Born To Boogie est un patchwork constitué à partir d'un concert en public de Marc Bolan alias T-Rex et d'un enregistrement en studio du même avec un Elton John complètement survolté au piano... Tout lireBorn To Boogie est un patchwork constitué à partir d'un concert en public de Marc Bolan alias T-Rex et d'un enregistrement en studio du même avec un Elton John complètement survolté au piano et Ringo Starr à la batterie, le tout saupoudré de saynètes loufoques et surréalistes.Born To Boogie est un patchwork constitué à partir d'un concert en public de Marc Bolan alias T-Rex et d'un enregistrement en studio du même avec un Elton John complètement survolté au piano et Ringo Starr à la batterie, le tout saupoudré de saynètes loufoques et surréalistes.
Avis à la une
Bolan looks great in it, before he filled out a little not long afterwards (I'm one to talk!). He preens, bops and boogies his way through all of his hits up to that point, bar "Ride a White Swan", most of which he elongates with extended guitar soloing which in truth doesn't add much to the recorded versions. You also really come to appreciate the Visconti studio-production touch, the strings and vocal arrangements he brought to the records, not that the rest of the band are any slouches. It's just that I think Visconti's mini "Wall of Sound" especially on that great run of T Rex singles from 1971 to 1973 , at which time he finally walked away from Bolan's ever-increasing excesses, is so much more noticeable than on his Bowie productions.
First (and last!) time director Ringo films the London Empire shows in time-honoured fashion, the camera pretty much staying on Marc throughout, with only occasional shots of the rest of the band and cutaways to the adoring audience, which comprise a surprising number of young guys as well as the expected horde of screaming young girls.
There are a few silly interludes with Bolan in an open-topped car with Ringo in a walrus suit and a magically appearing wizard and a hungry dwarf, then hosting a mad-hatter's tea party, whose number include Geoffrey "Catweazle" Bayldon, where he plays a medley of his hits on acoustic guitar backed by a live string section and a few indulgent takes of him and Ringo fluffing the intro to Elvis's "Let's Have a Party".
I did like the studio jam featuring Ringo and Elton John playing along to "Children of The Revolution" as well as the in-concert sit-down acoustic interlude recalling his pre-electric hippy phase, which may just have influenced Paul McCartney to do something similar on his massive Wings over America tour some years later.
I never took the chance as a lad to see Bolan in concert but on the strength of this and my love for the records, I now rather wish I had.
I love me a bit of Bolan boogie and I'm glad this movie, brief and rudimentary as it undoubtedly is, exists, capturing him at the high water mark of his success.
The worst aspect of this film is the non-concert parts with Bolan being just a buffoon. Ringo Starr helps a bit as well as tremendous Elton John but they fail to save this movie from a more of mediocre haze...sadly so/ So, watch this once and then discard easily.
That said, the live footage is great apart from the last tune which sadly degenerates into a total racket and confirms that Marc was no Ronno, while the acoustic versions of Spaceball Ricochet and Cosmic Dancer will make your toes curl with embarrassment.
The rest is the most pretentious self-indulgent "whimsical" claptrap you'll ever see apart from Magical Mystery Tour. Shoulda just shown the whole gig and left out the Mad Hatter's Tea Party crap and the rest.
Le saviez-vous
- AnecdotesMarc Bolan's wife June plays one of the nuns in the Tea Party sequence.
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- T-Rex in Concert
- Lieux de tournage
- Apple Corps, 3 Savile Row, Mayfair, Londres, Angleterre, Royaume-Uni(recording session with Elton John and Ringo)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 7 minutes
- Mixage