesting use of color and editing. The story is rather typical but it moves about quickly enough. If you enjoy the earlier Argento flicks, Bava or even Fulci's "Don't torture a ducking" you should enjoy this.

Susan Scott of "Death walks at midnight" and "Orgasmo Nero" fame stars in this fairly unremarkable entry into the giallo genre directed by Maurizio Pradeaux. She witnesses a murder of a girl through a telescope, but fails to see the killer's face (who's dressed in typical giallo fashion). With the help of her boyfriend (Robert Hoffman from Umberto Lenzi's "Spasmo") she starts her investigation, while the killer proceeds to cut the witnesses' throats with a straight razor. There's nothing special about 'Death Walks With a Cane', it's a routine giallo with little originality about it. You've got all the usual stuff here: violent murders, weird characters,crazy plot twists, but there's still something missing. Firstly - suspense, the movie is pretty damn low on thrills. Secondly - sense of style. What kind of giallo is this without stylish locations? The story is supposed to be taking place in Rome, but the action mainly revolves in some un-photogeic back streets. No gorgeous architecture,just old shacks. The most upsetting thing about the film is the camera-work: flat and uninspired, with lots of pointless zooms and occasionally out of focus. Only during the murder scenes do the proceedings look a little more lively with some nice camera angles. The murders are gory and quite well executed. The score for the film composed by Roberto Pregadio isn't progressive or groovy or pounding or anything at all. Merely generic. There's a good deal of nudity in 'Death Walks With a Cane'. Robert Hoffman (who was just excellent in "Spasmo") and Scott do what they can with the material they're given, battling through some hysterically funny dialogue. The supporting cast includes Simon Andreu and Luciano Rossi who's always played demented creeps in westerns and police films. Sadly, this time Luciano Rossi is wasted as just one more red herring. The film isn't great, still worth a look for giallo fans but had a potential to be a lot better. If you want to see the same cast in a decent film, watch "Death walks at midnight".

Ordinary Italian murder/horror/mystery fair. I found it to be visually spectacular with swaying camera work common to Argento and others.

The movie delivers the goods with naked drop dead gorgeous women and fairly graphic killings. The plot is too complex, but these type of movies really are more about style.