The Bob Newhart Show

Not cutting edge like "All in the Family," and lacking the social relevance of Mary Tyler Moore's single woman who was gonna make it after all in a man's world, "The Bob Newhart Show," which shared the CBS Saturday night lineup with those shows in the 70s, nonetheless had the strongest legs. While Archie Bunker fumbled once daughter Gloria and "Meathead" moved out, leaving him without a regular nemesis, "The Bob Newhart Show" delivered first rate comedy as dependably in its last season as it did in its first.

Newhart was a more mature Seinfeld in that most of the madness was provided by the supporting cast, and a terrific one it was too: Suzanne Pleshette, sassy and sexy as Bob's earthy wife, Emily; Peter Bonerz as the dentist and sarcastic ladies man, Jerry Robinson; and Bill Daley as perpetually befuddled pilot Howard Borden. Then there was Marcia Wallace as snippy receptionist Carole, the wonderful John Fiedler as mousy Mr. Peterson, and Jack Riley as the truly deranged Mr. Carlin. All had their moments of brilliance, but it was Newhart, with his low-key genius, who held the show together and made it work. A comedy classic.

"The Bob Newhart Show" is possibly the most brilliant of the "adult sitcoms" of the early 1970's. Along with "The Odd Couple" and "Mary Tyler Moore", this show exhibits a subtle, mature humor that has all but disappeared from television today. Great actors make this show with a simple "situation" -- adults working, talking, eating, and going to bed -- hilarious and reflective. Bob Newhart's unique comedic style finds a perfect outlet in "The Bob Newhart Show." For the uninitiated, it might be compared to "Seinfeld" in that it is a "show about nothing" that derives humor from the interactions between people and not "jokes."

Bob Newhart and MTM put together a winning formula when they debuted the Bob Newhart Show in the Fall of 72. This was Deadpan comedy on the part of Newhart at it's best. Psychologist, Dr. Bob Hartley, deals with the day to day problems of his zany and quite real patient's. Jack Riley's, Elliot Carlin being one of the most notable of the group, with his bizarre problems and abrasive attitude towards other group members, especially the wishy-washy Mr. Peterson.

Bob's life outside his group was a bit less zany but just as interesting and funny. His relationship between his wife Emily, played by the sultry Susan Pleshette, was a very real relationship. Newhart and Pleshette complimented each other quite well.

I think everyone loved his wise cracking secretary, Carol, and the bumbling antics of his neighbor, Howard Borden.

I spent WAY too many hours glued to the TV as a youngster during the 1970s. Many of the shows I thought were absolutely perfect in 1972 or 1975, I have trouble sitting through for 10 minutes today. Some, however, have stood the test of time.

I would have to say that The Bob Newhart Show, more than any other show, has grown in my estimation as I have matured. I enjoyed it as a kid, but love it all the much more now.

Mr. Newhart, simply put, was and is a comedic genius. One blank look from him can surpass a 15-minute monologue by many comedians, for laugh production. In the right setting, with the right handling, Bob Newhart was one of the funniest ever. Fortunately for us, that perfect setting came together in the 1972-78 Bob Newhart Show. This show had impeccable writing by Charlotte Brown, Dick Clair and others, great directing by Peter Baldwin and many others, as well as wonderful acting.

One might have doubted that the struggles of a psychologist and his patients would make good fodder for comedy. Wrong! Who can forget the obnoxious Elliot Carlton (Jack Riley), the sharp knitting needles of Mrs. Bakerman (Florida Friebus, a.k.a., Dobie Gillis' mom), and wimpy Mr. Peterson (John Fielding, also in `12 Angry Men')? Who can forget the elevator and its frequent involvement in scenes, or Bernie Tupperman (Larry Gelman), the pudgy urinologist, or the periodic visits from `The Peeper' (Tom Poston)? And these, of course, were NOT part of the main supporting cast.

Suzanne Pleshette was perfect as Bob's lovely and usually supportive wife, Emily. Marcia Wallace became a household name as Carol, the perky secretary. Peter Borenz and Bill Daily, meanwhile, were absolutely delightful as Bob's two best friends, dentist Jerry Robinson and navigator Howard Borden. Daily, who was also great in `I Dream of Jeannie,' provided one of the most hilarious characters in sit-com history, as the clueless neighbor, Howard.

The cast of The Bob Newhart Show was so good and so deep that I have to make one confession. While I love Bob Newhart himself, I believe my favorite episode was one in which he had only a cameo appearance, phoning home from a convention somewhere. Carol, Jerry and Howard became convinced that an old flame visiting Emily while Bob was gone, spelled trouble. They spied on the two in a restaurant and the scene was possibly the most hilarious in the show's run, as Jerry wore a ridiculous fake glasses/nose combo and Howard could never seem to recognize him.

The Bob Newhart Show was a high-water mark for intelligent, sophisticated humor - although occasional forays into slapstick gave it an even more satisfying balance. Overall, I would call it one of the top three or four comedies ever made.

A masterpiece of understated adult humor, epitomized by its low-key star, Bob Newhart, who could get big laughs reading from the phone book with his trademark stammers and pauses.

Supporting cast was remarkable, each playing to his or her strengths, gliding smoothly along the tracks laid down by the expert writing staff. Standouts? Everybody was a standout. Peter Bonerz as Jerry, the libidinous orphaned dentist. Bill Daily as the addled Howard Borden, airline navigator, bumbling divorced dad, and meal moocher. Marcia Wallace as Carol, confident, razor-tongued receptionist extraordinaire. Jack Riley as Mr. Carlin, the funniest self-centered jerk of the modern sitcom era. And Suzanne Pleshette as Emily, Bob's gorgeous, sensible wife.

The trick to the show's humor was that it seemed to rise naturally from these characters who, though colorful, also resembled real people. Nobody had to push too hard for a laugh.

Almost three decades later I still haven't seen another TV comedy series that possessed this one's unique tone of humor, an almost indescribable mix of the usual satire and sarcasm and poking fun at our modern life and lifestyles, balanced perfectly against warm-hearted affirmation of the bonds of friendship and affection that make life bearable. And funny.