La Filière

A typical Italian crime film, heavily influenced by THE FRENCH CONNECTION to the extent that it looks and feels like a great big rip-off. It starts off with a bang with an excellent and sadistic murder sequence before slowing down to a crawl for the rest of the running time. American import Ben Gazarra heads off to Turkey and gets involved with a local smuggling ring, and the usual twists follow. Not bad, but not one of the best.

I have never regarded Ben Gazzara as an actor able to transcend a limited number of facial expressions. In AFYAN OPPIO (THE SICILIAN CONNECTION) he keeps to that standard, always smug, always with that smirk on the corner of his lips suggesting that he considers himself to be cleverer than anyone else.

Which is a dangerous assumption to make in the dog eat dog world of drug smuggling, as he should know, finding out in the process that not even police live up to their word.

The best things about this cynical, brutally violent flick are: beautiful Silvia Monti, and all the other splendid females; and the beginning, when a police officer decides to investigate whether a corpse about to be buried actually hides drugs. Gazzara appears on the screen shortly afterward to guarantee downhill from that point on.

Probably influenced by the famous car chase in BULLITT (1968), this 1972 production serves two chases, including one where a FIAT vehicle changes color from black to white at a purported carwash - which is plain impossible even with 50 plus years' advancements in all areas of technology.

Gazzara keeps looking smug, which began to annoy me, and the rest of the cast get little time to stand out - both in terms of screen time and failure to dodge bullets furiously flying around.

Cinematography by Aiace Parolin is nothing to write home about (washed out filming of housing in rocks in Anatolia, and of Topkapi Palace in the distance in Turkey, for instance) and editing by Eugenio Alabiso rates at best careless, noticeably during the chases, which would have benefited from sharper cutting.

I watched AFYAN OPPIO in Italian which, I am told, is the original and better version, as the English dubbing was apparently substandard at the time of release. Well, dialogue still failed to impress, basically about looking after number one and being on your toes to stay alive... and old lesson that we all learn from the first days in primary school after meeting the class bully. 6/10.

Sicilian Connection's basic idea is to follow a large shipment of opium from turkey to Italy and then, finally, to America. Joe Coppolla, a small-time dealer trying to make it big-time, is the egocentric and unsympathetic lead character and owner of the shipment. Will he succeed in selling the drugs or will the police or the mafia get to him first? Wooden acting, awful dubbing, uninspired camerawork and bad direction made me not care at all...

If you're a fan of Italian crime movies and seen all the classics (like Castellari's fantastic movie High Crime), this might do the trick. In fact ANYTHING would to the trick. Sicilian Connection is for italian crime buffs what warm, cheap beer might be for an alcoholic: It will take the urge away for a while, but it won't give you any real satisfaction. Addicts take note, others better stay far, far way.

3/10

This movie has small-time hood Ben Gazzara crossing the underbelly of Europe, from Turkey to Sicily, to promote a huge score of heroin for him to sell in New York. There's an able air of lurking menace throughout this well-produced movie by Ferdinando Baldi amidst the tangled and competitive world of drug smuggling.

Lots of beautiful location shooting in Turkey, Sicily and New York City -- although if the New York shots are any indication the editors cut for maximum impact rather than geographical reality.

This is a movie about a relatively small-time New York mafia hood (Ben Gazarra) trying to establish a heroin smuggling route from Turkey to New York City via Sicily (thus the English title). It was doubtlessly inspired by "The French Connection" and while, it's certainly not as good, it's an interesting movie in that it's told from the point of view of the smuggler as he uses various elaborate ploys (dead bodies, frozen fish shipments)to get the drugs to New York City, all the while having to deal with the underworld powers that be in Turkey, Sicily, and the Big Apple as well as the international police who are tailing him the whole time. Of course, the charismatic Gazarra is not going to turn out to be quite as a despicable of a character as he first seems, but the game he is playing here turns out to be even more dangerous.

This is Gazarra's show all the way. Silvia Monti plays a love interest, but she is only there for the first third of the movie that takes place in Turkey. Gazarra's brass-balled character then stays at the villa of a powerful Sicilian godfather and repays his hospitality by banging his adult daughter (Malisa Longo, gorgeous and butt-naked as usual), who just barely manages to beat the godfather's young second wife in a lustful race to get to the American gangster's bed. The first two parts of the movie are rather slow, as another reviewer said (but they seem to have been genuinely filmed in Turkey and Sicily). It is when they get to New York City, however, that the action really starts.

Fernando Baldi is an interesting director who managed to direct everything from classic Spaghetti Westerns like "Texas Addio" (the film that really introduced the world to actor Franco Nero)to ridiculously sleazy sex-soaked garbage like "Terror Express". He's not one of the great Italian directors perhaps, but clearly he has SOME talent. I would recommend this, especially to Ben Gazarra fans.