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The Final Comedown

  • 1972
  • R
  • 1h 23min
NOTE IMDb
5,8/10
467
MA NOTE
The Final Comedown (1972)
ActionCrimeDrama

Ajouter une intrigue dans votre langueBlack revolutionaries take action in the white suburbs.Black revolutionaries take action in the white suburbs.Black revolutionaries take action in the white suburbs.

  • Réalisation
    • Oscar Williams
  • Scénario
    • Jimmy Garrett
    • Oscar Williams
  • Casting principal
    • Billy Dee Williams
    • D'Urville Martin
    • Celia Kaye
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,8/10
    467
    MA NOTE
    • Réalisation
      • Oscar Williams
    • Scénario
      • Jimmy Garrett
      • Oscar Williams
    • Casting principal
      • Billy Dee Williams
      • D'Urville Martin
      • Celia Kaye
    • 16avis d'utilisateurs
    • 7avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos19

    Voir l'affiche
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    + 12
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    Rôles principaux32

    Modifier
    Billy Dee Williams
    Billy Dee Williams
    • Johnny Johnson
    D'Urville Martin
    D'Urville Martin
    • Billy Joe Ashley
    Celia Kaye
    Celia Kaye
    • Renee Freeman
    Maidie Norman
    Maidie Norman
    • Mrs. Johnson
    Ed Cambridge
    Ed Cambridge
    • Dr. Smalls
    • (as Edmund Cambridge)
    Billy Durkin
    • Michael Freeman
    Morris D. Erby
    • Mr. Johnson
    • (as Morris Erby)
    Pamela Jones
    • Luanna
    Cal Wilson
    John Johnson
    Nate Esformes
    Nate Esformes
    Richard Francis
    Sam Gilman
    Sam Gilman
    • Man Johnny Gives Lift To
    Jon Scott
    Marlene Czernin
    Judy Morris
    Judy Morris
    John Evans
    Ernest Robinson
    Ernest Robinson
    • Réalisation
      • Oscar Williams
    • Scénario
      • Jimmy Garrett
      • Oscar Williams
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs16

    5,8467
    1
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    6
    7
    8
    9
    10

    Avis à la une

    4cfc_can

    Interesting time capsule

    This is a serious film about black revolutionaries and not really an action film. Billy Dee plays a young man fed up with racism who decides to take things into his own hands. It's fairly gritty and realistic without exploiting the characters but still it's not that interesting either and Billy Dee's character, though maltreated by white authority figures, doesn't really come off as sympathetic. It's also hurt by it's extremely low budget. Still, it's interesting to look at as it's a good depicttion of 1970s social issues.
    Nullness

    good black propaganda

    I was really touched by this film. I thought the cinematography was excellent in it. It's a pretty depressing movie, and it shouldn't be looked down upon just because it's propaganda. It's well edited and well crafted. Reminded me of the battleship potemkin in this regard.
    9view_and_review

    100% Socially Relevant for 1972 Los Angeles

    My earliest memories of Billy Dee Williams were him as Lando Calrissian in The Empire Strikes Back. At that time I knew him as a relaxed hair heart throb to many women of color. I never knew he had a film like this to his credit.

    This movie is excellent and it was 100% socially relevant for 1972.

    Billy Dee plays Johnny Johnson, a frustrated young Black man like so many others at that time. He was educated, angry, and being crushed under the weight of being young, educated and Black in America. He externalized all of that frustration and acted on that frustration and that's where the movie picks up: at the point of no return.

    This movie is not for everyone, Black or White. This movie is an uncensored, no holds barred reflection of American society at that time. It's a perspective that was never seen on T.V. or heard on radio. It's a perspective that one would only get by entering the ghettos and projects of America. The dialog was heavy and the actions taken were costly, but such a thing was almost inevitable.

    This movie had to be made just as it was because it is a chronicling of an era. Whether the names and the people were real is immaterial. What was real was the anger, the frustration, the repression, the oppression, and the natural bubbling over from all of that being mixed together. I'm glad this movie was made and that I had the opportunity to watch it.
    nuport

    The greatest story ever told...

    This brilliant and insightful film stars Billy Dee as a young college age man who is hell-bent on making changes to this racist and hypocritical system we call America .As the reluctant leader of a courageous band of young Black and White students,Billy's seething portrayal is incredible. We see not only the conflicts of race but also conflicts regarding family and the generation gap .It's obvious from the opening scenes the story can only end one way .The budgetary constraints are apparent throughout, but Oscar-caliber (imagine that!!ha ) performances make this film EXPLODE off the screen and grip you where it hurts.This picture also co-stars the late , great D'urville Martin best known as the sidekick of Fred Williamson in several fun ,but far less important blaxpo flicks. Its very interesting the story begins during the late 60's riots in L.A. with our main character mortally wounded so the story is told in a retrospect (ala Serpico)with all other characters reflecting on the situation up to the present .I think if we could , as fellow human beings relate to some of these issues in this film , America might be a decent place.Hats off to the Black Stuntmans Assoc.who helped bring this off .We need more of these films!A rarely seen GEM !
    7Red-Barracuda

    Serious-minded blaxploitation

    This is a very angry blaxploitation. The scene is a siege between an unnamed black militant group which resembles the Black Panthers and hordes of cops who are intent on killing them. From here the story flashes back regularly to fill us in on what led the central character to where he is now. The rage is very blunt and direct and it does show that not much has changed over the course of the last 49 years! This is a blaxploitation film which is very serious-minded with a political message but it also incorporates some splendid action too, with a really great extended shootout with the cops. Overall, a very good blaxploitation offering!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Released between two of Billy Dee Williams' best films; television's "Brian's Song" 1971, and the theatrical "Lady Sings The Blues" 1972.
    • Versions alternatives
      Blast! (1976) is an alternate version of this film, with new footage directed by Allan Arkush. The director credited is "Frank Arthur Wilson."
    • Connexions
      Featured in Planet X: Épisode #2.1 (2006)
    • Bandes originales
      Past, Present And Future
      Written by Wade Marcus and Grant Green

      Performed by Grant Green

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    Détails

    Modifier
    • Date de sortie
      • avril 1972 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Emeute à Los Angeles
    • Sociétés de production
      • Oscar Williams & Associates
      • Billy Dee Williams Enterprises
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Montant brut aux États-Unis et au Canada
      • 163 591 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 23 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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