Récit sinistre d'une triste nuit passée dans un château cauchemardesque, la maison du démon. De nombreux éléments d'horreur sont mélangés à une atmosphère érotique.Récit sinistre d'une triste nuit passée dans un château cauchemardesque, la maison du démon. De nombreux éléments d'horreur sont mélangés à une atmosphère érotique.Récit sinistre d'une triste nuit passée dans un château cauchemardesque, la maison du démon. De nombreux éléments d'horreur sont mélangés à une atmosphère érotique.
- Réalisation
- Scénario
- Casting principal
Robert Woods
- Helmuth
- (as Robert Wood)
Ferdinando Poggi
- Hans
- (as Nando Poggi)
John Benedy
- Butler
- (non crédité)
Salvatore Billa
- Kidnapper
- (non crédité)
Avis à la une
Rosalba Neri and her two girlfriends visit a remote European castle that is supposedly owned by Satan himself.That night she comes across a portrait of a woman who looks much like her.While sleeping she has is transported back to the 16th century where she has nightmares of her past which include:cave dwelling rapists,sadistic vampires,inquisition and a mysterious red-hooded,cloaked,disappearing swordsman."L'Amante del Demonio" is watchable Italian Gothic nonsense.There is a bit of sleaze and nudity plus incredibly sensual Rosalba Neri,the Queen of Italian Gothic horror.The film mixes Satanic horror,vampirism,sex and torture,so fans of Italian exploitation should definitely check it out.However the action is suitably dull and the climax is terrible.A generous 7 out of 10.
You gotta love the 1960s and 1970s European horror flicks. Most of them, anyway. "L'amante del demonio" (alternately called "The Devil's Lover" and "Lucifera Demon Lover" in English) is too slow-moving, and much of it looks like scenes that they added to fill space. There's no shortage of sex, but the movie has so much wasted potential. I prefer it when these movies have lots of blood and guts, and this story of a young woman who goes to sleep in the 20th century and wakes up in an earlier century (where she sees all manner of evil things) just doesn't have enough of that. I recommend sticking with a Jess Franco movie or a Michele Soavi movie if you're looking for some classic Euro-horror.
I love 1970s movies and Rosalba Neri so I'm going to be as fortuitous as anyone could possibly be. But this movie is just awful . There's no point to anything it's not scary, very little violence, anemic plot, there's no sex, Cinematografia lacking, there's just nothingness. I could devise a better movie than this and I don't know the first thing about making movies . The biggest surprise is how anyone could give this a higher grade than me at which point I think I saw a 7 out of 10 from someone. I could not wait for this movie to end. The good news is it's probably very hard to find . Complete flop.
Three women stay the night at a castle supposed owned by the Devil - in the night, one of them has a dream where she is transported to the 16th century where a bunch of odd events take place.
The main selling point of this movie has to be Rosalba Neri. This Italian actress appeared in a number of genre films from around this time and always added quality to proceedings, in terms of her sensuality, sexual forcefulness and genuine acting ability. She's probably the best thing in this film too. Its an example of an Italian gothic horror film, at the latter end of the sub-genre's cycle. And on paper it does include a lot of promising elements - sexual deviants, vampires, religious fanatics, a red-hooded devil, a witch, beautiful maidens and ornate, crumbling locations. But director, Paolo Lombardo, was hardly a master at this kind of thing and, in fact, only helmed a further two minor films. The result is a fairly lethargic picture on the whole, with the odd interesting moment. If you like Italian gothic, it is certainly good enough for a whirl and Neri is always worth seeing in anything.
The main selling point of this movie has to be Rosalba Neri. This Italian actress appeared in a number of genre films from around this time and always added quality to proceedings, in terms of her sensuality, sexual forcefulness and genuine acting ability. She's probably the best thing in this film too. Its an example of an Italian gothic horror film, at the latter end of the sub-genre's cycle. And on paper it does include a lot of promising elements - sexual deviants, vampires, religious fanatics, a red-hooded devil, a witch, beautiful maidens and ornate, crumbling locations. But director, Paolo Lombardo, was hardly a master at this kind of thing and, in fact, only helmed a further two minor films. The result is a fairly lethargic picture on the whole, with the odd interesting moment. If you like Italian gothic, it is certainly good enough for a whirl and Neri is always worth seeing in anything.
I saw this on a recent, as of 2024, blu ray release and was shocked when I went to IMDB to discover that I guess I'd seen it. Now how could I forget the film, well after watching it I can see how. It's not memorable. I had given it a 6 but I've revised that more to a 4.
The problems are the script and directing, both by the same man who seems to have little talent at either. The performances are just ok, no one seems very committed to a role, other than Neri. There are a few really beautiful shots of her, how could there not be?, but she's had better parts and looked better in much better films.
There is very little style and the shots at times barely cut together. The music score is pretty good but it stops and starts at odd moments sometimes in mid scene, it all feels like no one with much experience was at the helm of the movie.
For something that's supposed to be shocking, the violence and nudity are few and far between, not a problem if the drama is compelling, but it's not.
There is one laughable scene with a red hooded guy popping, like in Bewitched, in and out in various places. The editing is sluggish so you can tell one actor is freezing in place while the other moves and they start shooting again. It's really half heartedly done.
There is a sword fight and well, uh, that's about it, I guess there sort of is another sword fight eventually.
It's all rather flatly done and pretty dull, for a film called The Devil's Lover the whole devil angle is also dull and almost silly the way it's done. A film that doesn't know how to be erotic horrific or compelling, decent production values raise it above worse films, but it looks like what it is, a producer directing and not knowing how.
In the Severin 2024 release there is an interview with actor Robert Woods who claims he was brought in to try to save the movie, to edit the film, be in it in a small role added later and to direct some of it. Even with all that he says it's not better than just ok and I'd agree.
The 2024 release looks and sounds very good, features a dull commentary track with lot of silence between not too interesting things to say.
The problems are the script and directing, both by the same man who seems to have little talent at either. The performances are just ok, no one seems very committed to a role, other than Neri. There are a few really beautiful shots of her, how could there not be?, but she's had better parts and looked better in much better films.
There is very little style and the shots at times barely cut together. The music score is pretty good but it stops and starts at odd moments sometimes in mid scene, it all feels like no one with much experience was at the helm of the movie.
For something that's supposed to be shocking, the violence and nudity are few and far between, not a problem if the drama is compelling, but it's not.
There is one laughable scene with a red hooded guy popping, like in Bewitched, in and out in various places. The editing is sluggish so you can tell one actor is freezing in place while the other moves and they start shooting again. It's really half heartedly done.
There is a sword fight and well, uh, that's about it, I guess there sort of is another sword fight eventually.
It's all rather flatly done and pretty dull, for a film called The Devil's Lover the whole devil angle is also dull and almost silly the way it's done. A film that doesn't know how to be erotic horrific or compelling, decent production values raise it above worse films, but it looks like what it is, a producer directing and not knowing how.
In the Severin 2024 release there is an interview with actor Robert Woods who claims he was brought in to try to save the movie, to edit the film, be in it in a small role added later and to direct some of it. Even with all that he says it's not better than just ok and I'd agree.
The 2024 release looks and sounds very good, features a dull commentary track with lot of silence between not too interesting things to say.
Le saviez-vous
- AnecdotesItalian censorship visa # 59307 delivered on 29-11-1971.
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