Le Grand Blond avec une chaussure noire
- 1972
- Tous publics
- 1h 30min
Un musicien d'orchestre malchanceux devient le pion involontaire de factions rivales au sein des services secrets français lorsqu'il est utilisé comme leurre et identifié comme un super agen... Tout lireUn musicien d'orchestre malchanceux devient le pion involontaire de factions rivales au sein des services secrets français lorsqu'il est utilisé comme leurre et identifié comme un super agent secret.Un musicien d'orchestre malchanceux devient le pion involontaire de factions rivales au sein des services secrets français lorsqu'il est utilisé comme leurre et identifié comme un super agent secret.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 1 nomination au total
Avis à la une
If it is not enough, there is a soundtrack written by Vladimir Cosma and performed by the King of Pan Flute, a famous Romanian musician Gheorghe Zamfir. Cosma recalls that when he was composing the music for The Tall Blond Man, he was thinking of the movie "The Spy Who Came in From the Cold" and he wanted to use the elements of the Eastern European music. His idea to use the themes of Romanian doinas played by Zamfir was a stroke of genius. Once you hear the melodies, you won't be able to forget them.
YES to the movie and YES!! to the soundtrack
It's stuck with me ever since.
This is a brilliant piece of film-making, satisfying as both a comedy and a spy movie. Pierre Richard has a masterful sense of comedic timing, on par with Buster Keaton.
If you get a chance to see this, do.
The film was remade in English as "The Man with One Red Shoe", which makes me want to see that version -- I never really had an interest before. This version is quite good, and I especially love the score. It is whimsical and light, keeping the material fun.
The topic of secret agencies against themselves sort of suggests a Kafka-type plot, but it never reaches that level. Because of the humor involved, it might be closer to compare this to a Peter Sellers film. Certainly more deserving of attention than it generally receives.
The best description of this classic is the oxymoron: sophisticated slapstick. But there is much more. Like the category list suggests (comedy, mystery, and more) there's something for everybody, and you needn't be a Francophile to enjoy it.
Simply delightful!
Le saviez-vous
- AnecdotesFrancis Veber used to call most of his characters with names based on famous cities (Toulouse, Milan, Perrache etc.) in order to avoid any confusion with real life persons.
- GaffesThe car park "exit" is actually an entrance. It wouldn't make sense to place a speed-limit-sign next to a no-entry-sign. The false no-entry-sign is suspended by a string and another string pulls the white bar vertical when the crash is heard.
- Citations
Le colonel Louis Marie Alphonse Toulouse: [to Perrache] Pick out anyone you like, someone out of a crowd, the more anonymous the better. The individual you choose it totally unimportant. He's to bait the hook. All that counts is that Milan must swallow it.
- Crédits fousThe opening credits are shown on different playing cards. They 'magically' change when a magician's hand flips, turns, and waves his hands over the cards.
- ConnexionsFeatured in Namedni 1961-2003: Nasha Era: Namedni 1974 (1997)
- Bandes originalesMozart Massacre
(uncredited)
Based on "Molto Allegro first mouvement from Symphony #40 in G Minor, K 550"
Written by Wolfgang Amadeus Mozart
Performed by Pierre Richard
Meilleurs choix
- How long is The Tall Blond Man with One Black Shoe?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Tall Blond Man with One Black Shoe
- Lieux de tournage
- 63 Avenue de la Bourdonnais, Paris, France(Francois Perrin's house)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 404 540 $US
- Durée1 heure 30 minutes
- Mixage
- Rapport de forme
- 1.66 : 1
- 1.85 : 1