Doomwatch

In a far-flung island called Balfe just off the Cornish coast arrives a doctor (Ian Bannen) tasked by a government agency to investigate strange events , as he has to study the after effects of a recent oil tanker spill , as the waters surrounding become contaminated by chemical dumping . Once there the locals are very cold towards him and rather disturbingly they reject him .Along the way he finds a corpse in some local forests and he is also hitten by a deformed man in a barn . There he meets a beautiful children teacher (Judy Geeson) who helps him figure out the causes that create rare results on local people . An ecological nightmare gone berserk! Now on the big screen - Doomwatch means terror . A new terror!

This is a nice chiller , though a little bit boring and slow-moving, being based on a British famous notorious TV series which made star Robert Powell before his role was killed off . In fact in this story results to be one of 13 titles included in Avco Embassy's Nightmare Theater package syndicated for television in 1975 , series regulars Simon Oates , John Trend , John Paul take a back seat appearing as secondaries , while the real protagonists Ian Bannen and Judy Geeson provide decent interpretations . Doomwatch refers to the name of a Government environmental that assigns underling scientist Dr. Del Shaw , Ian Bannen , on an allegedly routine mission . As Ian Bannen gives an acceptable acting as a scientist who discovers a chemical company is dumping poison into local waters causing horrible consequences when the villagers eat the catch of the day , while Judy Geeson is pretty good as the local schoolteacher, who aids him on Balfe . Other prestigious secondaries showing up are as follows : Percy Herbert , Norman Bird , the veteran classic actor George Sanders as a Minister , Geoffrey Keen habitual support in James Bond films and a young James Cosmo.

It contains a splendid and atmospheric musical score by the prolific John Scott . As well as Kenneth Talbot's rich cinematography full of colour and with varying shades of red. The motion picture titled Doomwatch or Island of the Ghouls (United States) Holocausto radiactivo (Spain) was professionally directed by Peter Sasdy with some flaws and gaps , as it has some scenes that result to be of variable quality . Sasdy was a fine craftsman who directed a lot of fims with penchant for terror, Adventure and thriller such as : Taste the blood of Dracula, Countess Dracula , Hands of the Ripper, Nothing but the night, Doomwatch, Young warlord, King Arthur the young warlord, I don't want to be born, The devil' undead, 13 Reunion, Rude awakening, The two faces of evil, The lonely lady, among others . Rating 6/10. Acceptable and passable. The picture will appeal to British chiller aficionados.

Firstly, this is NOT a horror movie (And who thought up the cannibalistic islanders?). The film is about the devastation that comes from the pollution of one the islands beaches with synthetic hormones.

The islanders, having been made to suspect that the physical and mental deformities they're suffering from are caused by generations of inbreeding, regard the coming of an environmentalist as a threat to their community. They hide the sick and try to make sure that nothing 'wrong' is found. The movie is about the struggle of an environmentalist to find out what's the matter with the island, and then the struggle to educate the population about the cause and possible solutions for the problems.

All in all not a bad environmental drama, reminds me a bit of the Minimata disaster in Japan. I give it a 7 out of 10, mainly for the atmosphere on the island and the balls it must have taken to make this film in '72.

I remember catching the original BBC TV series of Doomwatch as a kid and found it to be quite unsettling and grim although I didn't really know what was going on. The big screen version made in 1972 is just as grim and downbeat as I remember the series to be only this time with an over excitable Ian Bannen guest starring and it being more on location than confined to a studio.

The producers obviously didn't think the series regulars had enough star power to pull in cinema goers as they get side-lined into supporting roles. It's left to Bannen and Judy Geeson to try to make sense of an uninspired script which takes itself far too seriously in an earnest attempt to raise questions about corporations damaging the environment.

Whilst the film is often mistaken as a horror it is much more science fiction along the lines of Quatermass than horror as nothing horrific really happens, but it does unsettle being set on a remote island with strange locals who have something to hide.

The finale is neither shocking nor unexpected and for a big screen outing it doesn't try hard enough to give the audience something to get their teeth intobut having said that it has just enough intrigue to make you stick with it thanks to a familiar crop of guest supporting actors like George Sanders and Geoffrey Keen. Hammer Films director Peter Sasdy keeps things plodding along whilst attempting to create a taut atmosphere out of a clunky script within the constraints of the low budget provided by Tony Tenser's Tigon films.

No doubt fans of the original cult series will be curious enough to want to check this out.

Sent to take some routine measurements and samples from a small island Dr. Del Shaw (a clunker of a name) finds himself surrounded by the stock British movie type locals who mutter lines like: "We Don't take too kindly to strangers pokin' their noses in other people's affairs in these parts" before going off to mutter ominously in small groups.

The Villagers obviously Have Something To Hide. And, after a lot of shouting down the island's only telephone, and trips to London to offend stiff military types, Doctor Del and the Doomwatch team discover the seas around the island are teaming with huge fish stuffed to the gills with illegally dumped human Pituitary growth hormone which is causing the island's population to develop an unpronounceable disease.

Medical help is sent to the island and (potentialy) destroys the very community it went there to help.

The plot of this film is full of holes. No more so, maybe, than any other film. But because of the total lack of tension and interest developed in what should be a terrible and horrifying situation they stand out like sore thumbs.

Are we expected to believe for instance that Geeson's character (the school mistress) hasn't noticed one of her pupils has vanished? What the hell kind of spooky radiation "makes gas" in sealed containers of growth hormone. Would Human hormones make zooplankton grow to unusually large size - I doubt it; I can buy it having an affect on mammals but not microscopic plankton. Why does the fisherman from the mainland only sell his fish to the islanders? etc. etc. I know these sound like little nit-picky questions but when you are trying to make a intelligent piece, like the makers of this film obviously tried to do, you need to fill these logical gaps. When the screen is full of Naked Flesh eating Vanpire Lesbian Zombies riding Harleys you can let the odd solecism go by but when you are watching one driven man trying to solve a scientific mystery you've got to expect the audience to be more critical.

The ending of this film should have been heartbreaking as the islanders pack up and leave for the mainland, their way of life destroyed by uncaring corporations, and then by the people who try to clean up the mess. But it isn't. The fault lies I suspect with the direction. The script is not good - structurally it's a mess, with the 'mystery' solved half way through, the story has nowhere else to go and just flops about as Bannon tries to organise a town meeting.

Ian Bannen is a useful actor but here he just gives a very one note performance alternating, for the most part, between 'Angry' and 'Very Angry'. Again I suspect shoddy direction.

Scientist, Dr. Del Shaw is sent to a remote Cornish island to investigate the effects of a tanker spill on the local wildlife. On arrival on the island, he is immediately struck by the strangeness of its inhabitants, they are dismissive and suspicious of him, they seem wary of outsiders and he struggles to find a room for the one night of his stay. As he goes about his business collecting marine samples, he is aware that he is being followed, he begins to feel he may be in danger, some odd nocturnal goings on make him even ,ore suspicious that there is something amiss on the island and when he finds the shallow grave of a child he knows for sure there is. The set up is excellent, both in mood and atmosphere, one is left with the distinct impression that a Wicker Man type plot is imminent, but sadly the film never lives up to those lofty heights and instead turns out to be more of an ecological drama, interesting but never as compelling as it could have been.