Daughters of Satan

Manila-based art-buyer James Robertson (Tom Selleck) purchases a fugly old painting depicting the burning of three witches in 1592, after which his wife, Chris (Barra Grant), becomes possessed by the spirit of one of the witches and attempts to kill her husband, who just happens to be a descendant of the inquisitor who condemned the satanic trio to death.

Could Daughters of Satan have influenced the creators of classic series Magnum, P.I.? Not only does this cheesy Filipino B-movie feature an early starring role for future TV private eye Selleck, but his character drives a red sports car (albeit not a Ferrari), while the name of the film's writer, John C. Higgins, is uncannily similar to that of Magnum's stuffy superior, John Q. Higgins. If all of this is a coincidence, then it's certainly spookier than anything that happens in Daughters of Satan, which completely fails to delivers the chills.

Director Hollingsworth Morse worked primarily in television, and his uninspired visuals, coupled with predictable editing, a weak script and cheap special effects, means that Daughters of Satan definitely has the look and feel of a bad TV movie, and as such offers very little in the way of genuine horror. What just about saves the film from being a total waste of time is some good old-fashioned gratuitous nudity (Barra Grant's splendid rack making up for her 'constantly surprised' eyebrows), a reasonably fun chase scene that features a couple of decent stunts, and a welcome cameo from Filipino character actor Vic Diaz, who sports a really strange hairdo.

3.5 out of 10, rounded up to 4 for IMDb.

Low budget shot-in-the-Phillipines quickie has Tom Selleck being pursued by his suddenly homocidal wife and two other women. Seems that Tom is the descendant of a Spanish Inquisition witch hunter who burned a certain trio of accused women to death and was cursed by the dying women that their spirits would kill all of his descendants. The spirits have possessed the wife and two other women(an American jet-setter and and RN from Manila)to do the deed. Enjoyable pap with future MAGNUM PI star, directed by Hollingsworth Morse, who usually directed TV shows like FAMILY AFFAIR and H.R. PUFNSTUF!It's a long, long way from Living Island!

Vic Diaz was so good in The Big Bird Cage that I just had to see him again to see if he was as funny in all his films. He was in 112 films and is considered the jolly evil fat man of Filipino exploitation cinema. It may take a while to track them all down.

As a bonus, this is Tom Selleck's (Magnum P.I., Blue Bloods, Jesse Stone series) third film. He even has a mustache then.

Jim (Selleck) finds a painting of a witch burning, and the with looks like a dead ringer for his wife Chris (Barra Grant). Suspicious things start occurring. She blurts out the exact date of the burning, and a dog in the painting disappears after she sees it for real. Things just get stranger from there.

It's all about revenge for a 16th century crime. Very interesting.

James Robertson (Tom Selleck) buys a painting depicting witches being burned at the stake, one of whom bears an uncanny resemblance to his wife (Barra Grant).

This is Tom Selleck before "Magnum PI", but still with the same great mustache... much, much better than the film "Runaway". Some of the stunts are pretty cool (like flipping over a horse). I would like to believe Selleck did them himself, but I am not so gullible.

The film opens with a pretty intense scene, possibly a sacrifice, and soon after we are treated to a story of a satanic knife... definitely a solid start to a movie.

Director Hollingsworth Morse worked almost exclusively in television, and it shows, though not in a bad way. The quality is television quality, but the story really holds strong for the full length.

The film takes place in the Philippines... and it makes me wonder: was this a decision because of the plot (which does revolve around Spanish conquistadors) or because of budget? The Philippines were a notorious hotspot for low budget films... curious.

A very rarely seen little oddity this but I like it. The unusual location of the Philippines is pleasing and there a couple of very creepy sequences. The Robertsons seem positively crazy about each other which is a sure sign she'll end up doing very nasty things to him, but they were both quite believeable and the supporting cast were all adequate. The painting that is the centre of the whole mystery is very chilling, especially in the scenes where Jim meets the new housekeeper and then glances at the picture and sees her in it. The death of the Doctor is very eerie but best of all has to be the very simple scene of Chris lying in bed and hearing a voice in the night calling out "Christina..." Very creepy especially if you are watching this movie for the first time on late night television and wonder if the sound is on the screen or not! There is also an extraordinary sequence where Jim sees movement outside the house at night and investigates only to be attacked. When he returns to the house the incident is almost forgotten in his bemusement..just like a sort of "was it a dream?" sleepy kind of unreality. My main reason for liking this movie is that compared to what Hammer were churning out it is different and scary, unlike most of Hammer's films, and doesn't need to rely on gore. It also predates The Omen and The Exorcist and yet deals with the subject matter intelligently, so in a sense it is ahead of it's time. Good stuff...not exactly the greatest movie ever made but effective and successful in its clearly limited ambitions.