La veuve Couderc

Wow: Delon, Signoret, Simenon - and it's an almost total dud. Virtually not a single thing happens for the first 75 minutes of the movie. No, scratch that: Delon sports a terrible moustache in the first half, but he later shaves it off; that IS an important moment. Even the title is uninviting. * out of 4.

The person who wrote that she (?) thought that, perhaps, no one in America had seen this film is wrong! I saw it in Los Angeles when it first came out, in the early '70s. Granted, it did not leave a great impression upon me. What left a great impression upon me was, bien sur, the wonderful Alain Delon. Sigh. Sorry! Can't help it! I will remember everything he was in until the day I die! After seeing this film, I remember afterwards, recollecting the scenes with him and the younger gal with whom he was dallying, and thinking, "That actress should PAY to play that role!" Again, sorry! Of course, Signoret was fantastic, as she always was.

Pierre Granier Deferre is a famous director of thriller films.Apart from scoring admirable box office success most of his films have also been hailed by critics.In the history of French cinema it can be said that "La Veuve Couderc" will be hailed as one of the most successful adaptations of a George Simenon novel.It is a film in which nothing is left to chance.As there is a strong emphasis on the portrayal of characters both small and large,we get to see some remarkable acting performances.Much of the film's brilliance comes from its portrayal of a French village.It is a nice thing that Pierre Granier Deferre has covered every minute detail of French provincial life.Alain Delon and Simone Signoret appear wonderful as ill fated lovers who revolt against old fashioned values of French society.La Veuve Couderc is a film for those people who value the importance of love.In many ways it is similar to Ali fear eats the soul directed by Fassbinder.

"La Veuve Couderc" comes on a disc that also includes one of Alain Delon's very best films, "Diaboliquement Vôtre"-- truly terrific suspense film. While "Le Veuve Couderc" is not nearly as good, as long as you're watching one of the films, you may as well watch the other. However, just be forewarned that "Le Veuve Couderc" is MUCH slower and may be too slow for some audiences.

The film begins with a middle-aged woman (Simon Signoret) being assisted by a traveler (Alain Delon) to carry her new incubator back to the farm. He asks if she has more work and she hires him without knowing more about the man. The widow turns out to be a rather sad character with a sad past--though she doesn't dwell on this. She also has some in-laws that give her no end of trouble. What about Delon? See the film and find out more about the stranger.

As I mentioned above, the film is pretty slow. It's well acted BUT perhaps the acting is, at times, a bit too muted. I would have loved some more energy in the film. This doesn't mean you shouldn't watch. It also didn't help that you didn't feel much connection with the characters.

By the way, although you probably won't care, the history teacher in me was a bit annoyed because Félicie's hairstyle is NOT period--she looked to be from much later. It's a little thing but I am surprised they didn't catch this.

At the time ,French cinema was updating the rural thriller ,a genre which had begun in the late thirties/forties with such works as "Goupi Mains Rouges" "l'Assassinat du Père Noël" or "la Ferme aux Loups".The early seventies began with Granier-Deferre's "La Horse " (Gabin) and continued with another Granier-Deferre (this one) as well as with "L'Affaire Dominici" (Gabin) and "Les GRanges Brulées" (Signoret and Delon teaming up again).

These movies from the seventies were more realistic ,more "precise in their depictions of rural life than those released earlier."La Veuve Couderc",like one of his precedent movies ("Le Chat" also feat Signoret) was first a novel by Georges Simenon.In France ,people were amazed to see Delon playing opposite Signoret ,but most of the actresses Delon played with in the seventies ,with the exception of Romy Schneider or Jeanne Moreau,were starlets.There was really a special chemistry between them which was not as effective in their later effort "les Granges Brûlées" .Both are well cast,Signoret as a strong middle -age peasant woman and Delon as the fugitive .

Granier-Deferre helped pave a way to a new "Cinema de Qualité" which made us forget the pretensions of the new wavelet.