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Terreur dans le Shanghaï-Express

Titre original : Pánico en el Transiberiano
  • 1972
  • Tous publics
  • 1h 31min
NOTE IMDb
6,5/10
14 k
MA NOTE
Terreur dans le Shanghaï-Express (1972)
In 1906, in China, a British anthropologist discovers a frozen prehistoric creature and must transport it to Europe by train.
Lire trailer1:44
1 Video
99+ photos
Alien InvasionMonster HorrorAdventureHorrorSci-FiThriller

En voyageant à bord du Transsibérien Express, un anthropologue et son rival doivent contenir la menace posée par la cargaison: un singe préhistorique qui est l'hôte d'une forme de vie qui ab... Tout lireEn voyageant à bord du Transsibérien Express, un anthropologue et son rival doivent contenir la menace posée par la cargaison: un singe préhistorique qui est l'hôte d'une forme de vie qui absorbe l'esprit des passagers et de l'équipage.En voyageant à bord du Transsibérien Express, un anthropologue et son rival doivent contenir la menace posée par la cargaison: un singe préhistorique qui est l'hôte d'une forme de vie qui absorbe l'esprit des passagers et de l'équipage.

  • Réalisation
    • Eugenio Martín
  • Scénario
    • Arnaud d'Usseau
    • Julian Zimet
  • Casting principal
    • Christopher Lee
    • Peter Cushing
    • Alberto de Mendoza
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,5/10
    14 k
    MA NOTE
    • Réalisation
      • Eugenio Martín
    • Scénario
      • Arnaud d'Usseau
      • Julian Zimet
    • Casting principal
      • Christopher Lee
      • Peter Cushing
      • Alberto de Mendoza
    • 199avis d'utilisateurs
    • 136avis des critiques
    • 68Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 1 nomination au total

    Vidéos1

    Blu-ray Trailer
    Trailer 1:44
    Blu-ray Trailer

    Photos175

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    + 167
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    Rôles principaux23

    Modifier
    Christopher Lee
    Christopher Lee
    • Prof. Sir Alexander Saxton
    • (as Cristopher Lee)
    Peter Cushing
    Peter Cushing
    • Doctor Wells
    Alberto de Mendoza
    Alberto de Mendoza
    • Father Pujardov
    Telly Savalas
    Telly Savalas
    • Capt. Kazan
    Silvia Tortosa
    Silvia Tortosa
    • Countess Irina Petrovski
    Julio Peña
    Julio Peña
    • Inspector Mirov
    Jorge Rigaud
    Jorge Rigaud
    • Count Maryan Petrovski
    Ángel del Pozo
    Ángel del Pozo
    • Yevtuchenko
    • (as Angel del Pozo)
    Víctor Israel
    Víctor Israel
    • Maletero - Baggage Man
    • (as Victor Israel)
    Helga Liné
    Helga Liné
    • Natasha
    • (as Helga Line)
    Alice Reinheart
    • Miss Jones
    José Jaspe
    José Jaspe
    • Konev - Conductor
    • (as Jose Jaspe)
    Vicente Roca
    • Station Master
    Juan Olaguivel
    • Creature
    • (as Juan Olaguibel)
    José Canalejas
    José Canalejas
    • Russian Guard
    • (as Jose Canalejas)
    Barta Barri
    Barta Barri
    • First Telegraphist
    Fernando Villena
    • Third Telegraphist
    José Marco
    José Marco
    • Vorkin
    • (as Jose Marco)
    • Réalisation
      • Eugenio Martín
    • Scénario
      • Arnaud d'Usseau
      • Julian Zimet
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs199

    6,513.8K
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    Avis à la une

    rixrex

    Compact, eerie and intriguing low budget thriller

    An intriguing idea of a "spirit" of pure evil with the ability to jump from body to body aboard a trans-siberian train. Well done considering budget constraints, and claustrophobic. Lee and Cushing are fine, but it's Telly Savales who chews the scenery to good effect. He is an unexpected treat as a bullying cossack officer and good counterpoint to Lee and Cushing as civilized gentlemen. Don't expect a slick Hollywood production and you won't be disappointed. I watched this on late night TV spookfests everytime it was on during the late 70s and saw something new each time. It's something like a cross between Hammer and Argento, and a little bit of Corman, too.
    8Boba_Fett1138

    I loved it!

    The first halve of this movie is pretty standard seventies horror stuff like featured in most of the old Hammer movies. The second halve however really surprised and impressed me. I loved it!

    I really love old-horror movies with both Peter Cushing and Christopher Lee in it. In this movie they are better than ever together. Their acting is superb and so is the rest of the cast even though it is a bit strange that almost all of the Russians are played by Spanish people. Telly Savalas also shows up in a fun role. Savalas is probably best known for portraying Ernst Stavro Blofeld in the James Bond movie "On Her Majesty's Secret Service" but he also played in classics like: "Cape Fear" (1962), "Kelly's Heroes", "Capricorn One" and "The Dirty Dozen". It's wonderful to see such fine acting in one movie because normally mainly it are just only Cushing and Lee who are the only good actors in a movie like this.

    Also this movie is actually scary and gory and it has a really good atmosphere. It starts like some kind of monster movie like "Creature From the Black Lagoon" but the second halve of the movie is more like a Zombie movie like "Lifeforce" (which is an underrated horror classic in my opinion with a great soundtrack). A combination that worked really well for me.

    The story stays simple and of course ridicules but it still is better than 90% of the other movies from the same genre and it actually goes deeper in trying to explain some of the things.

    In my opinion a real horror classic!

    8/10

    http://bobafett1138.blogspot.com/
    6barnabyrudge

    Undeservedly forgotten horror film - one of the better examples of Lee and Cushing working together in the '70s.

    Christopher Lee and Peter Cushing. The two go together like strawberries and cream, like white wine and fish. One is a glove, the other is a hand that fits perfectly inside. The Lee/Cushing partnership made many movies together during the '50s, '60s and '70s, including some of the finest Hammer horror movies. Of their three decades as screen partners, their work from the 1970s is probably their weakest - Nothing But The Night, Dracula AD 1972, and The Satanic Rites Of Dracula are inferior examples of their films together. However, even in he '70s "low period" they still served up the occasional gem. The Creeping Flesh was a nicely done horror flick with a wickedly unexpected twist ending, and this - known in America and Britain as "Horror Express" - is a powerful and inventive bloodcurdler with a sprinkling of science fiction.

    In Siberia, 1906, anthropologist Alexander Saxton (Lee) finds a frozen creature which he believes to be the Missing Link. He transports the being back to western Europe by trans-Siberian train. Aboard the train are the usual assorted types:- a Polish countess (Silvia Tortosa); her husband (Jorge Rigaud); a mad monk seemingly modelled on Rasputin (Alberto De Mendoza); and a fellow scientist and long-time rival of Saxton's, the charismatic Dr Wells (Cushing). Midway through the journey, as the train passes through a desolate snowscape many miles from civilisation, the creature thaws out and begins killing the passengers. Wells carries out an autopsy on the corpses and realises that they are not up against the Missing Link, but a weird alien organism which inhabits the bodies of its victims and steals their memories. As the finger of suspicion falls upon each character, the scientists try to figure out which passenger is "carrying" the shape-shifting monster, while trying to keep everyone safe and alive.

    Horror Express has its share of dumb moments (what horror film doesn't?) but in the main it is quite an intelligent and original piece. Some of the supporting actors are quite amateurish, too, giving performances that distract one's attention for the wrong reasons. However, Cushing and Lee are believable as always, and it's their straight-faced conviction which makes the story as spine-tingling as it is. There is also a well-developed subtext in the film condemning religious fanaticism, with Mendoza's character shown to be so unreasonable and misguided that his "Christian" rantings are every bit as disturbing as the teachings of a heretic. The atmosphere is spookily maintained, with lots of eerie scenes (which probably got many a heart fluttering back in 1973, in the pre-Exorcist days of the horror genre). In particular, the climactic sequence in which Cossack soldiers, led by Telly Savalas, board the train only to be zombified by the deadly alien, is a chilling episode. You may need to be a fan of old-school horror flicks to enjoy Horror Express, but if you are it's definitely one worth seeking out.
    8Bogmeister

    Red Eyes, White Eyes - on a Train,Draining Brain

    All aboard the Trans-Siberian Express - non stop to the shores of hell. That's the interpretation of the priest character on board. But he's off-base; it's an alien monster that's causing all the trouble - a monster derivative of "The Thing" story, but about 10 years before John Carpenter presented his version. The creature is literally millions of years old, having passed through various forms as life evolved on Earth; then someone makes the mistake of storing it on board in a frozen apelike fossil. Next thing you know, certain individuals are behaving strangely, with glowing red eyes, and others turn up dead with eyes whited out (and brains drained). This, of course, benefits from the umpteenth pairing of Lee and Cushing; Lee is the arrogant scientist here and Cushing is again a doctor. Much of the entertaining dialogue stems from the conflict between science and religion, during the transitional phase of the early 20th century. The priest rants on about Satan; Lee calls it rubbish. Here's a typical quote from the priest: 'There's the stench of death on board this train; even the dog knows it.' The dog belongs to a couple of aristocratic Russians on board.

    At the one hour mark, Savalas shows up as a power-mad Cossack with his soldiers, ready to kick everyone to hell and back. He manages to make quite an impression in the next 15 minutes as the death toll escalates. He and the two leads (British all the way) sort of ham it up, as if knowing they're in some crackerjack cheesy horror material, but there's also quite a bit of eeriness to the proceedings. The filmmakers managed to get the nice train set from an earlier big budget production and made good use of it. The train itself becomes nearly another character, hurtling through the dark with snow and a chill wind all around, and the interior set design is quite good. The musical score is also unusual; when one expects ominous tones during some sequences, instead we get a kind of tuneful melody. But the best thing about this is the concept itself - this thing, this form of energy, having been around forever and theoretically capable of curing all our ills, contents itself with the easy kill. Boy, does it like to drain brains.
    7ma-cortes

    Enjoyable shocker about vicious pre-historic monster terrorizing the Transiberian train

    Spanish-British co-production that is one of the most representative exponents of Spanish horror cinema, gaining great popularity in the early seventies. The film contains an atmospheric mix of hair-raising thrills and surprising chills, combined with a fantastic ending, though most of the action revolves around the attempts to chase and kill this strange creature.1906, in the remote Manchuria, professor Alexander encounters a long frozen corpse. When he smuggles it aboard the Transiberian train, then the monster is awakened and coming to life, breaking out, running rampant around the train and making a killing rampage. Meanwhile, archaeologist Alexander Saxton (Christopher Lee) meets professor Welles(Peter Cushing). Both join forces against the weirdo creature. The movie depicts the havoc and killing that begin when the monster escapes, lurks and terrorizes. The bulk of action surrounds their attempts to chase and intent on killing this bizarre creature. Meantime, the passengers and crew run afoul, they're forced to fight their lives and pursued by the killer beast which is making a brutal slaughter.

    The film was a surprise at its premiere, getting a large international cast, starring the two most representative actors of Hammer Films and obtaining great success at the global box office, dealing with a ferocious prehistoric monster that is transported on the Trans-Siberian train, when the monster awakens and comes to life, subsequently running rampant around the train and causing an astonishing carnage. Well directed by Eugenio Martin, specialized in this type of genre productions, he makes an impressive film, knowing how to use very well the train where the action takes place, the models, the characterizations of the actors, as well as the special effects with lots of guts and gore. The film not only has nothing to envy, but also resembles the Hammer productions at the time. It displays lots of guts and blood but it seems pretty mild compared to today's gore feasts. It's an unrelenting shock-feast laced with nice acting by the two Hammer genre's stars that deserves its cult status. Furthermore, magnificent Telly Savalas , before Kojak, as a crazed Cossack commander and Alberto De Menzoza as a Rasputin-style monk. Lively secondary cast is frankly cool, so the supporting cast is downright great, made up of well-known Spanish actors, such as: Alberto De Mendoza, Silvia Tortosa, Angel Del Pozo, Víctor Israel, Helga Liné, José Jaspe, José Canalejas, José Marco, Barta Barri, Jorge Rigaud, among others.

    This unfolds a bone-chilling and suspenseful musical score by John Cavacas. Next to a lush photograph with juicy atmosphere by Alejandro Ulloa, but unfortunately it becomes too murky in some edited prints. Good work by makeup supervisor Julián Ruiz and evocative sets by Ramiro Gómez. The film was well and competently directed by Eugenio Martin or Gene Martin. He was an expert in horror films (Hypnosis, A Candle for the Devil, The Fourth Mrs. Anderson) and Spaghetti Westerns (Pancho Villa, Bounty Hunter, The Bad River Man). Rating: 7/10. Above average. It is a relentless feast of shocks with enjoyable performances by the two stars of the Hammer genre, well worth seeing. A very decent horror film that seems pretty tame compared to today's gore feasts.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Peter Cushing arrived in Spain for filming and immediately told producer Bernard Gordon that he could not do the picture, as he felt it was too soon after his wife's death. Christopher Lee convinced Cushing to stay on by reminiscing with him about the previous movies they'd worked on together, much to the relief of Gordon.
    • Gaffes
      The opening credits say the movie takes place in Peking, but all the railroad station sets have signs that say "Shanghai" in Chinese. The cast's dialogue also refers to their train trip starting in Shanghai.
    • Citations

      Dr. Wells: [entering Saxon and Mirov's compartment with a shotgun] Thought this might come in handy.

      Inspector Mirov: [sarcastic] Oh, good idea. Two of you together - that's fine. But what if one of you is the monster?

      Dr. Wells: Monster? We're British, you know!

    • Crédits fous
      In the opening credits of the English-language VHS version, Christopher Lee's name is misspelled as "Cristopher".
    • Versions alternatives
      DVD by Image Entertainment is 88 minutes long, the original theatrical version. DVD by Simitar Video is 85 minutes long, the television version.
    • Connexions
      Edited into Time Tracers (1997)

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    FAQ23

    • How long is Horror Express?Alimenté par Alexa
    • Were "Horror Express" inspired by a book?
    • What the official language of Horror Express?
    • Why the creature did not abandon the train instead of a confrontation with the passengers?

    Détails

    Modifier
    • Date de sortie
      • 28 mai 1975 (France)
    • Pays d’origine
      • Espagne
      • Royaume-Uni
      • États-Unis
    • Langues
      • Espagnol
      • Anglais
    • Aussi connu sous le nom de
      • Pánico en el Transiberiano
    • Lieux de tournage
      • Estudios Madrid 70, Daganzo, Madrid, Espagne(Studio)
    • Sociétés de production
      • Granada Films
      • Benmar Productions
      • Scotia International
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 300 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 31 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1(original ratio, open matte)

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