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Baby Cart: Dans la terre de l'ombre

Titre original : Kozure Ôkami: Shinikaze ni mukau ubaguruma
  • 1972
  • 12
  • 1h 29min
NOTE IMDb
7,5/10
5,9 k
MA NOTE
Baby Cart: Dans la terre de l'ombre (1972)
With more spoilers than you can shake a gaffi stick at, this IMDbrief breaks down the wild western premiere of "The Mandalorian" on Disney+.
Lire clip4:02
Regarder "The Mandalorian" Takes Star Wars to Wild West of Space
1 Video
99+ photos
ActionDrame

Ajouter une intrigue dans votre langueOgami Itto volunteers to be tortured by the yakuza to save a prostitute and is hired by their leader to kill an evil chamberlain.Ogami Itto volunteers to be tortured by the yakuza to save a prostitute and is hired by their leader to kill an evil chamberlain.Ogami Itto volunteers to be tortured by the yakuza to save a prostitute and is hired by their leader to kill an evil chamberlain.

  • Réalisation
    • Kenji Misumi
  • Scénario
    • Kazuo Koike
    • Goseki Kojima
  • Casting principal
    • Tomisaburô Wakayama
    • Gô Katô
    • Yûko Hama
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,5/10
    5,9 k
    MA NOTE
    • Réalisation
      • Kenji Misumi
    • Scénario
      • Kazuo Koike
      • Goseki Kojima
    • Casting principal
      • Tomisaburô Wakayama
      • Gô Katô
      • Yûko Hama
    • 31avis d'utilisateurs
    • 46avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    "The Mandalorian" Takes Star Wars to Wild West of Space
    Clip 4:02
    "The Mandalorian" Takes Star Wars to Wild West of Space

    Photos136

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    Rôles principaux31

    Modifier
    Tomisaburô Wakayama
    Tomisaburô Wakayama
    • Ogami Itto
    Gô Katô
    Gô Katô
    • Magomura Kanbei
    Yûko Hama
    • Koshio Torizo…
    Isao Yamagata
    Isao Yamagata
    • Sawatari Genba
    Michitarô Mizushima
    Michitarô Mizushima
    • Itakura Naizen-no-Sho
    Ichirô Nakatani
    • Yagyu Samurai
    Akihiro Tomikawa
    Akihiro Tomikawa
    • Ogami Daigoro
    Sayoko Katô
    • Omatsu
    Jun Hamamura
    Jun Hamamura
    • Miura Tatewaki
    Daigo Kusano
    Daigo Kusano
    • Kuchiki Rokubei
    Shun'ya Wazaki
    • Ikiji Samon
    Hiroshi Nawa
    Hiroshi Nawa
    • Monkumatsu
    Sakae Umezu
    Sakae Umezu
      Saburô Date
      Saburô Date
      • Swift-style swordsman
      Hatsuo Yamaya
      Hatsuo Yamaya
      Kazuma Otabe
      Yukio Horikita
      Toru Yamaguchi
      • Réalisation
        • Kenji Misumi
      • Scénario
        • Kazuo Koike
        • Goseki Kojima
      • Toute la distribution et toute l’équipe technique
      • Production, box office et plus encore chez IMDbPro

      Avis des utilisateurs31

      7,55.9K
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      Avis à la une

      6Pjtaylor-96-138044

      More of the same, yet similarly enjoyable.

      The 'Lone Wolf And Cub' series continues with its third outing, this time seeing its eponymous assassins help out an unwilling would-be prostitute by taking her place for punishment. It's probably the most 'noble' thing that its stoic anti-hero has done thus far, even if volunteering for torture seems far less convenient than just killing his aggressors (which we know he is capable of doing and usually willing to do so). After this, the assassins (yes, Diagoro is an accessory to most of the killings) are given the task of taking out a corrupt official, which leads to an absolutely fantastic finale that sees the pair take on what's seemingly a hundred foes at once. As usual, the baby cart has a few surprises in store for the protagonist's enemies (which also includes a string of assassins sent by the Yagyu clan they crossed in their first outing); this time, we're treated to possibly the best, most outlandish one yet. It's really this final movement that makes the affair as successful as it is. Though its overall story is a bit scatterbrained (I haven't even mentioned the third plot-line about a mercenary who wants to die an honourable death), 'Lone Wolf And Cub: Baby Cart To Hades (1972)' comes together in a satisfying and smile-inducing climactic battle that raises the quality of the entire effort. Before this, the film is somewhat meandering and, in a way, a little light on the bloodletting you expect from the series. It also doesn't have a solid through-line and, essentially, feels like more of the same. There's also an unnecessary and somewhat dodgy rape scene early on that lasts for far too long; it's the sort of sequence that seems to be aiming for the specific crowd that enjoys seeing that sort of stuff, which is a crowd I don't want anywhere near me. Still, the movie (which is an exploitation piece from the early seventies) is undeniably enjoyable when its focus is in the right place. It's a short, almost inconsequential action flick with a hint of stoic philosophy and a lot of dead bodies. 6/10
      9nkingstown3

      Probably the strongest Babycart *possible spoilers*

      This one and "Peril" are by far my favorites. In the opening scenes we see Ogami wipe out three ninja and it must be seen to be believed. I particularly liked the character development in this film. Itto meets Magomura Kanbei, a disgraced ronin much like himself. It appears Kanbei has a death wish and the reason is uncertain until the end of the movie. He is a very interesting character. Ogami is tortured by yakuza to save a prostitute who killed a pimp in self defense and this is how he is led to his next commission. Great story, and action that is second to none. His quick draw in one scene is so fast I swore the film was sped up. Well, it wasn't. The man is that good. Another plus, there's Hamada Yuko. She is one good-looking woman. This is a very enjoyable movie that can be viewed many times and it never gets old.
      8kosmasp

      Upgrade

      You know when in sequels (this being the third movie in the series), certain things get an upgrade without any explanation? Well this happens with the baby cart here. And the baby is quite tech savvy ... or let's say participates more in the fights. Sort of, which is a nice touch. And I actually had to laugh out loud during the last battle, well at the start of it, when ... well you'll see and understand when you see what they do ... amazing.

      And quite ridiculous, but that is what the movies are about. Blood gushes, squirts in very big fashion. Nudity and other things included. And our macho hero in the center of all of it. Do not take the movies for real and try to remember they are fiction, not telling you how to do things or be educational in any way, shape or form! It is imperative to never forget that, because otherwise you'd be close to cancel those movies. Sleaze and down and dirty nature is what they relish on. You may despise that (I am actually surprised that the rating is so high, but it probably only means, that only those who are not easily offended watched them), which is ok, but don't deny them others, who can differentiate ...
      7drqshadow-reviews

      Probing the Character of a Masterless Samurai

      A wandering ronin and his young son continue their journey through feudal Japan, taking contracts when afforded the opportunity and facing assassination with each step. This chapter seems dedicated to clarifying our disgraced samurai's complicated code of honor. Though he'll gladly slice through an almost unlimited number of strangers in battle, Ittō's vision isn't clouded by a perennial bloodlust. We see restraint in several dangerous situations, respect for principled opponents, loyalty to his word and, in the film's most memorable scene, a willingness to take vicious punishment in lieu of the innocently accused. The story feels more episodic than ever, with various scenes playing out like a classic movie serial and an unresolved conflict lingering at the credits. Given the rate at which they were churning these things out in the early '70s, maybe there's something to that. The action is reliably good, still fresh and creative after three feature-lengths, though the gigantic slaughter instigated at the climax (ambushed, Ittō single-handedly takes out fifty men and a trio of mounted officers) does stretch things a bit. Wise, then, that the film went back to basics almost immediately after, closing the action with an eerily quiet, respectful duel amidst the dust of that epic battlefield.
      8Marc-Kupper

      A note on Shogun Assassin 2: Lightning Swords of Death

      This is an AnimEigo re-release of "Lone Wolf and Cub: Baby Cart to Hades" which is the third movie in the Lone Wolf and Cub or "Baby Cart" series. As far as I could tell, these were the changes from the original movie.

      1) The English sub-titles were removed and instead the Japanese was dubbed over with English.

      2) The left and right edges were trimmed off to fit the image on a standard TV set. This is most obvious at the beginning where the title and related material gets cut off enough that you had to guess at what some words would be.

      3) The color is excellent and it's apparent AnimEigo worked hard to clean up the original media.

      The DVD runs for 89 minutes. Unlike "Shogun Assassin" #1 which combined elements from three of the Lone Wolf and Cub movies Shogun Assassin 2 is just one movie from the original series. As far as I can tell, nothing was cut.

      Histoire

      Modifier

      Le saviez-vous

      Modifier
      • Anecdotes
        In the film one of the female characters can be seen to have her teeth painted black. This was a custom in Japan; known as ohaguro, and it is to signify that a woman was married.
      • Gaffes
        There is no explanation as to why having the end of a tongue bitten off would be a fatal injury that would immediately be perceived as murder.
      • Citations

        Ogami Itto: The true way of the warrior means to live by death.

      • Versions alternatives
        The 1999 UK video was cut by 20 secs by the BBFC to edit a scene where 2 women are attacked and stripped topless by a samurai gang, and the Artsmagic DVD featured the same print. The 2009 Eureka release (featured in the "Lone Wolf & Cub Collection") is fully uncut.
      • Connexions
        Edited into Shogun Assassin (1980)

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      FAQ15

      • How long is Lone Wolf and Cub: Baby Cart to Hades?Alimenté par Alexa

      Détails

      Modifier
      • Date de sortie
        • 2 septembre 1972 (Japon)
      • Pays d’origine
        • Japon
      • Langue
        • Japonais
      • Aussi connu sous le nom de
        • Lone Wolf and Cub: Baby Cart to Hades
      • Sociétés de production
        • Katsu Production
        • Toho
      • Voir plus de crédits d'entreprise sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        • 1h 29min(89 min)
      • Mixage
        • Mono
      • Rapport de forme
        • 2.35 : 1

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