Les mésaventures professionnelles et personnelles d'un psychologue et de sa famille, de ses patients, de ses amis et de ses collègues.Les mésaventures professionnelles et personnelles d'un psychologue et de sa famille, de ses patients, de ses amis et de ses collègues.Les mésaventures professionnelles et personnelles d'un psychologue et de sa famille, de ses patients, de ses amis et de ses collègues.
- Nommé pour 4 Primetime Emmys
- 2 victoires et 9 nominations au total
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I loved this show as a kid (I was 10 in 1975)... it was a show that actually made sense to me (yeah, yeah, I watched all the other 70's shows too...). It was adult without being sexy (I hated that in TV shows... nothing's grosser than Marion & Howard getting "frisky")-- the characters were wry, the situations were plausibly ridiculous (?!?!?), and the writing was intelligent. I knew, even then, that there was a difference between intelligent humor and (gawd help us) pratfall humor (think: Jack Ritter), and what I preferred. I also dug that I "got" it, and that Bob was a nebbishy kind of guy, who stumbled along through life, really making it on his wits (certainly wasn't his good looks). Gave a geeky girl a certain hope for her future.
"The Bob Newhart Show" is possibly the most brilliant of the "adult sitcoms" of the early 1970's. Along with "The Odd Couple" and "Mary Tyler Moore", this show exhibits a subtle, mature humor that has all but disappeared from television today. Great actors make this show with a simple "situation" -- adults working, talking, eating, and going to bed -- hilarious and reflective. Bob Newhart's unique comedic style finds a perfect outlet in "The Bob Newhart Show." For the uninitiated, it might be compared to "Seinfeld" in that it is a "show about nothing" that derives humor from the interactions between people and not "jokes."
A masterpiece of understated adult humor, epitomized by its low-key star, Bob Newhart, who could get big laughs reading from the phone book with his trademark stammers and pauses.
Supporting cast was remarkable, each playing to his or her strengths, gliding smoothly along the tracks laid down by the expert writing staff. Standouts? Everybody was a standout. Peter Bonerz as Jerry, the libidinous orphaned dentist. Bill Daily as the addled Howard Borden, airline navigator, bumbling divorced dad, and meal moocher. Marcia Wallace as Carol, confident, razor-tongued receptionist extraordinaire. Jack Riley as Mr. Carlin, the funniest self-centered jerk of the modern sitcom era. And Suzanne Pleshette as Emily, Bob's gorgeous, sensible wife.
The trick to the show's humor was that it seemed to rise naturally from these characters who, though colorful, also resembled real people. Nobody had to push too hard for a laugh.
Almost three decades later I still haven't seen another TV comedy series that possessed this one's unique tone of humor, an almost indescribable mix of the usual satire and sarcasm and poking fun at our modern life and lifestyles, balanced perfectly against warm-hearted affirmation of the bonds of friendship and affection that make life bearable. And funny.
Supporting cast was remarkable, each playing to his or her strengths, gliding smoothly along the tracks laid down by the expert writing staff. Standouts? Everybody was a standout. Peter Bonerz as Jerry, the libidinous orphaned dentist. Bill Daily as the addled Howard Borden, airline navigator, bumbling divorced dad, and meal moocher. Marcia Wallace as Carol, confident, razor-tongued receptionist extraordinaire. Jack Riley as Mr. Carlin, the funniest self-centered jerk of the modern sitcom era. And Suzanne Pleshette as Emily, Bob's gorgeous, sensible wife.
The trick to the show's humor was that it seemed to rise naturally from these characters who, though colorful, also resembled real people. Nobody had to push too hard for a laugh.
Almost three decades later I still haven't seen another TV comedy series that possessed this one's unique tone of humor, an almost indescribable mix of the usual satire and sarcasm and poking fun at our modern life and lifestyles, balanced perfectly against warm-hearted affirmation of the bonds of friendship and affection that make life bearable. And funny.
Okay, the Bob Newhart Show wasn't for everybody. I never got a chance to watch it on television. Now on DVD, I am discovering it for the first time. The writing is smart and the acting is smarter than ever with Bob Newhart in the title role as a Chicago psychologist, Susan Pleshette as his wife and third grade school teacher. They are great couple on screen. Surprisingly, they don't have children in the show which is a big plus because the show works better without them. Marcia Wallace is wonderful as his secretary. The show is smart, funny, savvy, relevant, and most of all timeless. It's a classic sitcom that might be overlooked because it's not dirty or stupid like most sitcoms are today. The Bob Newhart Show and others of that era are classic and timeless and relevant to today's life. Too bad, shows like that aren't being developed for television today. It's our loss, isn't it?
Not cutting edge like "All in the Family," and lacking the social relevance of Mary Tyler Moore's single woman who was gonna make it after all in a man's world, "The Bob Newhart Show," which shared the CBS Saturday night lineup with those shows in the 70s, nonetheless had the strongest legs. While Archie Bunker fumbled once daughter Gloria and "Meathead" moved out, leaving him without a regular nemesis, "The Bob Newhart Show" delivered first rate comedy as dependably in its last season as it did in its first.
Newhart was a more mature Seinfeld in that most of the madness was provided by the supporting cast, and a terrific one it was too: Suzanne Pleshette, sassy and sexy as Bob's earthy wife, Emily; Peter Bonerz as the dentist and sarcastic ladies man, Jerry Robinson; and Bill Daley as perpetually befuddled pilot Howard Borden. Then there was Marcia Wallace as snippy receptionist Carole, the wonderful John Fiedler as mousy Mr. Peterson, and Jack Riley as the truly deranged Mr. Carlin. All had their moments of brilliance, but it was Newhart, with his low-key genius, who held the show together and made it work. A comedy classic.
Newhart was a more mature Seinfeld in that most of the madness was provided by the supporting cast, and a terrific one it was too: Suzanne Pleshette, sassy and sexy as Bob's earthy wife, Emily; Peter Bonerz as the dentist and sarcastic ladies man, Jerry Robinson; and Bill Daley as perpetually befuddled pilot Howard Borden. Then there was Marcia Wallace as snippy receptionist Carole, the wonderful John Fiedler as mousy Mr. Peterson, and Jack Riley as the truly deranged Mr. Carlin. All had their moments of brilliance, but it was Newhart, with his low-key genius, who held the show together and made it work. A comedy classic.
Le saviez-vous
- AnecdotesBill Quinn, the actor who played the recurring role of the mailman for Bob Hartley's office building, was Newhart's father-in-law in real life.
- GaffesHoward Borden is employed as a navigator for an airline, but by the time of the show's setting the navigator job on US airlines had been eliminated. If however Howard had been employed by a foreign airline, he most likely would not have been based in Chicago. Based on destinations he mentioned during the course of the show (domestic), this appears unlikely.
- Citations
Howard Borden: I was, uh, just decorating my Christmas tree and I was wondering, is there a trick to stringing cranberry sauce?
- ConnexionsEdited into Hôpital St. Elsewhere: Tears of a Clown (1985)
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- How many seasons does The Bob Newhart Show have?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Шоу Боба Ньюхарта
- Lieux de tournage
- 430 N. Michigan Avenue, Near North Side, Chicago, Illinois, États-Unis(Bob's office building)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
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By what name was The Bob Newhart Show (1972) officially released in India in English?
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