Baby Cart: L'enfant massacre

Another winner in the BABY CART series (but honestly, I can't find too much fault in any of the films in this set of "classic" films...) and personally my favorite single entry...

This one has the Lone Wolf and his Cub still enjoying the "misadventures" of samurai-for-hire, and of course their quest for vengeance against the Yagyu clan that initially betrayed them. Some intriguing enemies in this one includes a band of female ninjas and the "Gods Of Death". There is also the requisite side story of Itto's "hit of the day"...

This one has some pretty fast-and-furious fight scenes and is probably the most action packed of the series. Again, like the other entries, good acting, great sets and costumes, beautiful camera-work, and the almost magical but extremely unorthodox "chemistry" between father and son are not to be missed. Highly Recommended 9/10

Disgraced former executioner Ogami Ittō continues his brooding storm through the Japanese countryside, his three-year-old son Daigoro along for the ride in a booby-trapped carriage. Now some distance into their march to vengeance, the pair have drawn so much notoriety that they risk ambush and assassination at every turn. It's not paranoia, either: Ogami dispenses with blade-wielding enemies at nearly every chapter break, downing at least two-dozen men and women before the film is through. The opportunity isn't abused. In true poppy '70s samurai fashion, each challenger (or cluster of challengers) wears a distinct identity and a unique fighting style, like a colorful garden of deadly blossoms. They all bleed day-glo red, though, often in a towering arc of spray that paints landscape and fallen comrade alike. In Baby Cart at the River Styx, for the first time, we see vulnerability from the master swordsman and a little headstrong personality from his young child. We also see uncertainty from a prominent rival, another first, and restraint in the midst of a bloodlust. Some of the fighting is a little awkward, and the formula is threatening to wear thin, but overall this represents a wonderfully stylish, entertaining continuation of the journey that was so well-established in the first film. An excellent genre-definer.

These movies were infamous for their incredibly brutal and bloody swordplay sequences, but equally impressive IMHO was the leading actor- Tomisaburo Wakayama a.k.a. "Lone Wolf" was surely the greatest martial arts star ever. The command and authority with which he wielded a sword (and other weapons) was just phenomenal. The blade truly was an extension of himself, and his use of it was the definition of lethal, with none of the unnecessary/show-off flourishes so desperately thrown about by today's wannabes. He had incredible presence and charisma- easily on a par with the likes of say Eastwood or Bronson- with eyes that reflected pure death, and the desolation in his soul. There were moments in the "Babycart" series where you'd swear he was the personification of his namesake, the Wolf. You never doubted for one second that he WAS shogun executioner, masterless samurai, assassin for hire. One look at him in action, and you could readily understand why his enemies trembled at the mention of his name, and ran from him in sheer terror. Alas, Lone Wolf is one with void now, but his legend will live on forever in these films.

Forget Toshiro Mifune. Forget Takakura Ken. Forget Sonny Chiba. Forget Bruce Lee, Jackie Chan, Jet Li, Donnie Yen, and any of those wire-reliant ballet dancers from Crouching Tiger Hidden Dragon. And CERTAINLY forget any American martial artists that you could care to name. Tomisaburo Wakayama was, is, and forever shall be, THE MAN!

The first Lone Wolf film was enjoyable and innovative, but this first sequel unsuccessfully straddled the line between comically violent and serious in a way that the film couldn't maintain.

In this film, Itto continues his journey of vengeance with his young child along for the ride, rolling along in a cleverly weaponized wooden stroller. (Never before has a toddler been complicit in so many killings!) It's a fun movie for the mindless action, but it never really goes beyond that. At times the movie seems like it wants to be a more serious film, but then it veers back to a perpetually nonchalant Itto effortlessly slaying would-be killers along the road.

Overall, it felt like a movie attempting to bridge genres without ever cleanly landing in the one that fit.

I thought the first movie was extremely grim. This one had a more thoughtful approach. I like that Lone Wolf confronted the sword woman five times. It was interesting that each confrontation was different, and that he spared her life. She was sworn to kill him but respected him, and had compassion for his son, when she could have tried to kill the boy. There were nuances as to their code of honor, their obligations, and their personal morality.

There were a couple of funny moments relating to the little boy and his participation in the various battles. The use of the boy for some humor was a plus.

The fighting scenes were mostly good, but not as good as the Zatoichi movies which I love and have seen them all. The bloody effects were pretty bad in some scenes, as the injured (killed) samurai sometimes started bleeding many seconds after they were stabbed or sliced. In one scene, Lone Wolf impales two guys at the same time. One of them immediately starts spraying lots of blood from his wound. The other guy gets a trickle of blood dripping out. It would have been more impressive if the double-impalement lead to double sprays of blood.

Several heads were sliced open, and the last one looked like a venus flytrap popping open, and there were no brains, eyes, or other material visible, it looked totally silly. Then a single spray of blood shot straight up into the air from the middle of the head. Laughable and really bad special effects.

Otherwise, the film was pretty good. It had a lot of action, some good story lines, and some humor.