Un colt pour 3 salopards

Hannie Coulder (Raquel Welch) is living along with her hubby when three nasty brothers (Ernest Borgnine , Jack Elam , Strother Martin) kill her husband and she is raped . She is healed by a bounty hunter (Robert Culp) who teaches her how to be an expert gunwoman . Later on , a gunsmith (Christopher Lee cameo) builds Hannie a specialized revolver for her journey ahead . The revenge starts and early she is ready for it .

The picture contains action , gun-play , humor and a little bit of violence when the violation and murders are happening . The film follows Spaghetti Western rules , thus gets violent feuds , greedy and extreme baddies , spectacular shot'em up , rapid showdowns, and habitual plot : the vengeance ; besides , being shot in Almeria (Spain) where during 1960s-1970s years had been filmed several Italian/Spanish Western . Quentin Tarantino later said the film was one of his inspirations for "Kill Bill . Raquel Welch is enjoyable and enticing , though wooden , Robert Culp as the veteran gunfighter is top-notch . Special mention for the humorous and ironical trio of brothers , they are amused parodying the Western killer gang . The usually villain Christopher Lee makes a brief intervention as good guy at a cameo , in his seven decade career , this is Christopher Lee's only Western . It appears Stephen Boyd as a ghostly gunman , he is uncredited at a brief appearance as the gunfighter simply known as "The Preacher" .

Lively and catching music by Ken Thorne . Glimmer and colorful cinematography by Edward Scaife . The film is produced by Tigon ,a known British production habitual in Horror films . The motion picture was directed by Burt Kennedy , a specialist in Western genre , he also rewrote the screenplay but was not credited . The film will appeal to Raquel Welch fans and Spaghetti Western enthusiasts .

A good solid 70's western of the revenge formula with one vital refreshing story point, a woman pursuing those who did her wrong. And she's not just any old cowgirl, as you may have noticed from the cast list. If the plot as a whole is not one of the most original, the great cast does give a good reason to see this movie. Raquel Welch does what she can in the bit limited role and she does it fine. Three western icons of Elam, Borgnine and Martin make a bunch of villains that is at the same time one of the most revolting and tracelessly funny. If you have liked them in earlier westerns of Peckinpah and Kennedy you get mostly the same great treatment here. Martin especially always ends up stealing the show as the most dangerous idiot in the west ever. Robert Culp gives a good performance as a bounty hunter and killer with a piece of heart still left and a sensible head. And for Christopher Lee fans like me, here he is noteworthy as always and apparently in his only western role of all the countless movie roles he has made. A pretty small role actually but it can't keep a great actor down.

The strong influences of Peckinpah and spaghetti westerns are pretty obvious and mix together surprisingly well. The plot could have deserved a bit more development but it gives fairly good enjoyment as it is, if you enjoy westerns in general. I consider this one of the better films from director Kennedy.

The main virtue is more the acting than the story. The smart use of the mix of tension and humor. The presence of Christopher Lee in an atypical role for his career and the most than decent result , Raquel Welch demonstrating more than you expect and Robert Culp giving all the flavors of the lonely stranger from westerns. And, not the last, off course, a great dirty, vulgar, cruel, defining the term family in admirable way , trio gived by Ernest Borgnine, Jack Elam and Strother Martin. So, just impressive.

After she is raped and her husband murdered, a woman (Raquel Welch) hires a bounty hunter to instruct her in the use of a gun so she can get her revenge on the three outlaws (Ernest Borgnine and two guys) responsible.

Quentin Tarantino said the film was one of his inspirations for Kill Bill. "Why I love Hannie Caulder so much is Robert Culp. He is so magnificent in that movie. I actually think there's a bit of similarity between Sonny Chiba and Uma (in Kill Bill) and Raquel Welch and Robert Culp in Hannie Caulder." You can totally see it during the training montage, which smacks of kung fu movies more than westerns.

And Christopher Lee is in this? How many westerns has he done? None other that I can think of. But what do I know? It is still great seeing him here.

Raquel Welch stars as the title character in this lively, oddball Western that alternates between a serious tone and a comedic one. Ms. Welch, who looks MIGHTY fine throughout, has her life forever altered by the villainous Clemens brothers. They kill her husband, take turns raping her, then burn down her house! Hannie becomes coldly determined to exact vengeance upon them, and keeps pestering bounty hunter Thomas Luther Price (Robert Culp) to teach her the fine art of shootin'. Eventually, he agrees.

The movie has an extremely intriguing pedigree: it's produced by the British company Tigon, was shot in Spain, and was directed by American Western specialist Burt Kennedy ("The War Wagon", "Support Your Local Sheriff!"). Not only that, but it actually plays its nasty bad guys for laughs much of the time, and Ernest Borgnine (as Emmett), Jack Elam (as Frank), and Strother Martin (as Rufus) are priceless as they spend much of their time bickering with each other; Martin is particularly funny.

This thing gets off to one Hell of a great start by coming up with a unique way to view a bank robbery: through the barrels of a shotgun! Superb widescreen photography (cinematography by Edward Scaife, camera-work by John Harris), beautiful scenery, and soaring music by Ken Thorne only add to the fun factor. Welch is quite easy to watch, and Culp, in one of his best ever roles, is excellent as the reluctant teacher. Diana Dors is wasted in a nothing role as a madame, but there's still great curiosity value in seeing Sir Christopher Lee here, as he plays Bailey, the kindly gunsmith who lives out in the middle of nowhere; his performance is wonderful. Look also for Aldo Sambrell, uncredited as a Mexican soldier, and Stephen Boyd, who has perhaps the most interesting role in the entire movie, as the mysterious and ultimately helpful "preacher". He utters not a word, yet has an undeniable presence.

A jaunty pace and generous doses of the red stuff help to make this a solid visceral entertainment. Quotable dialogue includes the gem "There are no hard women, only soft men." Clocking in at a trim 86 minutes, "Hannie Caulder" doesn't overstay its welcome, or ever get too draggy. It's sexy, violent, and a real hoot, and one of the influences on Quentin Tarantino's pair of "Kill Bill" films.

Eight out of 10.