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Gunn la gâchette

Titre original : Black Gunn
  • 1972
  • 12
  • 1h 36min
NOTE IMDb
5,8/10
961
MA NOTE
Gunn la gâchette (1972)
Black Gunn: Welcome To The Club
Lire clip1:24
Regarder Black Gunn: Welcome To The Club
1 Video
53 photos
ActionCrimeThriller

Ajouter une intrigue dans votre langueA black militant group robs a Mafia bookie joint and also steals the incriminating ledgers which, in turn, prompts retaliation from the mob.A black militant group robs a Mafia bookie joint and also steals the incriminating ledgers which, in turn, prompts retaliation from the mob.A black militant group robs a Mafia bookie joint and also steals the incriminating ledgers which, in turn, prompts retaliation from the mob.

  • Réalisation
    • Robert Hartford-Davis
  • Scénario
    • Robert Shearer
    • Robert Hartford-Davis
    • Franklin Coen
  • Casting principal
    • Jim Brown
    • Martin Landau
    • Brenda Sykes
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,8/10
    961
    MA NOTE
    • Réalisation
      • Robert Hartford-Davis
    • Scénario
      • Robert Shearer
      • Robert Hartford-Davis
      • Franklin Coen
    • Casting principal
      • Jim Brown
      • Martin Landau
      • Brenda Sykes
    • 25avis d'utilisateurs
    • 31avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Black Gunn: Welcome To The Club
    Clip 1:24
    Black Gunn: Welcome To The Club

    Photos53

    Voir l'affiche
    Voir l'affiche
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    + 47
    Voir l'affiche

    Rôles principaux37

    Modifier
    Jim Brown
    Jim Brown
    • Gunn
    Martin Landau
    Martin Landau
    • Capelli
    Brenda Sykes
    Brenda Sykes
    • Judith
    Luciana Paluzzi
    Luciana Paluzzi
    • Toni
    Vida Blue
    • Sam Green
    Stephen McNally
    Stephen McNally
    • Laurento
    Keefe Brasselle
    Keefe Brasselle
    • Winman
    Timothy Brown
    Timothy Brown
    • Larry
    William Campbell
    William Campbell
    • Rico
    Bernie Casey
    Bernie Casey
    • Seth
    Gary Conway
    Gary Conway
    • Adams
    Chuck Daniel
    • Mel
    Tommy Davis
    • Webb
    Rick Ferrell
    • Jimpy
    Bruce Glover
    Bruce Glover
    • Ray Kriley
    Toni Holt Kramer
    Toni Holt Kramer
    • Betty
    • (as Toni Holt)
    Herbert Jefferson Jr.
    Herbert Jefferson Jr.
    • Scott Gunn
    • (as Herbert Jefferson Jr)
    Jay Montgomery
    • Junkie
    • Réalisation
      • Robert Hartford-Davis
    • Scénario
      • Robert Shearer
      • Robert Hartford-Davis
      • Franklin Coen
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs25

    5,8961
    1
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    10

    Avis à la une

    5ferbs54

    Not Enuff Paluzzi!!!

    On those occasions when I have told people that I am a big fan of Italian actress Lucianna Paluzzi, I've usually been greeted with blank stares. When I add that she is the redheaded bombshell S.P.E.C.T.R.E. agent seen spilling out of her negligee in the James Bond movie "Thunderball" (1965), and also appeared in the sci-fi shlock classick "The Green Slime" (1969), only then do I get nods of recognition. Well, Ms. Paluzzi's role in "Black Gunn" (1972) was my reason for renting this film, and although her part turns out to be a small one, the film did still prove to be a decent night's entertainment. Here, ex-Cleveland Browns fullback Jim Brown stars as Gunn, an L.A. nightclub owner whose brother steals some money (and, more important, some books) from the Mob, and is later killed as a result. This naturally sets big Jim on the ol' vengeance trail. Whereas Superfly had "a plan to stick it to the Man," you might say that Gunn has a job to stick it to the Mob! He soon runs afoul of a whole slew of nasties, including Martin Landau and Bruce Glover (so memorable as one of the gay assassins in another Bond movie, 1971's "Diamonds Are Forever"). This film is actually pretty standard blaxploitation fare, but is nevertheless well put together and well acted by all. Perhaps the film's single best element is an exciting, funky, kinetic score by one Tony Osborne; what a great soundtrack CD this film should have! On the down side, some of the action scenes (particularly a climactic shoot-out on the L.A. docks) are a bit hard to follow, with overly fast cutting and dark exteriors. If the film offers any message or moral, I suppose it would be that you don't want to get on Jim Brown's bad side. But you probably suspected as much already, right?
    TheCapsuleCritic

    Robert Hartford-Davis In America

    I have recently developed an appreciation for low budget British filmmaker Robert Hartford-Davis (1923-1977) after watching a handful of his horror films such as BLACK TORMENT (1965), CORRUPTION (1968), and THE FIEND aka BEWARE THE BRETHREN (1972). The constant thread running through these and such films as BLACK GUNN (1973) are imaginative camerawork, crisp but non-flashy editing, and consistently interesting performances from his actors.

    In that sense Hartford-Davis is sort of a poor man's Michael Winner (literally since he never had the budgets Winner did for his films) which is meant as a compliment. I have a strong admiration for directors like Edgar G. Ulmer, Edward L. Cahn, and now Hartford-Davis who could create numerous memorable moments out of the small budgets that they had to work with. Small budgets also meant that they were stuck in genre films like horror or exploitation (Blaxploitation in this case) but even in this category the cream always manages to rise to the top.

    Despite the title, BLACK GUNN is not a remake of the old TV series PETER GUNN refitted for an African-American audience. It's an urban crime melodrama set in L. A. with Jim Brown as the successful owner of a nightclub whose younger brother rips off the mob. We all know happens when you do that. Throw in some black militancy, some deliberately provocative racist dialogue, a delightfully droll performance by Martin Landau as the chief baddie, and B movie veterans Bruce Glover and William Campbell as a pair of deliriously sleazy hoods and you've got classic entertainment early 70s style (I'm sure Quentin Tarantino knows this particular movie).

    It's all directed with a quiet panache by Hartford-Davis who had just come to America and would make one more feature before going into television and dying of a heart attack at 53. Is it a great movie? Of course not but within the limited parameters it has to contend with, BLACK GUNN is one of the best of the many Blaxploitation movies that were made at this time. I thoroughly enjoyed it and Robert Hartford-Davis is the reason why...For more reviews visit The Capsule Critic.
    7tavm

    Jim Brown is his usual badass self in Black Gunn

    Just watched this Jim Brown action movie on the Crackle site. He plays Gunn, a nightclub owner who vows vengeance after his brother-because of his involvement in a robbery-gets killed. Unlike most blaxploitation movies, this one takes it's time in developing the story though it threatens to get monotonous when sequences get too talky. Of the supporting cast, the most interesting player to me was Jim Watkins playing the only black officer-in this case, Lt. Ken Hopper-who is firm but fair in his dealings with Gunn. My favorite scene was the one where a couple of white women staying at his girlfriend's house start putting the moves on him before that girlfriend shoos them away but not before Gunn's shirt came off! Ooh, yeah! So on that note, Black Gunn is highly recommended.
    5Wizard-8

    Some good stuff, but not enough

    I'm not sure why the Mill Creek Entertainment company thought that this movie was deserving of a Blu-ray release. Don't get me wrong, I did enjoy some elements of it. Since it's a blaxploitation movie from the 1970s, it has many of the fun trademarks of the genre, such as the clothing, hair styles, attitude, slimy bad guys, nudity, and so on. Also, the movie does boast some good action sequences here and there (love those splattery blood wounds!) Unfortunately, there are less action sequences than most viewers will be expecting and demanding. The movie instead is strung along with many long (and slow) sequences of talking, which often doesn't advance the plot that much. In fact, it takes almost half the movie before the character of Gunn is enraged and decides to take revenge. And even when the character of Gunn is engaged on the path of revenge, the performance by Jim Brown more often than not makes the character seem disinterested and bored. The movie also ends on a note with several plot threads clearly not given a proper conclusion. There are definitely worse blaxploitation movies than "Black Gunn", but there are definitely some that are much better. I'd only recommend it to fans of the genre who have already seen the better efforts and are really craving for more, and who are willing to put up with the aforementioned defects the movie has.
    thecoworker

    Bruce Glover incorrectly titled in Character

    The Character listed in the credits as "Ray Kelley" played by Bruce Glover is incorrect. The name of the character in the movie "Black Gunn" is "Ray Kriley". I hated that man and his name will forever be etched into my mind as far as remembrance of this great movie. Kudos to Mr. Jim Brown. This movie was one of a handful of movies that would normally go unnoticed by most, but Jim Brown was involved in projects that were not only "Blaxploitation" films, but sound and solid acting performances such as the legendary "Tick...Tick...Tick". While his acting could never rival his athletic accomplishments, Jim Brown made his mark on those who wanted to see action films. He helped to break down the myth that Black Actors and projects were not viable for the movie industry and he was a part in paving the way for Black Actors of today. Thank you, Mr. Brown.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In the movie, Gunn mentions that there was only one black senator. This is in reference to Edward Brooke, Republican Senator from Massachusetts, who served from January 3, 1967 - January 3, 1979. At the time the film was released, Brooke was only the third African-American Senator to serve in the U.S. Congress. He was the first one to be elected and serve since 1881.
    • Gaffes
      Out playing golf, Laurento (Stephen McNally) and Capelli (Martin Landau) are on the putting green and Laurento is lining up his putt while his bodyguard tends the pin. But he's clearly on a tee box, not a putting green. You can see the actual green off in the distance. You can also see divots golfers have made on this tee box they tried to pass off as a putting green.
    • Citations

      Gunn: We got some big boys here tonight. Along came Jones! Deacon Jones.

      Deacon Jones, Himself: Gunn!

      Gunn: How you doin', brother?

      Deacon Jones, Himself: Just fine.

      Gunn: Good to see you. You're lookin' great, man. How's San Diego?

      Deacon Jones, Himself: Oh, man, it's wild. It's a groovy place. I am very fortunate to get traded down there. Didn't I demoralize those Rams?

      Gunn: Oh, yeah, baby. They're still the best in the game.

      Deacon Jones, Himself: Right on.

    • Connexions
      Featured in C'est assez noir pour vous?!? (2022)

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    FAQ14

    • How long is Black Gunn?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 28 juin 1973 (France)
    • Pays d’origine
      • Royaume-Uni
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Black Gunn
    • Lieux de tournage
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, Californie, États-Unis(Studio: B.A.G headquarters and subsequent street shootout scenes.)
    • Sociétés de production
      • Champion Production Company
      • World Arts Media
      • World Film Services
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 1 103 880 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 36 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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