La corne de chèvre

"Kozijat Rog" is by far the best Bulgarian film ever made.

It has all the characteristics of greatness: a story that lacks nothing of the dramatic depths of classical tragedy; a frugal style of visual narrative that is both monumental and subtle; acting that is as good as real-life; and last but not least - music that is impossible to forget.

"Kozijat Rog" is conducted in the ways of old - with the power and gentleness of a true master. And although color loses its saturation with the passing of time, this film will not, for it is shot in black-and-white.

As an undergrad film student, this was my absolutely favorite discovery. Powerful film with minimal dialog yet every aspect of the story, the drama and the horror of war, comes through loud and clear. Highly recommended if you can get a chance to view it. I've been trying to add this to my personal collection and professional collection with no luck for the past forty years.

Even if you can't see a sub-titled version, you won't miss anything; as someone has already mentioned, the dialog in this film is extremely minimal. Instead, the viewer is immersed in the story through the natural sounds of the wild Bulgarian hills, empathic and creative (but never obtrusively 'there') camera-work and the amazingly expressive and authentic performances of the two lead actors.

When this film was released it was seen by three million people in Bulgaria, and the population then was only 8 1/2 million.

It is sad to relate that the director, Metodi Andonov, lived only a few years after the making of this film. With so few examples existing of his craft, The Goat Horn is even more precious.

An absolutely beautiful, unforgettable film.

Even if you can't see a sub-titled version, you won't miss anything; as someone has already mentioned, the dialog in this film is extremely minimal. Instead, the viewer is immersed in the story through the natural sounds of the wild Bulgarian hills, empathic and creative (but never obtrusively 'there') camera-work and the amazingly expressive and authentic performances of the two lead actors.

When this film was released it was seen by three million people in Bulgaria, and the population then was only 8 1/2 million.

It is sad to relate that the director, Metodi Andonov, lived only a few years after the making of this film. With so few examples existing of his craft, The Goat Horn is even more precious.

An absolutely beautiful, unforgettable film.

This is an excellent movie, the Bulgarian equivalent to an Italian neo-realism masterpiece. The degree of freedom to artistic expression is extra-ordinary, especially if replaced into the context of the political environment prevailing in Bulgaria in the 70s. The practical absence of dialogue and music, (except for a very beautiful vocal), and the Black and White image emphasize the dramatic content of the movie. The direction is remarkable, and the play is first-class. Definitely, the best Bulgarian movie, and a must-see for every cinephile.