C'est l'histoire d'une amitié et d'une survie quotidienne qui se déroule dans les années 1860. On suit un groupe de fripouilles en cavale qui vivent en suivant leur instinct et en faisant pr... Tout lireC'est l'histoire d'une amitié et d'une survie quotidienne qui se déroule dans les années 1860. On suit un groupe de fripouilles en cavale qui vivent en suivant leur instinct et en faisant preuve de débrouillardise.C'est l'histoire d'une amitié et d'une survie quotidienne qui se déroule dans les années 1860. On suit un groupe de fripouilles en cavale qui vivent en suivant leur instinct et en faisant preuve de débrouillardise.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Jim Bob Logan
- (as Damon Cofer)
Avis à la une
Young men dodging the Union Army draft for the Civil War escape to the West in the hope of finding fortune and freedom. What actually awaits them is something completely different.
The 1970s saw a slew of Westerns released that were a far cry from the golden frothy production line of the 1950s. Film makers big into the genre were quick to latch onto more sombre stories or quirky non conformist pieces. The climate of the World was changing and so directors and writers were comfortable in portraying the Wild West as not being romantic or heroic at all. One such gem is Bad Company.
Benton's film quickly sets out its stall with its opening salvo, as Union soldiers round up young boys in child snatching fashion, all that is missing is big chins and lollipops. Enter one young man named Drew Dixon (Brown), a God fearing youngster packed off by his Mum to the West to start a richer life. Soon enough he is falling in with bad company, company fronted by Jake Rumsey (Bridges), the main man for a ragtag band of young thieves.
The West painted here is a dour place, Rumsey's gang think nothing of robbing young children of their pocket money, or tormenting a feral feline. We are often throughout the picture reminded that folk come West for fame and fortune etc, but have found nothing but misery. A man quickly spies an opportunity to solicit his wife out to the young gang for $10 a pop, an elder gang think nothing of robbing the younger upstarts. Weapons have to be traded just for a meal (slop really...), and of course there is no honour among thieves, doing each other over will come naturally. And naturally pain, death and rude awakening are just a heartbeat away.
And yet the pic is not without humour, much needed humour as it bears out the naivety of youth, or misplaced cockiness, or just in fighting camaraderie. There are laughs to be had here, some choice dialogue or a put-down, but given the nature of the story, a shock or heartache scene is never far away.
A Technicolor production, the colours are however stripped down to autumnal filters, this perfectly aids the naturalistic flavours of this particular Western broth. Schmidt offers up a range of piano dirges, flitting between perky and morose as per the scene it accompanies. Cast are great, Bridges and Brown hold court in believable fashion, the other youngsters guided well by their director. Big Joe's (Huddleston excellent) gang consists of reliable character actors who Western fans will be pleased to see, such as Geoffrey Lewis (The Culpepper Cattle Co. High Plains Drifter), Charles Tyner (Jeremiah Johnson, The Outlaw Josey Wales) and Ed Lauter (Breakhart Pass, Dirty Little Billy).
Myths of the West debunked, Bad Company is a must see for Western fans seeking the more earthy approach to Western story telling. 8/10
Shot in muted colours this is an impressively filmed western which evokes the real character of the period. The cast is led by a young Jeff Bridges who is hugely charismatic in this role. He is ably supported by Barry Brown as the fundamentally decent young man not suited to the role of an outlaw.
Although fairly slow to get going, this film has a number of memorable episodes and the tone of the film changes between light and dark at regular intervals making the sporadic violence all the more shocking and unpredictable. This fits in nicely with how life must have been during this period.
I am surprised this film hasn't got a much higher profile as it is one of the more memorable westerns I have seen. Well worth watching for western fans.
Formidable as well as intriguing Western full of action , fascinating drama , crossfire and fabulous performances . It's a wonderful adventure film format "western" itinerant, filled with entertaining events , danger and life lessons . This exciting film packs good feeling as friendship , faithfulness , companionship and violence as well as touching scenes on the final . The screenplay , by David Newman , Robert Benton , is plain and simple but intelligent , with a conventional plot , but ultimately gets overcome . The picture belongs to Western sub-genre of the seventies about juvenile people , starred by teens or little boys such as ¨The Spikes gang¨ , ¨Marshal Cahill¨ , ¨The cowboys¨ and ¨The Culpepper Cattle Co¨. Gorgeous outdoors with decent production design by Paul Sylbert . Filmmaker gets to remain the Western emotion , moving scenes and suspense until the ending . The young starring player Barry Brown is very good , his role as an ingenuous and cultured young is top-notch , he performed similar character as a naive cowboy in other films however , he virtually disappeared without much trace until his suicide , as he shot himself to death . He was especially known for Daisy Miller (1974) , Piranha (1978) and this Bad company (1972). Sympathetic Jeff Bridges as gang leader , he steals the show as likable as well as two-fisted young gunslinger . According to Jeff Bridges the gunfight in the forest had to be completely re shot after the film was ruined in the lab . Secondary cast is extraordinary such as John Savage , David Huddleston , Jerry Houser , Jim Davis , Geoffrey Lewis , Jean Allison , Ed Lauter , John Quade and Charles Tyner .
Cool cinematographer Gordon Willis prowls his camera splendidly through some wonderfully seedy , deserted landscapes . Evocative and atmospheric musical score composed by means of piano played by Harvey Schmidt. This Sleeper Western was well produced by Stanley R Jaffe and stunningly directed by Robert Benton , recreating compellingly this thrilling story ; being debut of Benton and whose most popular movie resulted to be ¨Kramer vs Kramer¨ . He is a writer and director, known for Kramer vs Kramer (1979), Nadine (1987) , Billy Bathgate (1991) , Nobody's Fool (1994) , Twilight (1998) , The human stain (2003), Feast of Love (2007) and wrote Superman (1978) and Bonnie y Clyde (1967). This much underrated Civil War era Western is rated above average ; being essential and indispensable watching for Western genre fans . Enjoyable scenarios , interesting script , nice performances and gorgeous outdoors make this well worth seeing .
Robert Benton, one of America's real treasures as a writer and director, is the force behind this. You'll see that many of the themes he was interested in back then still echo in Nobody's Fool and Twilight.
Le saviez-vous
- AnecdotesAccording to Jeff Bridges the gunfight in the forest had to be completely re shot after the film was ruined in the lab.
- GaffesThe Marshal asks Big Joe if he knew Curly Bill Brocius in '53, implying Curly Bill was already an outlaw in 1853. Curly Bill Brocius was 8 years old in 1853.
- Citations
Drew Dixon: I resolve never to do a dishonest act, or take part in any thieving, robbing, or false undertaking. I will always keep to the straight and narrow, so help me God. It's still a sunny day.
- ConnexionsReferenced in Murphy Brown: Bad Company (1995)
Meilleurs choix
- How long is Bad Company?Alimenté par Alexa
Détails
- Durée1 heure 33 minutes
- Couleur
- Rapport de forme
- 1.85 : 1