La Filière

In "The Sicilian connection" , released in Italy as "Afyon Oppio" stands out Ben Gazzara as Coppola who turns in a terrific performance, so it's too bad he didn't stick around to dub himself . In the great tradition of American thrillers , and really influenced by William Friedkin's French Connection , in which is blatantly inspired , this acceptable movie concerns an undercover hood who travels across various countries to do dirty business with drug chieftains , including the unholy alliances Coppola must form to make the deals work. An unorthodox attempting to set up an opium/morphine/heroin route following the Turkish/Sicilian connection about a smuggling ring connected with New York City , while narcotics police going after him . Stars an American underworld up-and-comer relocating to Europe and immersing himself in the risked and mysterious world of heroin production , describing little by little the complex operations such as dead person is stuffed with heroin bags and ship transporting the dope . Along the way , he becomes involved with old-school Sicilian dons , treacherous Manhattan-based crime boss , among others. Ben Gazzara Smashes the Pipeline from the Poppy Fields of Turkey to the Sidewalks of New York! The time is just right for an out and out thriller like this ! . When Giuseppe 'Joe' Coppola cuts loose, anything goes!

In this decently rated film there is noisy action , suspense , thrills , violence and being extremely entertaining . This obscure European drug trafficking thriller stars Ben Gazzara who gives a very fine acting as Joe Coppola, an ambitious , non-conformist New York mobster who travels from Turkey, through Sicily to N. Y . His companions and other nemesis are Jess Hamn , Corrado Gaipa , Luciano Rossi , Bruno Corazzari , Steffen Zacharias , playing perfectly their roles as cunning and elegant villains . Director/writer Ferdinando Baldi and co-writer Duilio Coletti provide a cynical and bleak look at the dark side going throughout the underworld drug trafficking . The film is interest enough , that's why it shows the long and sinister world of the drugs market , depicting step-by-step a vast network of intermediaries with various elaborate ploys , including shipping agents , hidden laboratories , processing in dead bodies, frozen fish shipments , caves , nasty importers , etc. Including scenes in documentary-style about Turkish women cutting the poppies and its transport to the shady destinations. In addition , depictions of religious hypocrisy such as the particular Sicilian burial at the beginning and the greedy NYC one-percenters pretending to be a Bible study group when their deal gets busted by the police officers . It is slight on action packing some brief car pursuits , but heavy on the methodical , and in fact there's a few crossfire and a rather hapless attempt at a French Connection-style car chase at the highway that starts in Manhattan to New York outskirts . The supporting cast has a ton of familiar Eurocult faces from Spaghetti , Peplum , Giallo , Poliziesco and Italian Gothic , such as : Luciano Catenacci, Teodoro Corrà, Luciano Rossi, Bruno Corazzari , Romano Puppo, Carlo Gaddi , Giuseppe Castellano, Jess Hahn and three Eurotrash goddesses : Silvia Monti, José Greci and Malisa Longo.

Also with a peculiar and screeching musical score by Guido and Maurizio de Angelis . And cinematography by cameraman Aiace Parolin is pretty good with a lot of aerial shots of the NY skyscrapers , Twin Towers, and perhaps the best Times Square location edition in all of Eurocult cinema , everyone on the streets looking directly at the camera, and theater marquees boasting new and old titles. This film was well produced by Joseph Green Pictures for its 1975 grindhouse and drive-in run in the US . The motion picture was compellingly realized by Ferdinando Baldi . Direction by Ferdinando Baldi is well crafted, here he is more cynical and violent and inclined toward humor and packs too much action . Baldi makes a nice camera work with clever choreography on the showdown , fighting , moving shootouts and bemusing scenes . Baldi was a craftsman who directed all kind genres but especially Western such as "Carambola's Philosophy: In the Right Pocket" , "Django, Prepare a Coffin" , ¨Adios Texas¨ , ¨Rita in the West¨ and of course ¨Il Pistolero dell'Ave Maria" or USA original title "Forgotten Pistolero" at his best , furthermore the successful The treausere of the for . ¨Sicilian Connection¨ is an outlandish , surprising and uneven story but will appeal to Italian thriller aficionados . Rating : 6.5/10 , riotous Poliziesco in which there's action violence and excitement enough .Eurotrash connoisseurs won't be disappointed. This exploitation material is worthy of some attention after all these years.

This movie has small-time hood Ben Gazzara crossing the underbelly of Europe, from Turkey to Sicily, to promote a huge score of heroin for him to sell in New York. There's an able air of lurking menace throughout this well-produced movie by Ferdinando Baldi amidst the tangled and competitive world of drug smuggling.

Lots of beautiful location shooting in Turkey, Sicily and New York City -- although if the New York shots are any indication the editors cut for maximum impact rather than geographical reality.

Ben plays a small time hood who goes to Turkey then to Italy to smuggle opium and drugs to make it to the big time. But he realises the rough and long road as everyone tries to take a cut from his business. Great locations (like Turkey and other places) and funky pop tunes by Oliver Onions does add flavor to this poorly put together film. The main reason to see this is Ben Gazzara who is a very underrated actor and he is great as usual. But the main problem is that he is badly dubbed by someone else. Recommended.

This is a movie about a relatively small-time New York mafia hood (Ben Gazarra) trying to establish a heroin smuggling route from Turkey to New York City via Sicily (thus the English title). It was doubtlessly inspired by "The French Connection" and while, it's certainly not as good, it's an interesting movie in that it's told from the point of view of the smuggler as he uses various elaborate ploys (dead bodies, frozen fish shipments)to get the drugs to New York City, all the while having to deal with the underworld powers that be in Turkey, Sicily, and the Big Apple as well as the international police who are tailing him the whole time. Of course, the charismatic Gazarra is not going to turn out to be quite as a despicable of a character as he first seems, but the game he is playing here turns out to be even more dangerous.

This is Gazarra's show all the way. Silvia Monti plays a love interest, but she is only there for the first third of the movie that takes place in Turkey. Gazarra's brass-balled character then stays at the villa of a powerful Sicilian godfather and repays his hospitality by banging his adult daughter (Malisa Longo, gorgeous and butt-naked as usual), who just barely manages to beat the godfather's young second wife in a lustful race to get to the American gangster's bed. The first two parts of the movie are rather slow, as another reviewer said (but they seem to have been genuinely filmed in Turkey and Sicily). It is when they get to New York City, however, that the action really starts.

Fernando Baldi is an interesting director who managed to direct everything from classic Spaghetti Westerns like "Texas Addio" (the film that really introduced the world to actor Franco Nero)to ridiculously sleazy sex-soaked garbage like "Terror Express". He's not one of the great Italian directors perhaps, but clearly he has SOME talent. I would recommend this, especially to Ben Gazarra fans.

I have never regarded Ben Gazzara as an actor able to transcend a limited number of facial expressions. In AFYAN OPPIO (THE SICILIAN CONNECTION) he keeps to that standard, always smug, always with that smirk on the corner of his lips suggesting that he considers himself to be cleverer than anyone else.

Which is a dangerous assumption to make in the dog eat dog world of drug smuggling, as he should know, finding out in the process that not even police live up to their word.

The best things about this cynical, brutally violent flick are: beautiful Silvia Monti, and all the other splendid females; and the beginning, when a police officer decides to investigate whether a corpse about to be buried actually hides drugs. Gazzara appears on the screen shortly afterward to guarantee downhill from that point on.

Probably influenced by the famous car chase in BULLITT (1968), this 1972 production serves two chases, including one where a FIAT vehicle changes color from black to white at a purported carwash - which is plain impossible even with 50 plus years' advancements in all areas of technology.

Gazzara keeps looking smug, which began to annoy me, and the rest of the cast get little time to stand out - both in terms of screen time and failure to dodge bullets furiously flying around.

Cinematography by Aiace Parolin is nothing to write home about (washed out filming of housing in rocks in Anatolia, and of Topkapi Palace in the distance in Turkey, for instance) and editing by Eugenio Alabiso rates at best careless, noticeably during the chases, which would have benefited from sharper cutting.

I watched AFYAN OPPIO in Italian which, I am told, is the original and better version, as the English dubbing was apparently substandard at the time of release. Well, dialogue still failed to impress, basically about looking after number one and being on your toes to stay alive... and old lesson that we all learn from the first days in primary school after meeting the class bully. 6/10.