Le patriarche vieillissant d'une dynastie de la mafia New Yorkaise passe le flambeau de son empire clandestin à son fils réticent.Le patriarche vieillissant d'une dynastie de la mafia New Yorkaise passe le flambeau de son empire clandestin à son fils réticent.Le patriarche vieillissant d'une dynastie de la mafia New Yorkaise passe le flambeau de son empire clandestin à son fils réticent.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 3 Oscars
- 31 victoires et 31 nominations au total
Richard S. Castellano
- Clemenza
- (as Richard Castellano)
Résumé
Reviewers say 'The Godfather' is acclaimed for its intricate narrative, deep character exploration, and universal themes of power, family, and loyalty. The film's deliberate pacing, iconic performances by Marlon Brando and Al Pacino, and its significant influence on the gangster genre are often lauded. Critics also praise the cinematography, memorable score by Nino Rota, and its cultural impact. However, some reviewers find it overrated, slow-moving, or morally ambiguous, reflecting a spectrum of opinions.
Avis à la une
I love this movie and all of the GF movies. I see something new every time I have seen it (countless, truly). The story of tragedy and (little) comedy that exists in this film is easily understood by people all over the world. This film has been called an American story however I have met others who have seen this movie in other languages and they seem to have the same love and appreciation for it that I do. I love the characters and all of the different personalities that they represent not just in families but in society itself. It seems like the entire cast is part of every other movie that I love as well. The sounds, music, color and light in the film are just as much a part of the film as the people. This could be attributed to the method in which it was filmed. At many parts of the film I can still find myself feeling the emotions conveyed in the film. I never tire of appreciating this film. I thank God that FFC is an American treasure. We are fortunate to have him.
There is very little that I can add to the reviews on here, that have explained what is so wonderful about The Godfather so well. I have seen many amazing movies, as well as some clunkers, but The Godfather was beyond amazing. There are so many images, details and scenes that I seriously cannot get out of my head since watching it for the first time just nine hours ago. The Godfather is so incredibly well-made and acted that it stands out among the rest of those other amazing films I've seen, so much so I couldn't think of a single flaw, and I am struggling to think of a good enough reason to why I didn't see this film before now.
True, The Godfather is a little slow-moving and the plot takes a while to unfold, but neither of these are flaws as such. The slow pacing added to the elegiac quality The Godfather has, and as for the plot what is special about this plot is that it is very unpredictable because you have next to no idea where it is next going to take you. Being 18, I was worried whether I was old enough to appreciate this film or even understand it, but luckily I understood it perfectly, and I can well and truly appreciate it for the masterpiece it is considered to be.
The Godfather for one thing looks stunning. I strongly disagree with the previous reviewer who said the cinematography was horrid, for me the cinematography was one of the best assets of the film. In some scenes you have cinematography and lighting that is quite dark and mysterious, and then in scenes such as the wedding it is evergreen, autumnal and very picturesque. It is not just the cinematography that makes The Godfather look stunning, the costumes are beautifully tailored, the houses are gorgeous and majestic to look at and even the cars were immaculate.
Then there is the score by Nina Rota. One word, outstanding! I have heard many wonderful scores in my lifetime, but after hearing this score few stick in the memory as much as the score for The Godfather. This score is both beautiful as seen with the main theme, and haunting in the way it sticks in your head after watching the film itself. Other outstanding assets are the masterly direction from Francis Ford Coppola, and the brilliantly written screenplay that is intelligent, thought-provoking and darkly humorous. As for the violence, some of it is shocking and intense especially in the climax which was enough to almost make your heart either beat twice as fast or stop, and I almost covered my eyes when the producer found the horse's head in his bed, but underneath that this family is somewhat loyal and honourable come to think of it.
The acting is absolutely fantastic, bringing to life characters that are rich and complex, perhaps unlikeable at first but as you get to know them you warm to them. And I have to say, The Godfather is one of those rarities where no actor gives a weak performance. In particular, Marlon Brando is brilliant as Don Vito, very heavily disguised yet stately. Every word of dialogue, every subtle hand gesture and every facial expression was brilliantly judged. Al Pacino's casting was admittedly risky, but he still did a truly wonderful job carrying the film, while James Caan is dignified and loyal, Diane Keaton beautiful and alluring and Robert Duvall nicely understated.
In conclusion, absolutely amazing, and I can see completely why it is considered one of the 10 greatest movies ever made, it is that good. In fact my 15-year old brother loved it so much, he wants to see it again. 10/10, though this film is too good for that rating. Bethany Cox
True, The Godfather is a little slow-moving and the plot takes a while to unfold, but neither of these are flaws as such. The slow pacing added to the elegiac quality The Godfather has, and as for the plot what is special about this plot is that it is very unpredictable because you have next to no idea where it is next going to take you. Being 18, I was worried whether I was old enough to appreciate this film or even understand it, but luckily I understood it perfectly, and I can well and truly appreciate it for the masterpiece it is considered to be.
The Godfather for one thing looks stunning. I strongly disagree with the previous reviewer who said the cinematography was horrid, for me the cinematography was one of the best assets of the film. In some scenes you have cinematography and lighting that is quite dark and mysterious, and then in scenes such as the wedding it is evergreen, autumnal and very picturesque. It is not just the cinematography that makes The Godfather look stunning, the costumes are beautifully tailored, the houses are gorgeous and majestic to look at and even the cars were immaculate.
Then there is the score by Nina Rota. One word, outstanding! I have heard many wonderful scores in my lifetime, but after hearing this score few stick in the memory as much as the score for The Godfather. This score is both beautiful as seen with the main theme, and haunting in the way it sticks in your head after watching the film itself. Other outstanding assets are the masterly direction from Francis Ford Coppola, and the brilliantly written screenplay that is intelligent, thought-provoking and darkly humorous. As for the violence, some of it is shocking and intense especially in the climax which was enough to almost make your heart either beat twice as fast or stop, and I almost covered my eyes when the producer found the horse's head in his bed, but underneath that this family is somewhat loyal and honourable come to think of it.
The acting is absolutely fantastic, bringing to life characters that are rich and complex, perhaps unlikeable at first but as you get to know them you warm to them. And I have to say, The Godfather is one of those rarities where no actor gives a weak performance. In particular, Marlon Brando is brilliant as Don Vito, very heavily disguised yet stately. Every word of dialogue, every subtle hand gesture and every facial expression was brilliantly judged. Al Pacino's casting was admittedly risky, but he still did a truly wonderful job carrying the film, while James Caan is dignified and loyal, Diane Keaton beautiful and alluring and Robert Duvall nicely understated.
In conclusion, absolutely amazing, and I can see completely why it is considered one of the 10 greatest movies ever made, it is that good. In fact my 15-year old brother loved it so much, he wants to see it again. 10/10, though this film is too good for that rating. Bethany Cox
Up until today, I haven't bothered to review "The Godfather". After all, everyone pretty much knows it's one of the greatest films ever made. It's #2 on IMDb's Top 100. It won the Best Picture Oscar. And, there are nearly 1600 reviews on IMDb. So what's one more review?! Well, after completing 14,000 reviews (because I am nuts), I guess it's time I got around to reviewing a film I should have reviewed a long time ago. So, here goes....the film is perfect and only a dope wouldn't watch it. Unfortunately, IMDb requires me to say more to meet it's 10 line minimum for reviews. So, I'll point out that you do NOT need to like gangster films to enjoy this film. Yes, it's violent and nasty in spots--but it's also brilliantly written and produced from start to finish and deserves the accolades it's received.
My advice is that instead of just watching "The Godfather" and "The Godfather: Part II", see the combined version they created for television--with additional scenes that made it a very rich experience.
My advice is that instead of just watching "The Godfather" and "The Godfather: Part II", see the combined version they created for television--with additional scenes that made it a very rich experience.
This isn't just a beautifully crafted gangster film. Or an outstanding family portrait, for that matter. An amazing period piece. A character study. A lesson in filmmaking and an inspiration to generations of actors, directors, screenwriters and producers. For me, this is more: this is the definitive film. 10 stars out of 10.
Favorite films: IMDb.com/list/mkjOKvqlSBs/
Lesser-Known Masterpieces: imdb.com/list/ls070242495/
Favorite films: IMDb.com/list/mkjOKvqlSBs/
Lesser-Known Masterpieces: imdb.com/list/ls070242495/
A masterclass in film making, is The Godfather a contender for the best film of all time? I'd argue the case that it is, this is the ultimate gangster movie.
Before you panic at the thought of a film being almost three hours long, you needn't, you won't even notice the time, it flies by.
Production values are incredible, it looks sublime the whole way through, it's so well produced, at roughly fifty years old it puts many new films to shame.
Brandon, Pacino and Castellano, just a few of the Incredible performances, I could add a whole lot more.
If you're considering buying a hard copy, I would recommend it on blu ray, it is sharper than the dvd, there is a difference.
This film has had a huge influence down the years, it is still, and will forever be, one of the greatest, 10/10.
Before you panic at the thought of a film being almost three hours long, you needn't, you won't even notice the time, it flies by.
Production values are incredible, it looks sublime the whole way through, it's so well produced, at roughly fifty years old it puts many new films to shame.
Brandon, Pacino and Castellano, just a few of the Incredible performances, I could add a whole lot more.
If you're considering buying a hard copy, I would recommend it on blu ray, it is sharper than the dvd, there is a difference.
This film has had a huge influence down the years, it is still, and will forever be, one of the greatest, 10/10.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
Le saviez-vous
- AnecdotesLenny Montana (Luca Brasi) was so nervous about working with Marlon Brando that in the first take of their scene together, he flubbed some lines. Director Francis Ford Coppola liked the genuine nervousness and used it in the final cut. The scenes of Luca practicing his speech were added later.
- GaffesDuring Sonny and Carlo's fight, one of Sonny's "movie" punches is shot from the wrong angle and clearly misses, but still produces the sound of an impact.
- Citations
[to Rocco who has killed Paulie in the car]
Peter Clemenza: Leave the gun. Take the cannoli.
- Crédits fousIn the end credits, Marlon Brando's name is the only one that is not accompanied by the character name that he plays (e.g. "as Vito Corleone").
- Versions alternativesIn 1972, Paramount was owned by Gulf & Western, so that company's name appears on the opening Paramount logo. When the film was re-released in 1997, Paramount was owned by Viacom, which placed its named on the re-release Paramount logo, and all subsequent video releases.
- ConnexionsEdited into La saga du Parrain (1977)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- El padrino
- Lieux de tournage
- Forza d'Agrò, Messina, Sicily, Italie(as Corleone village)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 136 381 073 $US
- Week-end de sortie aux États-Unis et au Canada
- 302 393 $US
- 19 mars 1972
- Montant brut mondial
- 250 342 198 $US
- Durée2 heures 55 minutes
- Mixage
- Mono(original release)
- Dolby Digital
- Rapport de forme
- 1.85 : 1
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