Au rendez-vous de la mort joyeuse

This is a clunky and rather slow, but mildly interesting French take on the family moves into a haunted house genre. The special effects which largely consist of furniture sliding around are strickly sub-Exorcist, but the film has a few quirky touches which keep the proceedings from being too predictable. Worth a look, if only because French horror films are such a rarity, but this doesn't hold a candle to the similarly themed The Haunting.

A family moves into an old "fixer-upper" mansion in the middle of nowhere. Strange things begin to happen almost immediately, in the form of bizarre "accidents". One night, the teenage daughter, Sophie (Yasmine Dahm) walks in on her amorous parents, causing her to storm off, and windows to shatter for no apparent reason. More incidents occur, more glass breaks, and the mystery deepens. Is the house haunted? Is Sophie possessed? Both? Events get increasingly incredible, including killer kitchen appliances!

Before long, a TV station is interested in filming in the house. The skeptical crew sets up, and the real fun begins!

EXPULSION OF THE DEVIL is a fantastic French horror film that simply must have influenced everything from Stephen King's CARRIE (book and movie), to Kubrick's version of THE SHINING, to POLTERGEIST, to PARANORMAL ACTIVITY, to THE CONJURING 1 and 2, to God knows what else! This is, of course, circular, since this movie was obviously influenced by other hauntings and ghost stories.

NOTE: All would-be makers of so-called "found footage" films should watch this before proceeding.

Special mention must be made of young Ms. Dahm, who never made another movie, though she carried this one with ease!...

Eerie French horror movie with the vague ending of most French new wave movies. To me the most notable thing is to see a young and thin Gerard Depardieu go nuts. The movie takes awhile to build atmosphere but once the researchers show up, that's when the creepiness begins. The makers of "Poltergeist" had to be influenced by this movie. The main problem of the film is that nothing is ever explained or wrapped up. With my ghost stories I like to know why. As with most haunted house movies, the house is the best character. A mild shocker.

You may not have known that Luis Bunuel had a son, Juan Luis, and that he too had a filmmaking career.

Any mystery as regards the source of this ignorance would be instantly dispelled by a viewing of his rare, early '70s haunted house movie, "Expulsion of the Devil" - which also features an appearance by a young Gerard Depardieu.

You see, on the evidence of this film, the younger Bunuel is deservedly obscure. It is possibly the dullest haunted house movie I have ever seen.

The set-up is typical: a family move in to some old house and spooky stuff starts to happen. Well, it's not really that spooky, at least not the way Bunuel Jr. shoots it: two or three times some stuff starts flying around.

I understand that French movies are more concerned with mood than plot. This one has no mood. Juan Luis couldn't direct to save his life.

There are some weird developments later in the movie: a camera crew comes to stay, and apparently, so do some primary school-aged girls. What are they doing there? It might have been explained, or it might not have been. Writing this sentence will be the last energy I ever expend thinking about this movie.

An extraordinary first film from Juan Bunuel, son of Luis, and if if does not completely succeed it is certainly a very bold effort. A variation on the old dark house film, the creepy and violent otherness here is of the poltergeist variety, and very violent and creepy it is. Lots of children here and one young girl (the daughter) who may be the main cause of things going very big bump in the night, and the day. This central character is played most convincingly and beautifully by leading model of the time, Yasmine Dahm. Her performance is perfect but the director does not seem to have given the same attention to all and some of the acting seems rather hammy, even a young Gerard Depardieu seems to be over acting, but then, dare I say, this would not be the last time for that! There are several dark sequences and I feel i might have scored this higher had it been a better print.