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J.C.

  • 1972
  • R
  • 1h 39min
NOTE IMDb
3,7/10
211
MA NOTE
J.C. (1972)
Regarder Trailer
Lire trailer1:36
1 Video
5 photos
ActionAventureDrame

Ajouter une intrigue dans votre langueJesus Christ is born again on Earth. But his father is a hardcore Southern Baptist, and during his teen years, Jesus rebels, joining a biker gang and leading an LSD-fueled pilgrimage to "the... Tout lireJesus Christ is born again on Earth. But his father is a hardcore Southern Baptist, and during his teen years, Jesus rebels, joining a biker gang and leading an LSD-fueled pilgrimage to "the West" to fight "the establishment."Jesus Christ is born again on Earth. But his father is a hardcore Southern Baptist, and during his teen years, Jesus rebels, joining a biker gang and leading an LSD-fueled pilgrimage to "the West" to fight "the establishment."

  • Réalisation
    • William F. McGaha
  • Scénario
    • William F. McGaha
    • Joe Thirty
  • Casting principal
    • William F. McGaha
    • Hannibal Penney
    • Joanna Moore
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    3,7/10
    211
    MA NOTE
    • Réalisation
      • William F. McGaha
    • Scénario
      • William F. McGaha
      • Joe Thirty
    • Casting principal
      • William F. McGaha
      • Hannibal Penney
      • Joanna Moore
    • 10avis d'utilisateurs
    • 9avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Trailer
    Trailer 1:36
    Trailer

    Photos4

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux22

    Modifier
    William F. McGaha
    • J.C. Masters
    • (as Bill McGaha)
    Hannibal Penney
    • David Little
    Joanna Moore
    Joanna Moore
    • Miriam Wages
    Burr DeBenning
    Burr DeBenning
    • Dan Martin
    Slim Pickens
    Slim Pickens
    • Grady Caldwell
    Pat Delaney
    Pat Delaney
    • Kim McKool
    • (as Pat Delany)
    Judy Frazier
    • Rachel Myers
    • (as Judie Frazier)
    Max Payne
    • Mr. Clean
    Conrad Peavey
    • Hunter
    • (as Conrad Peavy)
    Matthew Garth
    • Carlton Wages
    Brenda Sutton
    • Neffie
    Carol Hall
    • Shirley 'The Saint'
    Byron Warner
    • Disciple
    Bob Corley
    • D.J. Nabors
    Bud Allen
    • Beaver
    Simone Griffeth
    • Harriet 'The Hare'
    • (as Simone Griffith)
    Bill Chapman
    • Foreman
    Beverly Littles
    • Panama Red
    • Réalisation
      • William F. McGaha
    • Scénario
      • William F. McGaha
      • Joe Thirty
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs10

    3,7211
    1
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    10

    Avis à la une

    2Uriah43

    Hippy Bikers versus Redneck Bigots

    This film essentially begins with a young man by the name of "J. C. Masters" (William McGaha) working on a job at a construction site with his friend "David Little" (Hannibal Penney). Although he desperately needs the money, J. C. isn't very good at that kind of labor and as a result the foreman is constantly on his back about something or the other. Finally, after taking all of the abuse he can tolerate, J. C. quits and goes back to his house to apologize to his girlfriend "Kim McKool" (Pat Delaney) for losing yet another job. However, rather than feeling disappointed, Kim expresses her complete support and undying devotion to him. Not long afterward, J. C. has a drug-induced vision which he then goes on to share with his biker friends and in response they join him on a motorcycle ride from Georgia to the West Coast. To that effect, one of the first stops on their way is to J. C.'s former hometown of Mason, Alabama so that he can see his younger sister "Miriam Wages" (Joanna Moore). What they find, however, is a small-town mindset which not only disapproves of bikers but actually detests David Little simply because he is black-and it's this racial animosity which will eventually cause all sorts of problems for everyone concerned. Now, rather than reveal any more, let me just say that I have a good appreciation for biker films-especially those made in the 60's and 70's. Having said that, however, I must also say that this is easily one of the worst of its kind as not only was the pacing extremely slow but the writing was exceedingly bad as well. So bad in fact, that I felt embarrassed for the actors involved. Be that as it may, other than the presence of some really attractive actresses like Pat Delaney, Miriam Wages and Judy Frazier (as "Rachel Myers") there was absolutely nothing worth seeing here and I have rated this film accordingly.
    1jamcdaid

    Reminds me of a Billy Jack movie, and that ain't a compliment

    A good drinking game would be to take a shot every time you see the boom mic.
    5SnoopyStyle

    racial justice biker B-movie

    J.C. Masters is a long hair hippie biker who spends his days smoking weed in Alabama. He's bad at his construction job and quits with his black friend David Little. He reads about injustices in society and hates being harassed by racist rednecks. He leads his friends to return to his racist home town and his beloved sister.

    This is a biker B-movie all the way. J.C.'s start is not appealing as a slacker hippie. Instead of being a bad worker, he should face discrimination by his redneck boss which would build up rooting interest for him and his black friend. It tries to do racial justice but it doesn't do it well. The racist town gets pretty good once they get there but it starts off with an annoying diatribe by a biker chick. The dialog is generally clunky but it gets to something interesting every once in awhile.
    6Red-Barracuda

    Pretty good biker flick

    Here's a movie for biker film enthusiasts. Its about a hippy biker who quits his job and leads his gang back to his hometown, which is run by racist cops! Unsurprisingly, the black biker gang member is huckled by the redneck police on a minor drugs charge and beaten up, leading J. C. and his gang to seek vengeance. You can guess by the initials of the title character, that he and his followers see him as some kind of messiah. I wouldn't say this is very deep stuff though, but it had some decent dramatics and suspense at times. Additionally, it's a boom-mic spotters delight, with that damned mic dropping into view left, right and centre throughout.
    1watkinssr

    This is the worst film of any kind...

    I collect bad biker movies. The more painful, the better. This one is king of them all. The worst biker film, indeed the worst film of any kind. I can't watch it in one sitting. In fact, it's hard to get to the opening credits in one sitting. If you ever see it, you will understand. The opening credits started rolling, and I mistakenly believed it was the closing credits and started rejoicing. The intro is that long. And bad. And painful.

    I mean, I understand low budget films, I've even worked on one myself, but they could have taken up a collection for clean underwear for the lead character if they in fact felt it was that important to have the lead character roll around in his underwear. And apparently they did.

    The scene where .....nevermind....its just too painful a memory.

    Centres d’intérêt connexes

    Bruce Willis in Piège de cristal (1988)
    Action
    Still frame
    Aventure
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Penultimate film for director/writer/actor/producer William F. McGaha.
    • Gaffes
      Boom microphone is clearly visible (not just a bit but very obviously visible & moving back & forth between character dialogue), in the porch scene where the sheriff and deputy (Slim Pickens & Burr DeBenning), pay a call to J.C. and his sister, (Joanna Moore).
    • Crédits fous
      The opening credits don't appear for nearly 15 minutes.
    • Bandes originales
      Man Who Don't Know Where He's Going
      by Steve Burdick

      Performed by Bethany

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    Détails

    Modifier
    • Date de sortie
      • 1 avril 1972 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Iron Horsemen
    • Lieux de tournage
      • Peachtree Center, Atlanta, Géorgie, États-Unis(covered walkways)
    • Société de production
      • Wilmac International
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 39min(99 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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