Brain of Blood

What would you expect from a film entitled "Brain Of Blood"? I settled down for a B-movie extravaganza of bad acting, a preposterous story, and horrendous directing. I was gobsmacked when, ten minutes into the film, I realised I wasn't going to get what I'd planned for.

This is not your average B-Movie.

No! It's your above-average B-Movie.

It's not great, but it ain't no stinker either.

Writers Samuel Sherman (story) & Joe Rodgers (screenplay) give the audience a semi-decent sci-fi thriller.

Amir is the ruler of Kalid. He's a good and caring monarch whose people love him. Unfortunately, he's riddled with cancer. Not knowing of a suitable successor for his beloved country, Amir risks it all on an experimental operation. A brain transplant. Things go disastrously awry when Gor damages the host body. Amir's brain ends up in the scarred body of mentally disabled Gor. This isn't the only blow Amir has to weather as conspirators have other ideas regarding his future.

It would be a stronger film had they managed the story concept correctly.

Though in Al Adamson's hands we receive a film of missed possibilities. Adamson tries his best behind the camera, and there are some interesting shots. I liked the operating procedure where he filmed part of it through a glass jar. The best part of this scene is when the camera pans to the bottom of the jar and we spot the white rat. Though this scene shows his inventiveness the rat breaks the spell.

It's this sort of thing that lessens the film. For example, they fly Amir from Kalid to America and then they transport him to the secret laboratory; which is one small room. The doctor begins the operation immediately and Amir's trusted confidant, Mohammed, is allowed to stay. Trouble is, they don't get him to scrub up or even don a gown. Evidently, hygiene isn't a worry when you're pulling a brain from a skull. This is a good thing. Especially considering the Doctor's assistant needs a chair to stand on... being a midget and all.

I can almost hear you groaning out there. I admit to sighing loudly and shaking my head when the midget appeared, so I can relate.

However, Adamson films the operation well. So if they paired the whole thing back, and Adamson concentrated on the relevant parts of the story, the movie would be stronger.

Since the Doctor is operating secretly, he requires a constant source of blood. This comes from the two female prisoners chained in the dungeon. Yeah, you heard that right. Why this couldn't be a cellar, I don't know(?) It's another element handled incorrectly. We later learn how massive the dungeon is. When I realised this I wondered, why does he have only one room for his lab(?). All these mishandled inconsistencies hinder the movie further.

Nonetheless, the film kept me in its grip... just.

This is because there are some good scenes, and these outweigh the bad. You can see the lack of budget in every shot. But Adamson tries to keep it interesting. He composes the opening sequence of Amir on his deathbed superbly. Even though you know we're not in a mansion or a castle, it doesn't matter too much. The direction holds it together, as does the acting.

This scene leads to one of the best opening credit's I've seen in a B-Movie. It made me reminisce about my youth when I watched Re-Animater and other Brian Yuzna films. It's similar in style and just as good.

I have to admit to having a fondness for the car chase. Even though Doctor Bob (Grant Williams) shouts, "He's trying to run us off the road!" the cars never get too close. I want to believe it's because one car is the directors and he's told them, "Scratch my car and you're fired!" Regardless, he deals with the chase admirably, using different angles. I especially liked the upward shot of the passing tree branches. This adds to the feel of speed, anxiety, and unease. At least he gets to set one car on fire.

As for the acting, this is well above average. It's the cast and their portrayals that are the glue to the film. Each gives a believable rendition, and it was this that kept me watching most.

There's only one person who lets the cast down. Regina Carrol, who plays Amir's aid and love interest, Tracy. Three things stand out in her performance. Her hair, which is so heavily lacquered with hairspray, she may be solely responsible for the hole in the ozone. The other two are her breasts... and Adamson's camera loves them. Not once does her acting ability surpass these attributes.

I would only recommend this film to B-Movie lovers and aficionados. This is chiefly because this is a bad film... but it's a good bad film. Everybody else should stay away. You won't appreciate the films badness.

Ratings: Story 1.25 : Direction 1 : Pace 0.75 : Acting 1 : Enjoyment 1 : Total 5 / 10

Transplant yourself into my Absolute Horror and The Final Frontier lists to see where this B-Movie crashed.

Take Care and Stay Well.

The film is not good by any stretch, but it's got elements sure to please the fans. A sadistic midget surgeon for one. There is a dungeon with chained women. I suppose the operation scenes are the coolest. I could not tell if the film used real operation stock footage, not that there are brain transplants in the real world. Well, I was not blown away, but I'm glad I watched it.

The ruler of the the nation of Khalid is dying, so he's secretly whisked off to the States so that Dr. Trenton can transplant his brain into a new body. The disorganized doctor starts the operation without actually having a body to move the brain to, so when his mentally challenged, extremely large, facially disfigured servant Gor screws up getting a body, the doctor puts the brain into Gor. Naturally, the patient is not happy waking up to find out that he's a giant with a badly scarred face. Mayhem ensues. Oh yeah ... the doctor's dwarf assistant keeps women chained up in the basement as blood donors (it seems that the good doctor is not worried about blood types), and one of them escapes.

If I had to pick a worst director of all time, I'd go with Al Adamson. People have made worse films than his, and at least a couple of his are mildly entertaining, but he has a long career of consistently not giving a crap about any of the films he made. That said, this one is one of his better films ... barely. While it has VERY long stretches of nothing happening, it has about 10-15 minutes of inspired nuttiness. It was made around the same time as "Dracula vs. Frankenstein", so both Dracula (Zandor Vorkov) and the Frankenstein monster (John Bloom) are in this one, along with Angelo Rossito and the ever-present Regina Carrol.

I'm not sure I've ever seen a film as bad as this. Awful acting, All over the place plot, terrible special effects. There are some 'so bad its good' moments in here but not really enough to maintain interest. The woman who plays Tracey looks hideous. There are some fairly worrying scenes with a dwarf which leave you feeling ever so slightly violated. On the plus side the operation scenes are fairly amusing for the special effects as is the car chase where one car is "trying to force us off the road" without actually making contact. Guess the budget didn't stretch to trashing cars. Oh and what looks like a Postcard of the Taj Mahal is shown every time they cut to the fictional foreign country.

I can't say I'm a fan of these 60's Blood Island Flicks (although, I wish I liked them), but in the early 70's, a knock-off, or something similar was created by Al Adamson (Dracula vs. Frankenstein) and Sam Sherman. Brain Of Blood is considered the black sheep of the Philippine gore series, mainly because Eddie Romero didn't direct, and, well, it was filmed in California, so it's an unofficial addition to the series. But whatever. Close enough. For something so shclocky and inept, we're working with a pretty decent premise, here. About the ruler of a fictional Middle Eastern country (Kaleed), who has recently discovered he is dying of a terminal disease. Amir fears for the future well-being of his beloved country. Although, there may be hope in the crazy Dr. Trenton, who believes he can perform successful brain transplants. Amir and his peeps have pretty much nothing to lose. Once Amir's brain is removed, the doctor figures now would be a good time to look for a new home for the brain. With very little time to spare, the brain ends up in the nearest available person... That's right, Gor. Gor is some kind of assistant/village idiot/monster, with a fake-looking, messed up face that makes him look kinda like the Toxic Avenger. So, yeah, Amir is now stuck in the body of a monster, and Dr. Trenton doesn't care because he now has plans of taking over the world, and there's pretty much nothing he can do about it. Although, Amir is a hulking, yet ridiculous-looking monster now, so, maybe something can be done. Yeah, so, this is genuine 70's Drive-In trash in all its inept, stock-footage-using glory. Not really gory at all, and if I'm not mistaken, this got a PG rating, but if you have a thing for the more low-budget Horrors of the early 70's, this one is one of the essentials. Highly recommended. 8/10