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IMDbPro

Baby Cart: L'enfant massacre

Titre original : Kozure Ôkami: Sanzu no kawa no ubaguruma
  • 1972
  • 12
  • 1h 22min
NOTE IMDb
7,9/10
7,2 k
MA NOTE
Baby Cart: L'enfant massacre (1972)
SamuraiActionAdventureDrama

Ajouter une intrigue dans votre langueTrailed by a clan of female ninja, Ogami is paid to assassinate a clan traitor accompanied by three killers known as the Gods of Death.Trailed by a clan of female ninja, Ogami is paid to assassinate a clan traitor accompanied by three killers known as the Gods of Death.Trailed by a clan of female ninja, Ogami is paid to assassinate a clan traitor accompanied by three killers known as the Gods of Death.

  • Réalisation
    • Kenji Misumi
  • Scénario
    • Kazuo Koike
    • Goseki Kojima
  • Casting principal
    • Tomisaburô Wakayama
    • Kayo Matsuo
    • Minoru Ôki
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,9/10
    7,2 k
    MA NOTE
    • Réalisation
      • Kenji Misumi
    • Scénario
      • Kazuo Koike
      • Goseki Kojima
    • Casting principal
      • Tomisaburô Wakayama
      • Kayo Matsuo
      • Minoru Ôki
    • 36avis d'utilisateurs
    • 62avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos118

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    Rôles principaux39

    Modifier
    Tomisaburô Wakayama
    Tomisaburô Wakayama
    • Ogami Itto
    Kayo Matsuo
    Kayo Matsuo
    • Yagyu Sayaka
    Minoru Ôki
    Minoru Ôki
    • Benma Hidari
    Akiji Kobayashi
    Akiji Kobayashi
    • Ozunu Kurokuwa
    Shin Kishida
    Shin Kishida
    • Kuruma Hidari
    Shôgen Nitta
    • Tenma Hidari
    Takashi Ebata
    Takashi Ebata
    • Mitsugu
    • (as Kanji Ebata)
    Kappei Matsumoto
    • Ichirobei Hirano
    Akihiro Tomikawa
    Akihiro Tomikawa
    • Daigoro Ogami
    Izumi Ayukawa
    • Otoki
    Kazutarô Kuni
    • Awa Retainer
    Maki Mizuhara
    • Oriku
    Ima Masaki
    • Otaki
    Reiko Kasahara
    • Ochika
    Yuriko Mishima
    • Oyo
    Yukari Wakayama
    • Omon
    Michi Azuma
    Michi Azuma
    • Oko
    Sei Hiraizumi
    Sei Hiraizumi
    • Réalisation
      • Kenji Misumi
    • Scénario
      • Kazuo Koike
      • Goseki Kojima
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs36

    7,97.2K
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    Avis à la une

    9EVOL666

    The Second (And My Personal Favorite) Of The BABY CART Series

    Another winner in the BABY CART series (but honestly, I can't find too much fault in any of the films in this set of "classic" films...) and personally my favorite single entry...

    This one has the Lone Wolf and his Cub still enjoying the "misadventures" of samurai-for-hire, and of course their quest for vengeance against the Yagyu clan that initially betrayed them. Some intriguing enemies in this one includes a band of female ninjas and the "Gods Of Death". There is also the requisite side story of Itto's "hit of the day"...

    This one has some pretty fast-and-furious fight scenes and is probably the most action packed of the series. Again, like the other entries, good acting, great sets and costumes, beautiful camera-work, and the almost magical but extremely unorthodox "chemistry" between father and son are not to be missed. Highly Recommended 9/10
    7drqshadow-reviews

    Blood and Gore, But Also Depth and Development

    Disgraced former executioner Ogami Ittō continues his brooding storm through the Japanese countryside, his three-year-old son Daigoro along for the ride in a booby-trapped carriage. Now some distance into their march to vengeance, the pair have drawn so much notoriety that they risk ambush and assassination at every turn. It's not paranoia, either: Ogami dispenses with blade-wielding enemies at nearly every chapter break, downing at least two-dozen men and women before the film is through. The opportunity isn't abused. In true poppy '70s samurai fashion, each challenger (or cluster of challengers) wears a distinct identity and a unique fighting style, like a colorful garden of deadly blossoms. They all bleed day-glo red, though, often in a towering arc of spray that paints landscape and fallen comrade alike. In Baby Cart at the River Styx, for the first time, we see vulnerability from the master swordsman and a little headstrong personality from his young child. We also see uncertainty from a prominent rival, another first, and restraint in the midst of a bloodlust. Some of the fighting is a little awkward, and the formula is threatening to wear thin, but overall this represents a wonderfully stylish, entertaining continuation of the journey that was so well-established in the first film. An excellent genre-definer.
    SaracenReborn

    Tomisaburo Wakayama is simply without equal.

    These movies were infamous for their incredibly brutal and bloody swordplay sequences, but equally impressive IMHO was the leading actor- Tomisaburo Wakayama a.k.a. "Lone Wolf" was surely the greatest martial arts star ever. The command and authority with which he wielded a sword (and other weapons) was just phenomenal. The blade truly was an extension of himself, and his use of it was the definition of lethal, with none of the unnecessary/show-off flourishes so desperately thrown about by today's wannabes. He had incredible presence and charisma- easily on a par with the likes of say Eastwood or Bronson- with eyes that reflected pure death, and the desolation in his soul. There were moments in the "Babycart" series where you'd swear he was the personification of his namesake, the Wolf. You never doubted for one second that he WAS shogun executioner, masterless samurai, assassin for hire. One look at him in action, and you could readily understand why his enemies trembled at the mention of his name, and ran from him in sheer terror. Alas, Lone Wolf is one with void now, but his legend will live on forever in these films.

    Forget Toshiro Mifune. Forget Takakura Ken. Forget Sonny Chiba. Forget Bruce Lee, Jackie Chan, Jet Li, Donnie Yen, and any of those wire-reliant ballet dancers from Crouching Tiger Hidden Dragon. And CERTAINLY forget any American martial artists that you could care to name. Tomisaburo Wakayama was, is, and forever shall be, THE MAN!
    6SpaaceMonkee

    Serious or Not?

    The first Lone Wolf film was enjoyable and innovative, but this first sequel unsuccessfully straddled the line between comically violent and serious in a way that the film couldn't maintain.

    In this film, Itto continues his journey of vengeance with his young child along for the ride, rolling along in a cleverly weaponized wooden stroller. (Never before has a toddler been complicit in so many killings!) It's a fun movie for the mindless action, but it never really goes beyond that. At times the movie seems like it wants to be a more serious film, but then it veers back to a perpetually nonchalant Itto effortlessly slaying would-be killers along the road.

    Overall, it felt like a movie attempting to bridge genres without ever cleanly landing in the one that fit.
    10Kamandi73

    Thoughtful and Humourous

    I thought the first movie was extremely grim. This one had a more thoughtful approach. I like that Lone Wolf confronted the sword woman five times. It was interesting that each confrontation was different, and that he spared her life. She was sworn to kill him but respected him, and had compassion for his son, when she could have tried to kill the boy. There were nuances as to their code of honor, their obligations, and their personal morality.

    There were a couple of funny moments relating to the little boy and his participation in the various battles. The use of the boy for some humor was a plus.

    The fighting scenes were mostly good, but not as good as the Zatoichi movies which I love and have seen them all. The bloody effects were pretty bad in some scenes, as the injured (killed) samurai sometimes started bleeding many seconds after they were stabbed or sliced. In one scene, Lone Wolf impales two guys at the same time. One of them immediately starts spraying lots of blood from his wound. The other guy gets a trickle of blood dripping out. It would have been more impressive if the double-impalement lead to double sprays of blood.

    Several heads were sliced open, and the last one looked like a venus flytrap popping open, and there were no brains, eyes, or other material visible, it looked totally silly. Then a single spray of blood shot straight up into the air from the middle of the head. Laughable and really bad special effects.

    Otherwise, the film was pretty good. It had a lot of action, some good story lines, and some humor.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The distinctive hats worn by the Gods of Death, are a traditional Japanese straw hat often associated with ronin. The style of hat is known as roningasa. 'Ronin' meaning masterless and wandering samurai, and 'gasa' meaning hat.
    • Gaffes
      When Ogami and Daigoro are walking through the forest shortly before being attacked by Kurokawa and his ninja henchmen (around the 31:30 mark), cars can be seen driving by in the background on the left side of the frame.
    • Citations

      Benma Hidari: [Ogami Itto has bested him and slashed him across the neck with a sword; blood is starting to flow from the wound, making a certain sound] My neck... my own neck... It sounds like it's wailing. My neck was sliced open diagonally. The cut wails like a cold winter wind. They call it "mogari-bue," - the whistle of a fallen tiger. I've always wished to kill someone, just once, and create such a fine cut and to sing this tune. Now I'm hearing it from my own neck. What a laugh.

      [rolls over dead, with blood spurting out from his neck wound onto the sand]

    • Connexions
      Edited into Shogun Assassin (1980)

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    FAQ15

    • How long is Lone Wolf and Cub: Baby Cart at the River Styx?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 20 août 1980 (France)
    • Pays d’origine
      • Japon
    • Langue
      • Japonais
    • Aussi connu sous le nom de
      • Kozure Ôkami, l'enfant massacré
    • Sociétés de production
      • Katsu Production
      • Toho
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 22 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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    By what name was Baby Cart: L'enfant massacre (1972) officially released in India in English?
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