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Le Parrain

Titre original : The Godfather
  • 1972
  • 12
  • 2h 55min
NOTE IMDb
9,2/10
2,1 M
MA NOTE
POPULARITÉ
81
7
Marlon Brando in Le Parrain (1972)
The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluctant son.
Lire trailer1:16
9 Videos
99+ photos
CriminalitéDrameÉpiqueGangsterTragédie

Le patriarche vieillissant d'une dynastie de la mafia New Yorkaise passe le flambeau de son empire clandestin à son fils réticent.Le patriarche vieillissant d'une dynastie de la mafia New Yorkaise passe le flambeau de son empire clandestin à son fils réticent.Le patriarche vieillissant d'une dynastie de la mafia New Yorkaise passe le flambeau de son empire clandestin à son fils réticent.

  • Réalisation
    • Francis Ford Coppola
  • Scénario
    • Mario Puzo
    • Francis Ford Coppola
  • Casting principal
    • Marlon Brando
    • Al Pacino
    • James Caan
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    9,2/10
    2,1 M
    MA NOTE
    POPULARITÉ
    81
    7
    • Réalisation
      • Francis Ford Coppola
    • Scénario
      • Mario Puzo
      • Francis Ford Coppola
    • Casting principal
      • Marlon Brando
      • Al Pacino
      • James Caan
    • 5.9Kavis d'utilisateurs
    • 232avis des critiques
    • 100Métascore
  • Voir les informations de production sur IMDbPro
  • Film noté 2 parmi les meilleurs
    • Récompensé par 3 Oscars
      • 31 victoires et 31 nominations au total

    Vidéos9

    Official Trailer
    Trailer 1:16
    Official Trailer
    The Godfather
    Trailer 2:03
    The Godfather
    The Godfather
    Trailer 2:03
    The Godfather
    'The Godfather' | Anniversary Mashup
    Clip 1:16
    'The Godfather' | Anniversary Mashup
    'The Godfather' | Filming Locations
    Clip 0:43
    'The Godfather' | Filming Locations
    The Godfather
    Clip 1:42
    The Godfather
    The Godfather
    Clip 0:48
    The Godfather

    Photos611

    Voir l'affiche
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    + 605
    Voir l'affiche

    Rôles principaux87

    Modifier
    Marlon Brando
    Marlon Brando
    • Don Vito Corleone
    Al Pacino
    Al Pacino
    • Michael
    James Caan
    James Caan
    • Sonny
    Diane Keaton
    Diane Keaton
    • Kay Adams
    Richard S. Castellano
    Richard S. Castellano
    • Clemenza
    • (as Richard Castellano)
    Robert Duvall
    Robert Duvall
    • Tom Hagen
    Sterling Hayden
    Sterling Hayden
    • Capt. McCluskey
    John Marley
    John Marley
    • Jack Woltz
    Richard Conte
    Richard Conte
    • Barzini
    Al Lettieri
    Al Lettieri
    • Sollozzo
    Abe Vigoda
    Abe Vigoda
    • Tessio
    Talia Shire
    Talia Shire
    • Connie
    Gianni Russo
    Gianni Russo
    • Carlo
    John Cazale
    John Cazale
    • Fredo
    Rudy Bond
    Rudy Bond
    • Cuneo
    Al Martino
    Al Martino
    • Johnny Fontane
    Morgana King
    Morgana King
    • Mama Corleone
    Lenny Montana
    Lenny Montana
    • Luca Brasi
    • Réalisation
      • Francis Ford Coppola
    • Scénario
      • Mario Puzo
      • Francis Ford Coppola
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs5.9K

    9,22148.9K
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    Résumé

    Reviewers say 'The Godfather' is acclaimed for its intricate narrative, deep character exploration, and universal themes of power, family, and loyalty. The film's deliberate pacing, iconic performances by Marlon Brando and Al Pacino, and its significant influence on the gangster genre are often lauded. Critics also praise the cinematography, memorable score by Nino Rota, and its cultural impact. However, some reviewers find it overrated, slow-moving, or morally ambiguous, reflecting a spectrum of opinions.
    Généré par IA à partir de textes des commentaires utilisateurs

    Avis à la une

    10The-Other-Monkey

    A Masterpiece

    This must rank as the best film (along with part 2)of all time.An ensemble performance that has no weak spot.

    Particularly, John Cazale ( Fredo) and Richard Castellano ( Clemenza) give wonderfully understated performances. You just have to believe that Castellano WAS Clemenza, he brings a real touch to his role.

    John Cazale brings the troubled Fredo to life, and you can see the weak Fredo desperately trying to live up to the family reputation but knowing that he can never be what his father wants.

    The story of one man's reluctance to be drawn into the murky family business,and his gradual change through circumstance, paints a vivid picture of this violent period of US history.

    Do not miss this film!
    10TheLittleSongbird

    I'm finding it hard to describe how amazing this movie was

    There is very little that I can add to the reviews on here, that have explained what is so wonderful about The Godfather so well. I have seen many amazing movies, as well as some clunkers, but The Godfather was beyond amazing. There are so many images, details and scenes that I seriously cannot get out of my head since watching it for the first time just nine hours ago. The Godfather is so incredibly well-made and acted that it stands out among the rest of those other amazing films I've seen, so much so I couldn't think of a single flaw, and I am struggling to think of a good enough reason to why I didn't see this film before now.

    True, The Godfather is a little slow-moving and the plot takes a while to unfold, but neither of these are flaws as such. The slow pacing added to the elegiac quality The Godfather has, and as for the plot what is special about this plot is that it is very unpredictable because you have next to no idea where it is next going to take you. Being 18, I was worried whether I was old enough to appreciate this film or even understand it, but luckily I understood it perfectly, and I can well and truly appreciate it for the masterpiece it is considered to be.

    The Godfather for one thing looks stunning. I strongly disagree with the previous reviewer who said the cinematography was horrid, for me the cinematography was one of the best assets of the film. In some scenes you have cinematography and lighting that is quite dark and mysterious, and then in scenes such as the wedding it is evergreen, autumnal and very picturesque. It is not just the cinematography that makes The Godfather look stunning, the costumes are beautifully tailored, the houses are gorgeous and majestic to look at and even the cars were immaculate.

    Then there is the score by Nina Rota. One word, outstanding! I have heard many wonderful scores in my lifetime, but after hearing this score few stick in the memory as much as the score for The Godfather. This score is both beautiful as seen with the main theme, and haunting in the way it sticks in your head after watching the film itself. Other outstanding assets are the masterly direction from Francis Ford Coppola, and the brilliantly written screenplay that is intelligent, thought-provoking and darkly humorous. As for the violence, some of it is shocking and intense especially in the climax which was enough to almost make your heart either beat twice as fast or stop, and I almost covered my eyes when the producer found the horse's head in his bed, but underneath that this family is somewhat loyal and honourable come to think of it.

    The acting is absolutely fantastic, bringing to life characters that are rich and complex, perhaps unlikeable at first but as you get to know them you warm to them. And I have to say, The Godfather is one of those rarities where no actor gives a weak performance. In particular, Marlon Brando is brilliant as Don Vito, very heavily disguised yet stately. Every word of dialogue, every subtle hand gesture and every facial expression was brilliantly judged. Al Pacino's casting was admittedly risky, but he still did a truly wonderful job carrying the film, while James Caan is dignified and loyal, Diane Keaton beautiful and alluring and Robert Duvall nicely understated.

    In conclusion, absolutely amazing, and I can see completely why it is considered one of the 10 greatest movies ever made, it is that good. In fact my 15-year old brother loved it so much, he wants to see it again. 10/10, though this film is too good for that rating. Bethany Cox
    10gogoschka-1

    For Me, This Is The Definitive Film

    This isn't just a beautifully crafted gangster film. Or an outstanding family portrait, for that matter. An amazing period piece. A character study. A lesson in filmmaking and an inspiration to generations of actors, directors, screenwriters and producers. For me, this is more: this is the definitive film. 10 stars out of 10.

    Favorite films: IMDb.com/list/mkjOKvqlSBs/

    Lesser-Known Masterpieces: imdb.com/list/ls070242495/
    10Trevizolga

    This Movie Has Haunted My Life...

    I love this movie and all of the GF movies. I see something new every time I have seen it (countless, truly). The story of tragedy and (little) comedy that exists in this film is easily understood by people all over the world. This film has been called an American story however I have met others who have seen this movie in other languages and they seem to have the same love and appreciation for it that I do. I love the characters and all of the different personalities that they represent not just in families but in society itself. It seems like the entire cast is part of every other movie that I love as well. The sounds, music, color and light in the film are just as much a part of the film as the people. This could be attributed to the method in which it was filmed. At many parts of the film I can still find myself feeling the emotions conveyed in the film. I never tire of appreciating this film. I thank God that FFC is an American treasure. We are fortunate to have him.
    10danielfeerst

    Amazing movie

    The acting was simply amazing, what else could you say. What could be more appealing to people(even today) than watching actors like Al Pacino, Marlon Brando, James Caan, Diane Keaton, Talia Shire and Robert Duvall. This is like heaven for someone who is a fan of movies. With this movie Brando was able to bring himself back into the limelight. His performance as the godfather alone is iconic. His character has been recreated so much in films that it has almost if it has not already become a cliché. His performance though was not a cliché. His performance was subtle and breathtaking. It was so genuine and realistic that it was not just probably but definitely more genuine than Marlon Brando himself. Al Pacino was perfect for this film as well. What a way to start up your career. His character was all about depth and he displayed it perfectly. He was able to display his own inner-battles in his mind as well as the battles he had with his family, friends and enemies. His character was more of a psychological character study than anything else to me. Robert Duvall to me was the glue to the movie. He added a different perspective to everything in just that he was not Italian yet having the respect of the mafia. His character is a man of high authority within the Corleone family who was listened to and insightful;. This was simply perfect giving the film great balance throughout. The rest of the cast was just icing on the cake.

    The writing was phenomenal and breathtaking. As mentioned before there has been no movie quoted more than this. It is not even the quotes though that makes the writing in here so perfect. It is the symbolism and meaning that went into every scene. There are countless symbols, messages and lines in here that are so memorable yet it is as realistic as a movie could get.

    Oscars Best Picture Winners, Ranked

    Oscars Best Picture Winners, Ranked

    See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
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    Poster
    Liste

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Cinematographer Gordon Willis earned himself the nickname "The Prince of Darkness," since his sets were so underlit. "Paramount Pictures" executives initially thought that the footage was too dark, until persuaded otherwise by Willis and Francis Ford Coppola that it was to emphasize the shadiness of the Corleone family's dealings.
    • Gaffes
      During Sonny and Carlo's fight, one of Sonny's "movie" punches is shot from the wrong angle and clearly misses, but still produces the sound of an impact.
    • Citations

      [to Rocco who has killed Paulie in the car]

      Peter Clemenza: Leave the gun. Take the cannoli.

    • Crédits fous
      In the end credits, Marlon Brando's name is the only one that is not accompanied by the character name that he plays (e.g. "as Vito Corleone").
    • Versions alternatives
      In 1972, Paramount was owned by Gulf & Western, so that company's name appears on the opening Paramount logo. When the film was re-released in 1997, Paramount was owned by Viacom, which placed its named on the re-release Paramount logo, and all subsequent video releases.
    • Connexions
      Edited into La saga du Parrain (1977)
    • Bandes originales
      Mall Wedding Sequence
      (1972)

      Music by Carmine Coppola

    Meilleurs choix

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    FAQ36

    • How long is The Godfather?Alimenté par Alexa
    • Was Tom Hagen the one who put the horse's severed head in Jack Woltz's bed?
    • Why didn't the Don do anything to stop Carlo from beating Connie?
    • What was Michael's rank as a Marine? What commendations -- medals -- was he awarded?

    Détails

    Modifier
    • Date de sortie
      • 18 octobre 1972 (France)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Facebook
      • Instagram
    • Langues
      • Anglais
      • Italien
      • Latin
    • Aussi connu sous le nom de
      • El padrino
    • Lieux de tournage
      • Forza d'Agrò, Messina, Sicily, Italie(as Corleone village)
    • Sociétés de production
      • Paramount Pictures
      • Albert S. Ruddy Productions
      • Alfran Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 6 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 136 381 073 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 302 393 $US
      • 19 mars 1972
    • Montant brut mondial
      • 250 342 198 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 55min(175 min)
    • Mixage
      • Mono(original release)
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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