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Objectif Terre, mission Apocalypse

Titre original : Chikyû kôgeki meirei Gojira tai Gaigan
  • 1972
  • PG
  • 1h 29min
NOTE IMDb
5,6/10
6,2 k
MA NOTE
Objectif Terre, mission Apocalypse (1972)
A manga artist becomes suspicious of his employers when a garbled message is discovered on tape. As he forms a team to investigate, Godzilla and Anguirus set out to help defeat the invaders.
Lire trailer2:12
1 Video
99+ photos
Alien InvasionAnimal AdventureDinosaur AdventureKaijuSuperheroActionFamilySci-Fi

Ajouter une intrigue dans votre langueAfter a manga artist and his friends uncover a plot by his employers at an amusement park to lure Ghidorah and Gigan to Earth, Godzilla and Anguirus set out to aid in defeating the invaders.After a manga artist and his friends uncover a plot by his employers at an amusement park to lure Ghidorah and Gigan to Earth, Godzilla and Anguirus set out to aid in defeating the invaders.After a manga artist and his friends uncover a plot by his employers at an amusement park to lure Ghidorah and Gigan to Earth, Godzilla and Anguirus set out to aid in defeating the invaders.

  • Réalisation
    • Jun Fukuda
    • Yoshimitsu Banno
    • Ishirô Honda
  • Scénario
    • Takeshi Kimura
    • Shin'ichi Sekizawa
  • Casting principal
    • Hiroshi Ishikawa
    • Yuriko Hishimi
    • Minoru Takashima
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,6/10
    6,2 k
    MA NOTE
    • Réalisation
      • Jun Fukuda
      • Yoshimitsu Banno
      • Ishirô Honda
    • Scénario
      • Takeshi Kimura
      • Shin'ichi Sekizawa
    • Casting principal
      • Hiroshi Ishikawa
      • Yuriko Hishimi
      • Minoru Takashima
    • 84avis d'utilisateurs
    • 68avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Trailer
    Trailer 2:12
    Trailer

    Photos192

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    Rôles principaux30

    Modifier
    Hiroshi Ishikawa
    Hiroshi Ishikawa
    • Gengo Kotaka
    Yuriko Hishimi
    Yuriko Hishimi
    • Tomoko Tomoe
    Minoru Takashima
    Minoru Takashima
    • Shosaku Takasugi
    Tomoko Umeda
    Tomoko Umeda
    • Machiko Shima
    Toshiaki Nishizawa
    Toshiaki Nishizawa
    • Kubota, Head of Children's Land
    Zan Fujita
    Zan Fujita
    • Fumio Sudo
    Kunio Murai
    Kunio Murai
    • Takashi Shima
    Gen Shimizu
    Gen Shimizu
    • Commander of Defense Forces
    Zekô Nakamura
    • Priest
    Kuniko Ashihara
    Kuniko Ashihara
    • Fumio's Mother
    Akio Murata
    • Editor of Comics Magazine
    Nobutake Saitô
    • Henchman
    • (as Noritake Saito)
    Yasuhiko Saijô
    • Henchman
    Naoya Kusakawa
    • Policeman
    Wataru Ômae
    • Henchman
    Haruo Nakajima
    Haruo Nakajima
    • Gojira…
    Kenpachirô Satsuma
    Kenpachirô Satsuma
    • Gaigan
    • (as Kengo Nakayama)
    Kôetsu Ômiya
    • Angirasu…
    • Réalisation
      • Jun Fukuda
      • Yoshimitsu Banno
      • Ishirô Honda
    • Scénario
      • Takeshi Kimura
      • Shin'ichi Sekizawa
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs84

    5,66.2K
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    Avis à la une

    7Leofwine_draca

    Great, great fun

    I'm a massive fan of kaiju movies so I come to these films predisposed to like them. I've seen most of the original GODZILLA series and am attempting to fill in a few blanks; one of those is GODZILLA VS. GIGAN, a late-entry instalment that pits Godzilla and his old foe Anguirus against new space-monster Gigan and an old enemy, King Ghidorah.

    GODZILLA VS. GIGAN is plenty of fun from beginning to end, and the formula for that success lies in having a human interest story that's just as entertaining as the monster stuff. This time around, a group of environmentalists and employees investigate the mysterious owners of a new Godzilla theme park, soon uncovering some dark secrets which inevitably throw Japan into peril.

    Godzilla is on good form in what is one of the grisliest of the series (who knew you'd end up seeing a Japanese blood spray in a children's film?). Anguirus is my favourite kaiju monster, purely because he isn't capable of much and it's kind of sweet to watch him getting beaten on so much, so seeing him here was a delight. Gigan proves a deadly foe - especially with that saw! - and King Ghidorah is, well, King Ghidorah. You can't go wrong with that combo, and inevitably GODZILLA VS. GIGAN turns out to be a colourful, action-packed romp.
    6IonicBreezeMachine

    Godzilla vs. Gigan sees itself mostly return to the camp of the later Showa films, but enjoyable to a certain extent

    Struggling manga artist Gengo (Hiroshi Ishikawa) whose children's stories involving homework and stern mother monsters are consistently rejected by editors takes a job with the company designing the new monster theme park World Children's Land. When Gengo finds an audio tape dropped by a young woman named Machiko (Tomoko Umeda), he stumbles into a conspiracy that suggests World Children's Land may be a front for more insidious purposes involving the monsters of Monster Island.

    After the divisive reception to Godzilla vs. Hedorah (it's hard to know how well it did financially due to scarcity of sources on that point) producer Tomoyuki Tanaka sought to bring the Godzilla series back where he felt it needed to be. With Godzilla still seen very much as cheap kiddie fare at the time, Tanaka devised a premise he felt would entice people back while also being cost effective by brining back fan favorite King Ghidorah who would fight Godzilla along a new monster. Supposedly made for $1.2 million the film was allegedly better attended than Godzilla vs. Hedorah and made $20 million when factoring in foreign exports. Godzilla vs. Gigan is less ambitious than its predecessor and is visibly fighting against its kiddified status and budget, but assuming you can forgive the slow buildup and indulgence of stock footage it can be reasonably entertaining.

    As with the previous few Godzilla movies, the human characters are more here out of obligation than for providing anything interesting and while there aren't any prominent child characters here that same feeling of childishness that many later Showa entries have seen is here in spirit. Gengo's bumbling and stupidly on the nose monster drawings based on "what kids hate" to an absurdly literal degree isn't as charming as it thinks it is, and the supporting cast aren't much more developed aside from being "hippie-ish" archetypes who are very Scooby-Doo like in their presence here. Given producer Tomoyuki Tanaka's hatred for Godzilla vs. Hedorah it's rather ironic that he not only recycles footage from that film, but also parts of the message as it is somewhat glanced over when the big "reveal" comes which is disguised with the subtlety of Snidely Whiplash or Dick Dastardly.

    So how is the monster action at least? Half-good and half-assed. Starting off with the half-assed portion: the series continues its gratuitous use of stock footage with action scenes for Ghidorah lifted wholesale from Destroy All Monsters and Ghidorah, The Three-Headed Monster most prominently, and the movie does little to disguise it aside from cheaply applying a day-for night filter on it. It's pretty clear that the Ghidorah effects they have now aren't as mobile and dynamic as the early ones with the presence of older footage next to new footage exacerbating that point. With that said the climactic fight in World Children's Land that features Godzilla and Angilus/Angirus vs. Ghidorah and Gigan is pretty fun with Gigan a pretty visually interesting monster that looks like a mixture of a Cylon from Battlestar Galactica, praying mantis, and bird of prey and the fights have some pretty bloody impact scenes at points.

    Godzilla vs. Gigan doesn't reach the Showa era's heyday but it doesn't exactly embarrass itself either (questionably suit quality at this point notwithstanding). Godzilla vs. Gigan is a comfortably middle of the road entry that while it has its annoying bits mostly gets those out of the way early enough that the ending is a pretty good time.
    DrLenera

    70s Godzilla-juvenile,cheap,sometimes shoddy,and FUN!

    After the interesting but none too successful experiments Godzilla's Revenge and Godzilla Vs Hedorah,Toho made this film,which sometimes feels like an attempt to make a 60s Monster Zero-type film on a fraction of the budget. Obviously,it's not a good film in the traditional sense,but all the 70s Godzilla films,despite their childishness,cheapness,shoddy effects work,samey plots,and 'wacky' ideas {in this one ,Godzilla and his mate Angilas TALK to each other in the non-Japanese version,whilst the Japanese version has speech bubbles instead!}etc,are fun to watch,and Godzilla Vs Gigan is no exception.

    The plot is the aliens-out-to-conquer-Earth-by-controlling-monsters one already used in Monster Zero and Destroy All Monsters and it would be used a few more times,but here it is reasonably successful,with some fairly intriguing ideas {though often badly done}and unusual human characters,although their constant in-and-out of the Godzilla Tower,the alien's base,becomes a bit tiresome. When the monsters show up,we have probably the longest battle in a Godzilla film,and one of the funniest,too,as Godzilla and Angilas engage in a tag team duel with the evil Ghidorah and Gigan. Sadly the movie is badly let down by excessive stock footage from previous films {Ghidorah the Three Headed Monster,Monster Zero,Son Of Godzilla,Destroy All Monster and probably a couple of others too!}. At least in Godzilla's Revenge the stock footage had a sort of context,here,it jars with the new footage. The worst bit for this is the lengthy destruction scene,where new,night time footage of a tattered,slow moving Ghidorah who can barely move, is intercut with older,daytime footage of Ghidorah,showing a fast-moving dragon in action.

    Somehow all this adds to the film's quirky charm,a sometimes good,occasionally awful,entry in the series. The soundtrack is one of the best,it's all Akira Ifikube stock music,much of it from Godzilla films,but it has many of the great Ifikube tracks and a wonderfully rousing title theme.
    7paul_m_haakonsen

    This movie was actually very surprising...

    Right, well I hadn't really expected all that much from "Chikyû kogeki meirei: Gojira tai Gaigan" (aka "Godzilla vs Gigan") given the fact that the movie was from 1972. But still, I sat down to watch it with my 9 year old son as we are having a run through all "Godzilla" movies.

    Turns out that the 1972 "Godzilla vs Gigan" was actually surprisingly nice. The storyline was adequate. After all, it is a "Godzilla" movie we are talking about here.

    But what made it work so nicely was the sheer amount of destruction throughout the course of the movie and the excessive amount of kaiju fighting - which exceeded the contents of many other "Godzilla" movies. And you actually got to see the kaijus bleeding in this 1972 movie. But the destruction of buildings and such was just phenomenal. Sure, it was toy buildings and miniature scales, but still, it worked out so nicely. Especially because they had put so much effort into the miniature scale models that it was just amazing.

    Man, I do love it when Godzilla gets frustrated and starts going into hyper-mode. That is just hilarious.

    Two things about this movie wasn't overly impressive. First and foremost, the appearance of Godzilla. He looked atrocious in this movie, and it was a bitter pill to swallow. And then the fact that they reused footage from another "Godzilla" movie for the King Ghidorah vs. Anguirus fight. That was just a horrible thing to do, and it was definitely a slap in the face with a dead, cold fish for us that have sat through the majority of the "Godzilla" movies.

    But all in all, the 1972 "Godzilla vs Gigan" was definitely a nice surprise and quite worth the effort of sitting through. I am rating it a solid six out of ten stars.
    8kosmasp

    Tag Team - back again

    Well the relationships of the Kaiju sometimes change with every other movie. So while Godzilla was fighting Anguirus the first time they met (in the second Godzilla movie that is), later they became allies. As in this one. And it is necessary they team and tag together, because apart from the new (mentioned) Gigan in the title, we also get King Ghidorah as an enemy of earth and humans - which means enemy of Godzilla too of course.

    And while there was always communication between the Kaiju, mostly through their screams and cries, this time we get text bubbles with what they mean. Interesting choice and maybe related to the fact they tried to go kid friendly at the time. Also a nod to comics/manga in general? Very likely.

    The monster on monster action (get your mind out of the gutter if it is there) is really something to behold - and fun to watch. Men in rubber suits wrestling other men in rubber suits. While humanity looks and hopes/roots for our beloved Godzilla. Obviously there is a lot of History here. Movie history that is. Something you can have knowledge of, but you don't need too. It just gives you more appreciation of what is happening on screen - and might make you understand why effects that seem dated now, where all the rage (no pun intended) back then.

    Enjoy if you can, because this is quite the fun ride

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Despite the film being made for young children as part of Toho's Champion Festival, it is the first in which Godzilla visibly bleeds. Prior to his passing, original special effect director Eiji Tsuburaya deliberately kept blood and gore to a minimum. However the 1970s saw an increase in violence depicted in children's media in Japan. Special effects director Teruyoshi Nakano and the rest of the effects crew were actually inspired to make the fights bloodier because they received fan requests from children who asked why didn't the monsters bleed, so the crew obliged to appease them.
    • Gaffes
      Due to stock footage from earlier movies being used, the appearances of Godzilla, Ghidorah, and Anguirus keep changing.
    • Citations

      Gojira: Hey Anguirus!

      Angirasu: What do you want?

      Gojira: Something funny going on, you better check!

      Angirasu: Okay.

      Gojira: Hurry up!

    • Crédits fous
      In the opening credits of the Japanese version, colorful lasers shoot from different directions, and pop up into strips within which each credit appears in white text. In the English versions, only the sound FX of the lasers are heard (standard text credits were used).
    • Versions alternatives
      For the scenes of Godzilla and Angilas talking to each other, word balloons are used in the Japanese version, but Toho's international English version (used for Cinema Shares' edited US print titled "Godzilla on Monster Island"), uses actual English dialogue.
    • Connexions
      Edited from Rodan (1956)
    • Bandes originales
      Gojira Mâchi
      ("Godzilla March")

      Music by Kunio Miyauchi

      Lyrics by Shin'ichi Sekizawa and Jun Fukuda

      Performed by Susumu Ishikawa & The Toho Kids' Chorus Group

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    FAQ16

    • How long is Godzilla vs. Gigan?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 12 mars 1972 (Japon)
    • Pays d’origine
      • Japon
    • Langue
      • Japonais
    • Aussi connu sous le nom de
      • Extermination 2025
    • Sociétés de production
      • Toho Eizo Co.
      • Toho
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Montant brut mondial
      • 2 413 078 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 29 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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    Objectif Terre, mission Apocalypse (1972)
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    By what name was Objectif Terre, mission Apocalypse (1972) officially released in India in English?
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