Ajouter une intrigue dans votre languePaul Naschy plays a hunchback with below average intelligence who works at the morgue. He is in love with a sickly girl who happens to be the only person who is kind to him. Each day he brin... Tout lirePaul Naschy plays a hunchback with below average intelligence who works at the morgue. He is in love with a sickly girl who happens to be the only person who is kind to him. Each day he brings her flowers until the day she dies. He never really accepts her death and believes she ... Tout lirePaul Naschy plays a hunchback with below average intelligence who works at the morgue. He is in love with a sickly girl who happens to be the only person who is kind to him. Each day he brings her flowers until the day she dies. He never really accepts her death and believes she is just sleeping. The girl eventually ends up at the morgue where she is being prepared fo... Tout lire
- Réalisation
- Scénario
- Casting principal
- Elke
- (as Rossana Yanni)
- Dr. Frederick Tauchner
- (as Vic Winner)
- Ilse
- (as Maria Elena Arpon)
- Hans Burgher
- (as Joaquin Rodriguez 'Kinito')
- The Commisoner
- (as Angel Menendez)
- Eva
- (as Sofia Casares)
- Morgue's Worker
- (as Jose Luis Chinchilla)
- Girl in Bar
- (as Iris Andre)
Avis à la une
Taking its cues from the classic horror novels of Victor Hugo and Mary Shelley, The Hunchback of the Morgue is full of irresistibly silly horror clichés—a sympathetic 'monster', a dusty Spanish Inquisition torture chamber, grave-robbing by moonlight, a sulphuric acid pit—and also benefits from some delightfully tacky special effects: a gory decapitation, a gutsy evisceration, assorted dismemberment, Ilse's corpse being devoured by rats (which, in a shocking moment of genuine animal cruelty, are set on fire by Gotho), and a delightfully daft man-made creature that consumes everything from live frogs to human heads, and ends up looking like a giant walking turd.
It all adds up to a whole lot of demented fun, easily the most entertaining Naschy film I've seen so far.
"The Hunchback of the Morgue" terrifically narrates a traditional Horror story in the delightful form of a Creepy and quite gory Naschyesque Gothic Exploitation flick. In classic Horror tradition, the eponymous hunchback Gotho (Naschy) is a murderous yet tragic, pitiable and almost likable character. A man of low intelligence and ugly appearance, Gotho, who works at the morgue, is despised by most people, except the beautiful Ilse (María Elena Arpón). Driven by his immortal love to this terminally ill beauty, Gotho responds to kindness with kindness, to humiliation with murderous violence. The obsessed scientist Dr. Orla (Alberto Dalbes) decides to use the hunchback for his sinister goals...
No role has ever suited Paul Naschy better than that of the eponymous hunchback Gotho. Naschy seems predestined to play morgue employees and gravediggers - in the runner-up on the list of my favorite Naschy-films, "La Orgia De Los Muertos" from the same year, he plays a deranged gravedigger. The role of Gotho here is, in my opinion, the greatest he ever played, since he is truly deranged, yet at the same time pitiable and even likable. Jess Franco flick regular Alberto Dalbés is great in the role of the unscrupulous scientist. The supporting performances are actually also very good for a film of the kind. The ravishing Rosanna Yanni is sexy and lovable in the role of Elke, a woman who, unlike others, treats the hunchback with kindness. The film is terrifically shot in the great setting of a small town in the mountains (in the film, the name is "Feldkirch", but I don't think it is meant to be the town of the same name in my home country Austria). Settings like old houses, dark alleys, castle ruins, subterranean crypts and secret passages give the film a great Gothic mood, which is increased by a very good cinematography and score. The gore is pretty intense, with some truly gruesome scenes. The film isn't actually very sleazy, nudity occurs only once, briefly, by Rosanna Yanni (***drool***). It is undeniable that the plot has holes and sometimes lacks logic - but that has to be expected in a Naschy flick. Overall, "The Hunchback of the Morgue" is, in my opinion, the Naschy film that has the greatest storyline AND the most intense atmosphere. The mood often resembles the style of other Gothic films, such as those by the British Hammer Studios, but, again, with a typically Spanish touch. All things considered, "The Hunchback of the Morgue" is my personal favorite Paul Naschy film, and also one of the most outrageously enjoyable Spanish Gothic Horror productions from the early 70s. No true lover of cult-cinema should miss it!
The film doesn't feature a great deal of gore, but it is a very nasty flick. Most of the action centres around corpses and body parts, which helps to give it a nasty atmosphere and this is increased by the dreary set design, which almost gives the viewer the impression that the film is taking place in hell. The plot itself runs rather slowly, though the film never gets boring as there's always enough going on to keep the audience intrigued. Paul Naschy is a varied actor, though sometimes his performances aren't very good. He fits into the role of the hunchback well in this film, however, and actually manages to generate some sympathy in spite of the fact that his character is a murderer. The most interesting element of the plot is, of course, the whole thing surrounding the monster that the mad scientist is trying to create. This subplot is fairly well done; what we get to see looks interesting, though it has to be said that the plot turns out to be disappointing when we finally get to see the monster at the end. However, this is still a very interesting effort and I can certainly recommend it.
Okay, admittedly this may all sound a little confusing and incoherent. It is, actually! "The Hunchback of the Rue Morgue" unceasingly introduces new characters and add new plot lines until the finale and it's practically impossible to give an all-capturing summary of this film. The incoherence of the script isn't the least bit bothering, especially because the film is fast-paced and full of gory action the entire time. Gotho hacks off people's heads with axes, throws their bodies in acid and even locks them into medieval torture devices! And yet, even whilst he's committing the most vilest of murders, he manages to gain quite a bit of your sympathy and compassion. It's entirely Paul Naschy's own accomplishment to make his characters – even the most bonkers ones – come across as amiable and heroic. "The Hunchback of the Rue Morgue" is also a very effective horror film because the atmosphere is continuously morbid and practically all settings and scenery are sinister. Last but not least the film also "enjoys" a notorious reputation because one of the decapitation scenes was filmed using a real human corpse and because allegedly the rat-burnings were real as well.
Le saviez-vous
- AnecdotesIn the most talked-about scene, Paul Naschy was set upon by real rats. He had to be inoculated against possible rabies. It was also María Elena Arpón, and not a mannequin, lying on a slab with the rodents nestling and nibbling all over her. Some of the rats were burned alive on camera.
- GaffesIlse clearly breathing when Gotho kisses her in his hideout.
- Versions alternativesThe German DVD from Anolis Entertainment has a commentary track with Paul Naschy. He says that the love scene between he and Elke was removed and burnt by the Spanish censor because they were fully nude. He claims that he had a hump with fake hair on top during this scene. The Anolis Entertainment DVD only shows a side view of a topless Elke. This is known as the 'alternate nude scene', and is included in the 'uncut international version'. The Anolis Entertainment DVD also includes the 'standard clothed version' of the love scene as an extra.
- ConnexionsFeatured in Eurotika!: Blood and Sand (1999)
Meilleurs choix
- How long is Hunchback of the Morgue?Alimenté par Alexa
Détails
- Durée
- 1h 27min(87 min)
- Mixage
- Rapport de forme
- 1.85 : 1