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IMDbPro

Le Dieu de la guerre

Titre original : Zhan shen tan
  • 1973
  • 1h 40min
NOTE IMDb
6,8/10
381
MA NOTE
Mao Shan and Jimmy Wang Yu in Le Dieu de la guerre (1973)
Action

Sous la dynastie Ming, un épéiste courageux rassemble cinq autres combattants et rallie les pêcheurs locaux pour combattre une bande d'envahisseurs japonais.Sous la dynastie Ming, un épéiste courageux rassemble cinq autres combattants et rallie les pêcheurs locaux pour combattre une bande d'envahisseurs japonais.Sous la dynastie Ming, un épéiste courageux rassemble cinq autres combattants et rallie les pêcheurs locaux pour combattre une bande d'envahisseurs japonais.

  • Réalisation
    • Jimmy Wang Yu
  • Scénario
    • Jimmy Wang Yu
  • Casting principal
    • Jimmy Wang Yu
    • Fei Lung
    • Tien Yeh
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    381
    MA NOTE
    • Réalisation
      • Jimmy Wang Yu
    • Scénario
      • Jimmy Wang Yu
    • Casting principal
      • Jimmy Wang Yu
      • Fei Lung
      • Tien Yeh
    • 13avis d'utilisateurs
    • 16avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos77

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    Rôles principaux27

    Modifier
    Jimmy Wang Yu
    Jimmy Wang Yu
    • Hsia Feng
    • (as Yu Wang)
    Fei Lung
    Fei Lung
    • Hashimoto
    • (as Lung Fei)
    Tien Yeh
    Tien Yeh
    • Leng Ping
    • (as Yeh Tien)
    Han Hsieh
    Han Hsieh
    • Iron Bull Chao
    Yi-Kuei Chang
    Yi-Kuei Chang
    • Hung
    Hung Kuan
    • Li
    Wan-Hsi Chin
    Wan-Hsi Chin
    Ma Chin-Ku
    Ma Chin-Ku
      Wei-Hsiung Ho
      Hsing Hsieh
      Blackie Shou-Liang Ko
      Blackie Shou-Liang Ko
      You-Min Ko
      You-Min Ko
      Chun Lei
      Chiang Li
      Jack Long
      Jack Long
      Ming Min
      Ming Min
      Chuan-Ling Pan
      Mao Shan
      Mao Shan
      • Réalisation
        • Jimmy Wang Yu
      • Scénario
        • Jimmy Wang Yu
      • Toute la distribution et toute l’équipe technique
      • Production, box office et plus encore chez IMDbPro

      Avis des utilisateurs13

      6,8381
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      Avis à la une

      8ckormos1

      This is how you do an epic battle sequence correctly

      The narrator explains the political and social problems of the times as we see waves crash over the rocks. Jimmy walks alone to the city gate. The people are packing up and leaving. Some want to stay and fight but it seems hopeless. The Japanese are already there and demanding a ransom to spare the city. Jimmy only needs one chopstick to kill one of the Japanese. He scratches his nose with the other then draws his sword to kill all the others except Shan Mao who flees.

      Fabulous opening fight sequence. I consider this the best opening fight sequence of any martial arts movie up until 7/13/1973 the date of this movie's release.

      This movie is famous for the lengthy battle sequence and has the record for the longest uninterrupted fight. Jimmy got it right by using a variety of weapons, plus props and other parts of the set manipulated into the fights. A battle this long has to be like a roller coaster ride or else it gets repetitive and boring. Like a roller coaster means twists and turns, speed up and slow down, left and right and every direction incessantly. Jimmy and the action directors got it just right here for an unforgettable and possibly unbeatable feature fight.

      Is there anything to criticize about it? The fight sequence with the men using woven rattan shields and swords could have been choreographed better. It did not come across as effective or realistic but more as flashy acrobatics. This is a legitimate fighting style including the forward rolls. The Grand Master of All Martial arts Movie - Sifu Chia Liu-Liang- used these fighters and their techniques in a few Shaw Brothers movies and did it more realistically as to the fighting impact. My only other complaint was the flashy and blinding special effect in the last sword fight. I felt it was just not needed and added only a hokey element to it.

      I rate this movie as one of the best martial arts movies of all times. My recommendation is meaningless as anyone who knows anything about this genre already knows about this movie.
      9chrislawuk

      Defies expectations

      One of the best kung fu movies I seen i a while. Learnt about it on the video archives podcast.

      I rank it up there with Lonewolf and Baby Cart series for sword fighting and fight choreography.

      There's a full range of inventive swords men and fighting techniques, maybe more than most other films (especially of this generation). That's really what makes this film stand out, is its relentless creativity.

      They also use a lot of trampolines (its pretty obvious but it works) and reverse cinematography, to really great effect. Slow motion also, and really make it work.

      Its a hong kong/ taiwan collaboration, non-stop action movie.

      What keeps it interesting is the constant troop formations, traps, unique weaponry etc. It makes it stand out and more entertaining than other movies in the genre by far. Interesting it is so far undiscovered in the West, looking at the low reviews on IMDB.

      The sets are very nice. When you compare it to the top genre cowboy/ western movies being made in 1973, this movie certainly holds its own. Film sets equally top notch.

      Fast paced and action packed, I must also commend the costume design, which is meticulously detailed.

      With over the top action like this, you either make the fight scenes work, or its a fail. It has to be plausible to an extent. Its a fine line, and it all comes down to the skills of the cast and director. Here they do a fine job. You don't make a move like this without devoting time and effort in to making the scenes work.

      It is easy to criticise the lack of story depth, as it is a standard war movie in this respect. The war strategy is basically the story development. There really isn't much more to it than that.

      The script I quite enjoy, for what it is. At least the english dubbed version of the script I watched. Again, it plays second fiddle to the other elements of the film that really shine. Its really theatrical.

      What I like about movies that have 360 (at this time) ratings on IMDB, is you can watch i with little to no expectations.
      BrianDanaCamp

      Jimmy Wang Yu takes on the Japanese

      In BEACH OF THE WAR GODS, an action-packed Hong Kong swordplay adventure from 1973, Jimmy Wang Yu rallies three fighters to help lead the men of a Chinese beach town in battle against the invading Japanese. One of the fighters is an expert knife thrower and comes with his own arsenal. It all leads quickly to a massive battle in the town streets. The swordfights are reminiscent of those found in Japanese samurai films, but with more action and vigor. (Interestingly, Wang Yu often made kung fu films with anti-Japanese themes, yet his films often reflected the influence of Japanese samurai films. This one, in particular, explicitly recalls Akira Kurosawa's SEVEN SAMURAI.)

      The film could have used more buildup to the main battle, more training scenes, and more character development. After a simple setup, Wang Yu and company gather and prepare for battle. Then--boom!--the battle begins and lasts till the end of the film! The humble villagers we've met earlier are all now skilled uniformed fighters taking on hardened Japanese swordsmen with a range of sophisticated tactics. Action fans will love it, but those seeking a little more depth and substance may feel unsatisfied. Still, the impressive battle scenes are very well staged and photographed on a sprawling beach and a massive period backlot set. Wang Yu not only stars, but wrote and directed the film as well.
      8DanTheMan2150AD

      A beautiful paradox

      At the heart of the incredibly titled Beach of the War Gods is a beautiful paradox, one built upon love and shame, it's wuxia mayhem by way of Kurosawa and Leone all filtered through the eyes of Jimmy Wang Yu. Whilst hand-to-hand combat had started to become the name of the game following the dawn of the 1970s, this film sees Wang Yu take a decisive step back from what he was more well-known for, to make a film in the genre that had previously dominated, the wuxia. Granted, it does look a little rougher around the edges than many of its contemporaries, but its ambition and scope are to be marvelled at. Wang Yu makes fabulous use of the wide frame with some brilliantly composed and thoroughly beautiful shots sprinkled throughout. It's enriched with depth, movement and a constant visual interest to keep you engrossed with wind machines regularly blasting away, waves crashing dramatically and fire adding powerful amounts of colour. And this is all before I mention the film's awe-inspiring and action-packed finale that brings 25 minutes of uninterrupted magnificence to the forefront. Yes, the characters and plot are exceptionally flimsy and the dialogue is superficial at best; yet the stripped-back approach works in Beach of the War Gods' favour, never intruding upon its gloriously bloody action and rushing towards its lengthy, epic final battle without any fat getting in the way.
      9Movie-Misfit

      One Of My Fav Wang Yu Classics!!

      This is one of many, of my favourite Jimmy Wang Yu films. Written and directed by the man himself, this early Golden Harvest production has always sat strong with me and is a classic that I would love to see cleaned up and restored for a Blu-ray release. A take on the classic Seven Samurai, Wang Yu plays a stranger who turns up at a coastal town and offers to protect it from an army of Japanese invaders. Setting out to gather his own small army of fighters, Wang Yu finds its not as easy as he had hoped, but soon finds the people he needs to help defend the town one of which is the mysterious knife-throwing killer played by Tin Yau, co-star of many Wang Yu films!

      Nicely shot and neatly directed, the only main flaw of the awesomely titled Beach Of The War Gods would be the lack of characterisation. While hardly a major downfall, the clear focus is on the fighting here which comes fast and often, in a barrage of hand-to-hand combat, samurai-inspired swordplay, and other wild weapons. The fights are handled by Hsiao Pao who also choreographed the action in one of my guilty pleasures, Vampire Settled On Police Camp (with Sandra Ng), who is joined by veteran Kuan Hung who worked with Wang Yu on the One Armed Boxer 1 & 2 as well as many more of his classics...

      Wang Yu directs as Wang Yu does. While it may have the polish of a high-end production, there's still a rawness to his style. The sets and costumes are fantastic, and the most (if not all) of the cast do a great job. There are plenty of great visuals that, again, would look amazing in a restored version.

      The Japanese are led by Wang Yu film regular Lung Fei, bad guy of a thousand classics, who (at the 50 minute mark) leads his men on the beach for battle at night, resulting in a major loss of men due to Wang's preparation. A second attempt the following morning begins a breathtaking, half hour of constant fighting which does not disappoint!

      Literally 30 minutes of wonderful action rushes by, inspired by the classic Samurai films of Japanese cinema, with Wang Yu's unique touch and a body count equal on both sides. As the battle spreads out and the enemy get lost in the streets of the town, the newly trained local fighters do their best to take them down. Make no mistake, there is no holding back here as tens of men leap from rooftops in unison, a thousand blades flash across the screen, and lengthy one-shots track through the carnage without a hiccup.

      Wang Yu is just brilliant here as he cuts through the enemy with more speed and ferocity than usual - his white robes gradually getting redder with blood as he fights on. It seems that with this action-packed-half-hour, that every 10 minutes that pass, Wang Yu ramps things up even more with harder violence, faster fights, and the carnage that ensues once Lung Fei joins the battle. It is an ending that, alone, rivals the greatest Shaw Brothers masterpiece!

      Believe it or not, after all that and a 2 minute breather, the film closes with a lengthy one-to-one as the awesome Jimmy Wang Yu takes on Lung Fei in a fight to the death. Its a fantastically choreographed fight scene on and around a windmill on the beach (including a great WTF moment), and overall, a highly impressive, action-packed 40 minute finale...

      Overall: An incredible piece of martial arts cinema, Beach Of The War Gods is one of Wang Yu's greatest moments, and an absolute classic!

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      Histoire

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      Le saviez-vous

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      • Anecdotes
        Apart from the occasional order, the Japanese characters are actually speaking Cantonese.
      • Connexions
        Referenced in Gangsters: Enter the White Devil (1978)

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      Détails

      Modifier
      • Date de sortie
        • 12 juillet 1978 (France)
      • Pays d’origine
        • Hong Kong
        • Taïwan
      • Langue
        • Mandarin
      • Aussi connu sous le nom de
        • Le défi meurtrier des panthères noires de Hong Kong
      • Lieux de tournage
        • Taïwan
      • Société de production
        • Golden Harvest Company
      • Voir plus de crédits d'entreprise sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        • 1h 40min(100 min)
      • Couleur
        • Color
      • Mixage
        • Mono
      • Rapport de forme
        • 2.35 : 1

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