Buck et son complice

This is a fictional movie inspired by how things really were back in the 1800s, in the years following the Civil War and granting slaves their freedom. The white supremacists wanted the black to stay on the farms and work there and would sometimes take drastic, and illegal, means to drive them back.

I found it on a nicely restored version, a Criterion Collection movie from my public library.

Sidney Poitier, who also directed, is Buck, a cowboy who gets paid to lead wagon trains towards their destination. The featured group of migrants are from St. Anne Parish in Louisiana. (While there are many "Saint" parishes in Louisiana, there is no Saint Anne.)

Harry Belafonte, long time Poitier friend, both with Carribean roots and born less than two weeks apart, is Preacher. He travels with a Holy Bible he is quick to display, but as the movie goes on we see that he isn't really a preacher but a rascal that eventually serves a good purpose.

The action of the movie has a band of rogue white supremacists on horses periodically attacking the black migrants, wrecking their wagons, killing some men, all in an attempt to get them to return to their former homes. Buck and the Preacher band together to protect the migrants and get rid of the bad guys.

An entertaining movie, especially for his place in history. As the DVD extras clarifies, the original "cow boys" were black, they were called that to differentiate them from the white "cow hands."

It's shortly after the abolition of slavery and Black people all over the south seek greener pastures where they don't have to be subjected to Jim Crowism. Some would head west with a wagon master showing them the way. And sometimes the greedy white people of the south wouldn't want to let their labor go so they'd send night riders after them to bring them back.

Buck (Sidney Portier) is a wagon master leading a group west. The Preacher (Harry Belafonte) is an opportunistic shuckster who finds himself a part of the Buck-led wagon train. The two of them have to be heroes in a sense in order to get this wagon train west.

I really appreciate this movie being made in the 70's when so many blaxploitation films were made. Instead of pimps, hoes, hustlers, and drug dealers, this movie is about positive black male figures in a western. Besides the terrible movie, "Posse," with Mario Van Peebles, I hadn't seen a Black western. I liked the history this movie presented (however dramatized), what it stood for, and the actors in it. Yes, I have seen better westerns--meaning more entertaining--but I can't readily recall a more significant western.

Sidney Poitier made his directorial debut with "Buck and the Preacher", in which he played a wagon-master leading freed slaves across the Old West. The whole time, they have to battle night-riders trying to return them to slavery in Louisiana. But then, Poitier joins up with Harry Belafonte, a reformed thief spreading the Gospel across the Old West, and they figure out a way to protect the freed slaves.

Probably the most important aspect of this movie was that it came out around a time when Hollywood was releasing many blaxploitation movies portraying African-Americans as kick-ass brothers and sisters with hearts of gold. This one focused seriously on a part of black history in the United States, and did a very good job at it. I certainly recommend this movie. Also starring Ruby Dee and Denny Miller (a character actor who appeared twice on "Gilligan's Island").

I just saw this movie for the first time on Turner Classic Movies tonight. I had heard about it, but missed it. It's just another shoot-'em-up horse opera, but this time with a difference. It's one of the only westerns ever made that is a story about black people in the Old West, with black actors in the lead roles. Harry Belafonte is excellent as the Preacher. Sidney Poitier is also very good, and although the story contains the full compliment of standard cowboy movie clichés---shoot-outs, posse chases, bank robberies, whining ricochet sounds, etc.---, it's very entertaining. The vast majority of Hollywood westerns are exclusively white, and feature virtually no black people at all. Indians are almost always featured as pidgin-speaking cigar-store cartoon characters, with white actors usually in the speaking parts. Some idiot composer came up with the pounding tom-toms, descending minor theme music played by trombones and low brass whenever Indians come into the picture. It's unbelievable how ridiculous this music is. Hollywood has a lot to answer for in its racist treatment of minorities throughout its early history, which has never been fully addressed. So it's great to see a western like Buck and The Preacher that is different. As a result, it's a lot better than your average western, even though it milks the same old clichés.

After civil war, the free black people headed to west in searching for a free land, Sidney Poitier was in charge to guide this settlers toward to western lands, however a bunch leading by the evil Deshay (Cameron Mitchel) pursued them, try out convincing by force to return to Louisiana, meanwhile appears the preacher (Belafonte) the best character in the movie, an easy going man who hidden behind in a mask of God's man, he is malicious, raunchy and cheater, quite often he speech set phases from the Bible, Buck realizes that the preacher isn't trustful, nevertheless has to live together in such circumstances, these opposing forces are the highlight of the picture, developing a perfect chemistry between two distinct characters, also it has an indelible black humor, a rare movie made at Blaxploitation era, shot at Durango on Mexico displaying a dry and beautiful landscape, enjoyable and highly underrated!!

Resume:

First watch: 1980 / How many: 5 / Source: TV-DVD / Rating: 8.5